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Musical Note
In music, notes are distinct and isolatable sounds that act as the most basic building blocks for nearly all of music. This discretization facilitates performance, comprehension, and analysis. Notes may be visually communicated by writing them in musical notation. Notes can distinguish the general pitch class or the specific pitch played by a pitched instrument. Although this article focuses on pitch, notes for unpitched percussion instruments distinguish between different percussion instruments (and/or different manners to sound them) instead of pitch. Note value expresses the relative duration of the note in time. Dynamics for a note indicate how loud to play them. Articulations may further indicate how performers should shape the attack and decay of the note and express fluctuations in a note's timbre and pitch. Notes may even distinguish the use of different extended techniques by using special symbols. The term ''note'' can refer to a specific musical event, for insta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unicode
Unicode, formally The Unicode Standard,The formal version reference is is an information technology Technical standard, standard for the consistent character encoding, encoding, representation, and handling of Character (computing), text expressed in most of the world's writing systems. The standard, which is maintained by the Unicode Consortium, defines as of the current version (15.0) 149,186 characters covering 161 modern and historic script (Unicode), scripts, as well as symbols, emoji (including in colors), and non-visual control and formatting codes. Unicode's success at unifying character sets has led to its widespread and predominant use in the internationalization and localization of computer software. The standard has been implemented in many recent technologies, including modern operating systems, XML, and most modern programming languages. The Unicode character repertoire is synchronized with Universal Coded Character Set, ISO/IEC 10646, each being code-for-code id ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Envelope (music)
In sound and music, an envelope describes how a sound changes over time. It may relate to elements such as amplitude (volume), frequencies (with the use of filters) or pitch. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common form of envelope generator is controlled with four parameters: attack, decay, sustain and release (ADSR). Development The Hammond Novachord in 1938 used an early implementation of an ADSR envelope. A seven-position rotary knob selects preset ADS parameter for all 72 notes; a pedal controls the release. The envelope generator was created by the American engineer Robert Moog in the 1960s. While experimenting with the first Moog synthesizers, composer Herbert Deutsch suggested Moog find a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-second Note
In music, a thirty-second note (American) or demisemiquaver (British) is a Musical note, note played for of the duration of a whole note (or ''semibreve''). It lasts half as long as a sixteenth note (or ''semiquaver'') and twice as long as a sixty-fourth note, sixty-fourth (or ''hemidemisemiquaver''). Thirty-second notes are notated with an oval, filled-in note head and a straight note stem with three flags or beam (music), beams. A single thirty-second note is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred. As with all notes with stems, thirty-second notes are drawn with stems to the right of the notehead, extending up, when they are below the middle line of the musical staff. When they are on or above the middle line, they are drawn with stems on the left of the note head, extending down. Flags are always on the right side of the stem, and curve to the right. On stems e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixteenth Note
Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note (American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) or ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighth Note
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note (American) or a quaver (British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. Eighth notes may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarter Note
A quarter note (American) or crotchet ( ) (British) is a note (music), musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem (music), stem. The stem usually points upwards if it is below the middle line of the musical staff, staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (♩). A quarter rest (music), rest (or crotchet rest) denotes a silence of the same duration as a quarter note. It typically appears as the symbol , or occasionally, as the older symbol .''Rudiments and Theory of Music'' Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former section shows both forms without distinction, the latter the "old" form only. The book was the Official ABRSM theory manual in the UK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half Note
''Half Note'' is a live album by saxophonist Clifford Jordan which was recorded in 1974 and first released on the SteepleChase label in 1985. accessed April 9, 2014 Reception In his review on , Scott Yanow notes that this is "An good example of Jordan's music"Track listing ''All compositions by Clifford Jordan except as indicated'' # "Holy Land" (Cedar Walton) - 8:41 # "The Glass Bead Games" - 5:38 # " St. Thomas" ([...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Note
A whole note (American) or semibreve (British) in musical notation is a single note equivalent to or lasting as long as two half notes or four quarter notes. Description The whole note or semibreve has a note head in the shape of a hollow oval—like a half note (or ''minim'')—but with no note stem (see Figure 1). Since it is equal to four quarter notes, it occupies the entire length of a measure in time. Other notes are multiples or fractions of the whole note. For example, a double whole note (or ''breve'') lasts twice the duration of the whole note, a half note lasts one half the duration, and a quarter note (or ''crotchet'') lasts one quarter the duration. A related symbol is the whole rest (or semibreve rest), which signifies a rest for the duration of a whole note. Whole rests are drawn as filled-in rectangles generally hanging under the second line from the top of a musical staff, though they may occasionally be put under a different line (or ledger line) in more c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Note
In music, a double whole note (American), breve, or double note lasts two times as long as a whole note (or ''semibreve''). It is the second-longest note value still in use in modern music notation. The longest notated note is the ''longa'', which could be double or triple the length of a breve, although its use is most commonly found in early music. The longest notated note (though now obsolete) is the '' maxima''. History In medieval mensural notation, the ''brevis'' was one of the shortest note lengths in use, hence its name, which is the Latin etymon of " brief". In "perfect" rhythmic mode, the brevis was a third of a longa, or in "imperfect" mode, half a longa. Form In modern notation, a breve is commonly represented in either of two ways: by a hollow oval note head, like a whole note, with one or two vertical lines on either side, as on the left and right of the image, or as the rectangular shape also found in older notation, shown in the middle of the image. Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Meter
In music, metre (British English, Commonwealth spelling) or meter (American and British English spelling differences#-re, -er, American spelling) refers to regularly recurring patterns and accents such as bar (music), bars and Beat (music), beats. Unlike rhythm (music), rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of ''Tala (music), tala'' and similar systems in Rhythm in Arabic music, Arabic and Rhythm in Sub-Saharan Africa, African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a Verse (poetry), verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Note Value
In music notation, a note value indicates the relative duration of a note, using the texture or shape of the ''notehead'', the presence or absence of a ''stem'', and the presence or absence of ''flags/ beams/hooks/tails''. Unmodified note values are fractional powers of two, for example one, one-half, one fourth, etc. A rest indicates a silence of an equivalent duration. List Shorter notes can be created theoretically ''ad infinitum'' by adding further flags, but are very rare. Variations The breve appears in several different versions, as shown at right. The first two are commonly used; the third is a stylistic alternative. Sometimes the longa or breve is used to indicate a very long note of indefinite duration, as at the end of a piece (e.g. at the end of Mozart's Mass KV 192). A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy Birthday To You
"Happy Birthday to You", also known as "Happy Birthday", is a song traditionally sung to celebrate a person's birthday. According to the 1998 ''Guinness World Records'', it is the most recognised song in the English language, followed by "For He's a Jolly Good Fellow". The song's base lyrics have been translated into at least 18 languages. The melody of "Happy Birthday to You" comes from the song "Good Morning to All", which has traditionally been attributed to American sisters Patty and Mildred J. Hill in 1893, although the claim that the sisters composed the tune is disputed. The song is in the public domain in the United States and the European Union. Warner Chappell Music had previously claimed copyright on the song in the US and collected licensing fees for its use; in 2015 the copyright claim was declared invalid and Warner Chappell agreed to pay back $14 million in licensing fees. History Patty Hill was a kindergarten principal in Louisville, Kentucky developing vario ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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