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Music Theatre
Music theatre is a performance genre that emerged over the course of the 20th century, in opposition to more conventional genres like opera and musical theatre. The term came to prominence in the 1960s and 1970s to describe an avant-garde approach to instrumental and vocal composition that included non-sonic gesture, movement, costume and other visual elements within the score. These compositions (such as György Ligeti’s ''Aventures'' (1962), Mauricio Kagel’s ''Match'' (1964) and Peter Maxwell Davies’s ''Eight Songs for a Mad King'' (1968)) were intended to be performed on a concert hall stage, potentially as part of a longer programme of pieces. __TOC__ Since the 1980s, the term music theatre has come to include any live project that uses the techniques and theories of avant-garde theatre and performance art to experiment with new ways of combining music and theatre; this has been extended to include some of the historical works that influenced the music theatre of the 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Aperghis
Georges Aperghis ( el, Γιώργος Απέργης; born 23 December 1945) is a Greek composer working primarily in the field of experimental music theater but has also composed a large amount of non- programmatic chamber music. He lives in France and was married to actress Édith Scob until 2019 when she died. Aperghis studied with Iannis Xenakis and founded the music and theater company ATEM ''(Atelier Théâtre et Musique)''. He was a "composer in residence" in Strasbourg, France. In 2011 he was the first recipient of the Mauricio Kagel Music Prize. Aperghis is honored with the 2015 BBVA Foundation Frontiers of Knowledge Award in Contemporary Music for his reinvention of music theater, using sound, gesture, space and technology and involving performers in the compositional process. Selected works * ''Il gigante Golia'' (1975/1990) for voice and orchestra * ''Histoire de loups'' (1976), opera * ''Récitations'' (1977–78) for solo voice * ''Le Corps à Corps'' (1978) for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (journal)
''Tempo'' is a quarterly peer-reviewed academic journal that specialises in music of the 20th century and contemporary music. It was established in 1939 as the 'house magazine' of the music publisher Boosey & Hawkes. ''Tempo'' was the brain-child of Arnold Schoenberg's pupil Erwin Stein, who worked for Boosey & Hawkes as a music editor. The journal's first editor was Ernest Chapman and it was intended to be a bi-monthly publication. Issues 1 to 4 appeared from January to July 1939; but owing to the outbreak of World War II there was a hiatus in publication until August 1941, when issue 5 appeared, and another until February 1944, when regular publication resumed with issue 6 on a roughly quarterly basis. Meanwhile, the New York City office of Boosey & Hawkes set up a separate American edition which produced six issues in 1940–1942 (numbered 1–6, independent of the UK numbering) and an unnumbered 'wartime edition' in February 1944. In 1946, the journal was enlarged and r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jennifer Walshe
Jennifer Walshe (born 1 June 1974) is an Irish composer, vocalist and artist. Biography Jennifer Walshe was born in Dublin, Ireland, in 1974. She studied composition with John Maxwell Geddes at the Royal Scottish Academy of Music and Drama, Kevin Volans in Dublin and graduated from Northwestern University (Evanston, IL) with a doctoral degree in composition in June 2002. Her chief teachers at Northwestern were Amnon Wolman and Michael Pisaro. In 2003–04 Walshe was a fellow of Akademie Schloss Solitude, Stuttgart; during 2004–05 she lived in Berlin as a guest of the DAAD Berliner Künstlerprogramm. From 2006 to 2008 she was the composer-in-residence in South Dublin County for In Context 3. Walshe received a 2007 Foundation for Contemporary Arts Grants to Artists Award. In 2008 she was awarded the Praetorius Music Prize for Composition by the Niedersächsisches Ministerium für Wissenschaft und Kultur. In 2014 she was invited as guest curator for the Danish music and soun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Kreidler
Johannes Kreidler (born 1980) is a German composer, performer, conceptual and media artist. He is the principal theorist and exponent of the New Conceptualism movement in 21st-century music. Career Johannes Kreidler was born in Esslingen, Germany. He studied composition with Mathias Spahlinger at the Musikhochschule in Freiburg from 2000–2006, and has taught at conservatories in Rostock, Detmold, Hannover and Hamburg. In 2019, he was made Professor for Composition and Music Theatre at the Musikakademie Basel. Kreidler came to prominence with a series of politically charged pieces of musical performance art, beginning with 2008's ''product placements'': a 33-second recording containing 70,200 samples of other recordings, which the composer then attempted to register individually with the German copyright authorities. This action garnered substantial press coverage, as did 2009's ''Charts Music'', in which stock market data from the global financial crisis was turned into mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Steen-Andersen
Simon Steen-Andersen (born 1976) is a Danish composer, performer, director and media artist. Biography He studied composition with Karl Aage Rasmussen, Mathias Spahlinger, Gabriel Valverde, and Bent Sørensen in Aarhus, Freiburg, Buenos Aires and Copenhagen from 1998 to 2006. Since 2008 he has taught composition at The Royal Academy of Music, Aarhus. Since 2018 he has held the position as professor in the Composition and Music Theatre department at Bern University of the Arts. In 2016 he became a member of the German Academy of the Arts, and in 2018 he was appointed as a member of The Royal Swedish Academy of Music. He currently lives in Berlin. Well known for his original and uncompromising compositions, which often exist in a grey area between artforms, he has achieved international recognition. His works have been performed and broadcast all over the world and he has received commissions from, among others, Ensemble Modern, Ensemble Recherche, Ensemble Musikfabrik, Percussi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Marthaler
Christoph Marthaler (born 17 October 1951, in Erlenbach, Switzerland) is a Swiss director and musician, working in the style of avant-garde theater, such as Expressionism and Dada, a theater of the absurd elements. In 1998, he was awarded the IV Europe Prize Theatrical Realities. Performances * 1980: Zurich Theatre Spectacle, Rote Fabrik: Christoph Marthaler – '' Indeed. An interior '' * 1983: Zurich: Christoph Marthaler after Erik Satie – '' Blanc et immobile '' * 1985: Minimal Festival Zurich: Christoph Marthaler after Erik Satie – '' Vexations '' * 1985: Zurich: Christoph Marthaler – '' Big words anthem. An Impromptu for choir, orchestra, six important men and a stowaway. '' * 1988: Zurich Playhouse: Kurt Schwitters – '' Ribble Bobble Pimlico '' * 1988: Theater Basel: Christoph Marthaler / Barbara Mundel – '' arrival Badischer Bahnhof '' * 1989: Theater Basel: Christoph Marthaler – '' When the Alpine Mind Reddens, Kill, Free Swiss, Kill '' * 1990: Theater Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wilson (director)
Robert Wilson (born October 4, 1941) is an American experimental theater stage director and playwright who has been described by ''The New York Times'' as "mericas – or even the world's – foremost vanguard 'theater artist. He has also worked as a choreographer, performer, painter, sculptor, video artist, and sound and lighting designer. Wilson is best known for his collaboration with Philip Glass and Lucinda Childs on ''Einstein on the Beach'', and his frequent collaborations with Tom Waits. In 1991, Wilson established The Watermill Center, "a laboratory for performance" on the East End of Long Island, New York, regularly working with opera and theatre companies, as well as cultural festivals. Wilson "has developed as an avant-garde artist specifically in Europe amongst its modern quests, in its most significant cultural centers, galleries, museums, opera houses and theaters, and festivals". Early life and education Wilson was born in Waco, Texas, the son of Loree Velma (né ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Ashley
Robert Reynolds Ashley (March 28, 1930 – March 3, 2014) was an American composer, who was best known for his television operas and other theatrical works, many of which incorporate electronics and extended techniques. His works often involve intertwining narratives and take a surreal multidisciplinary approach to sound, theatrics and writing, and have been continuously performed by various interpreters during and after his life, including ''Automatic Writing'' (1979) and '' Perfect Lives'' (1983). Life and career Ashley was born in Ann Arbor, Michigan. He studied at the University of Michigan with Ross Lee Finney. Later, he studied at the Manhattan School of Music, and then became a musician in the US Army. After moving back to Michigan, Ashley worked at the University of Michigan's Speech Research Laboratories. Although he was not officially a student in the acoustic research program there, he was offered the chance to obtain a doctorate, but turned it down to pursue his mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meredith Monk
Meredith Jane Monk (born November 20, 1942) is an American composer, performer, director, vocalist, filmmaker, and choreographer. From the 1960s onwards, Monk has created multi-disciplinary works which combine music, theatre, and dance, recording extensively for ECM Records. In 1991, Monk composed ''Atlas'', an opera, commissioned and produced by the Houston Opera'' '' and the American Music Theater Festival. Her music has been used in films by the Coen Brothers (''The Big Lebowski'', 1998) and Jean-Luc Godard (''Nouvelle Vague'', 1990 and ''Notre musique'', 2004). Trip hop musician DJ Shadow sampled Monk's "Dolmen Music" on the song "Midnight in a Perfect World". In 2015, she was awarded the National Medal of Arts by Barack Obama. Early life Meredith Monk was born to businessman Theodore Glenn Monk (1909–1998) and singer Audrey Lois Monk ''(née'' Audrey Lois Zellman; 1911–2009), in New York City, New York.Citing "Meredith J. Monk". DOB: 20 November 1942. Manhattan, New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
