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Music Semiotics
Music semiology (semiotics) is the study of signs as they pertain to music on a variety of levels. Overview Following Roman Jakobson, Kofi Agawu adopts the idea of musical semiosis being introversive or extroversive—that is, musical signs within a text and without. "Topics", or various musical conventions (such as horn calls, dance forms, and styles), have been treated suggestively by Agawu, among others. The notion of gesture is beginning to play a large role in musico-semiotic enquiry. There are strong arguments that music inhabits a semiological realm which, on both ontogenetic and phylogenetic levels, has developmental priority over verbal language. Writers on music semiology include Kofi Agawu (on topical theory, Schenkerian analysis), Robert S. Hatten (on topic, gesture), Raymond Monelle (on topic, musical meaning), Jean-Jacques Nattiez (on introversive taxonomic analysis and ethnomusicological applications), Anthony Newcomb (on narrativity), Thomas Turino (applying the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiotics
Semiotics (also called semiotic studies) is the systematic study of sign processes ( semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, usually called a meaning, to the sign's interpreter. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can also communicate feelings (which are usually not considered meanings) and may communicate internally (through thought itself) or through any of the senses: visual, auditory, tactile, olfactory, or gustatory (taste). Contemporary semiotics is a branch of science that studies meaning-making and various types of knowledge. The semiotic tradition explores the study of signs and symbols as a significant part of communications. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Tagg
Philip Tagg (born 1944 in Oundle, Northamptonshire, UK) is a British musicologist, writer and educator. He is co-founder of the International Association for the Study of Popular Music (IASPM) and author of several influential books on popular music and music semiotics. Biography Tagg attended The Leys School in Cambridge in 1957–1962. He has mentioned his organ teacher, Ken Naylor, as particularly influential on his development as a musician and thinker. He then studied Music at the University of Cambridge (1962–65), and thereafter Education at the University of Manchester (1965–66). Tagg had some success as a choral composer during these early years. For example, on Trinity Sunday 1963, Tagg’s anthem ''Duo Seraphim'' was performed at Matins by the Choir of King's College, Cambridge under David Willcocks. His ''Preces and Responses'' were also broadcast by the BBC from the Edington Festival in 1964. Tagg also worked as volunteer at the Aldeburgh Festival in 1963. During t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Molino
Jean Molino is professeur ordinaire at the University of Lausanne and a semiologist. His former students include Jean-Jacques Nattiez Jean-Jacques Nattiez (; born December 30, 1945 in Amiens, France) is a musical semiologist or semiotician and professor of musicology at the Université de Montréal. He studied semiology with Georges Mounin and Jean Molino and music semiolog .... Bibliography *''Musical Fact and the Semiology of Music'', trans. J. A. Underwood, ''Music Analysis'' 9/2 (July 1990): 113–156. *Saavedra, Rafael“El dilema de la interpretación musical: una reflexión semiótica desde el modelo tripartito de Molino y Nattiez”en Revista música en clave, Sociedad Venezolana de Musicología, Vol. 8 – 1, Enero-Abril (2014). External links * Year of birth missing (living people) Living people University of Lausanne faculty French semioticians French male non-fiction writers {{semiotician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Middleton (musicologist)
Richard Middleton FBA is Emeritus Professor of Music at Newcastle University in Newcastle upon Tyne. He is also the founder and co-ordinating editor of the journal ''Popular Music''. Education Middleton studied at Clare College, Cambridge and at the University of York, where his PhD was supervised by Wilfrid Mellers. Career Middleton previously taught at the University of Birmingham and the Open University. He was appointed to his present position in 1998. In 2004 Professor Middleton was elected to a Fellowship by the British Academy. Middleton retired from his post at Newcastle in 2005. Bibliography Author *''Pop Music and the Blues: A Study of the Relationship and Its Significance''. London: Gollancz, 1972. . *''Studying Popular Music''. Philadelphia: Open University Press, 1990. . *''Voicing the Popular: On the Subjects of Popular Music''. London: Routledge, 2006. . Editor or co-editor *''Reading Pop''. Oxford University Press Oxford University Press (OUP) is the univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Howard
Richard Joseph Howard (October 13, 1929 – March 31, 2022; adopted as Richard Joseph Orwitz) was an American poet, literary critic, essayist, teacher, and translator. He was born in Cleveland, Ohio, and was a graduate of Columbia University, where he studied under Mark Van Doren,"Mark Van Doren", ''Columbia 250'' – Colombian Ahead of Their Times . and where he was an emeritus professor. He lived in . Life After reading French letters at ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susan Sontag
Susan Sontag (; January 16, 1933 – December 28, 2004) was an American writer, philosopher, and political activist. She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include the critical works ''Against Interpretation'' (1966), ''Styles of Radical Will'' (1968), ''On Photography'' (1977), and ''Illness as Metaphor'' (1978), as well as the fictional works ''The Way We Live Now'' (1986), ''The Volcano Lover'' (1992), and '' In America'' (1999). Sontag was active in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo. She wrote extensively about photography, culture and media, AIDS and illness, human rights, and leftist ideology. Her essays and speeches drew controversy, and she has been described as "one of the most influential critics of her generation." Early life and education Sontag was born Susan Rosenblatt in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Analysis (journal)
''Music Analysis'' is a peer-reviewed academic journal specializing in music theory and analysis. It is based in England and published its first issue in 1982. Although the journal "is not produced on behalf of a society, it is closely associated with the Society for Music Analysis." Its website describes ''Music Analysis'' as an "international forum for the presentation of new writing focused on musical works and repertoires." It "is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist." The journal has also featured translations of articles by Theodor W. Adorno and Heinrich Schenker. The journal's first editor-in-chief was Jonathan Dunsby Jonathan Mark Dunsby (born 16 March 1953) is a British classical pianist, musicologist, author and translator, particularly known for his research in musical analysis. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Jackendoff
Ray Jackendoff (born January 23, 1945) is an American linguist. He is professor of philosophy, Seth Merrin Chair in the Humanities and, with Daniel Dennett, co-director of the Center for Cognitive Studies at Tufts University. He has always straddled the boundary between generative linguistics and cognitive linguistics, committed to both the existence of an innate universal grammar (an important thesis of generative linguistics) and to giving an account of language that is consistent with the current understanding of the human mind and cognition (the main purpose of cognitive linguistics). Jackendoff's research deals with the semantics of natural language, its bearing on the formal structure of cognition, and its lexical and syntactic expression. He has conducted extensive research on the relationship between conscious awareness and the computational theory of mind, on syntactic theory, and, with Fred Lerdahl, on musical cognition, culminating in their generative theory of ton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Lerdahl
Alfred Whitford (Fred) Lerdahl (born March 10, 1943, in Madison, Wisconsin) is the Fritz Reiner Professor Emeritus of Musical Composition at Columbia University, and a composer and music theorist best known for his work on musical grammar and cognition, rhythmic theory, pitch space, and cognitive constraints on compositional systems. He has written many orchestral and chamber works, three of which were finalists for the Pulitzer Prize for Music: ''Time after Time'' in 2001, String Quartet No. 3 in 2010, and ''Arches'' in 2011. Life Lerdahl studied with James Ming at Lawrence University, where he earned his BMus in 1965, and with Milton Babbitt, Edward T. Cone, and Earl Kim at Princeton University, where he earned his MFA in 1967. At Tanglewood he studied with Arthur Berger in 1964 and Roger Sessions in 1966. He then studied with Wolfgang Fortner at the Hochschule für Musik in Freiburg/Breisgau in 1968–69, on a Fulbright Scholarship. From 1991 to 2018 Lerdahl was Fritz Reine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard B
Leonard or ''Leo'' is a common English masculine given name and a surname. The given name and surname originate from the Old High German ''Leonhard'' containing the prefix ''levon'' ("lion") from the Greek Λέων ("lion") through the Latin '' Leo,'' and the suffix ''hardu'' ("brave" or "hardy"). The name has come to mean "lion strength", "lion-strong", or "lion-hearted". Leonard was the name of a Saint in the Middle Ages period, known as the patron saint of prisoners. Leonard is also an Irish origin surname, from the Gaelic ''O'Leannain'' also found as O'Leonard, but often was anglicised to just Leonard, consisting of the prefix ''O'' ("descendant of") and the suffix ''Leannan'' ("lover"). The oldest public records of the surname appear in 1272 in Huntingdonshire, England, and in 1479 in Ulm, Germany. Variations The name has variants in other languages: * Leen, Leendert, Lenard (Dutch) * Lehnertz, Lehnert (Luxembourgish) * Len (English) * :hu:Lénárd (Hungarian) * Lenart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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