Music By The Commons
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Music By The Commons
Music by the Commons is an Early music society which organises regular concerts in Wimbledon, South West London, England. It mainly features music written before 1830. The music is performed on authentic musical instruments. Representatives The Patron of the society is the Bishop of Southwark. Simon Standage, conductor and violinist, is the president. He regularly plays at concerts organised by the society. The Society's musical advisors are Catherine Mackintosh, also a violinist, and Robert Woolley, harpsichordist and organist. History The Society was founded by Tony Penny, who ran the Society with John Waller, a Wimbledon resident, for over two decades. It was officially launched in September 1986. The occasion was a concert by Trevor Pinnock, the harpsichordist and conductor. Many other distinguished musicians have played at Music by the Commons concerts, including: *Catherine Mackintosh, *Robert Woolley, and * Monica Huggett. The Society also provides an oppor ...
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Organist
An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgy, liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nev ...
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List Of Early Music Ensembles
An early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier – broadly, music produced before about 1750. Most, but not all, of these groups are advocates of historically informed performance, and attempt to re-create the music as it might have sounded at the time it was written, using period instruments and modifying playing techniques according to the most recent scholarly research into music of the time. Names in parentheses below indicate current directors, unless otherwise indicated. List of ensembles Australia * Australian Brandenburg Orchestra ( Paul Dyer): baroque orchestra * Ensemble Gombert, Melbourne Austria * Ars Antiqua Austria * Cinquecento: vocal ensemble * Clemencic Consort ( René Clemencic): medieval to baroque * Concentus Musicus Wien (Nikolaus Harnoncourt), Vienna: baroque orchestra * Ensemble Eduard Melkus (Capella Academica Wien), Vienna: defunct * Fio ...
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Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ...
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Early Music Revival
:''See Historically informed performance for a more detailed explanation of this topic.'' The general discussion of how to perform music from ancient or earlier times did not become an important subject of interest until the 19th century, when Europeans began looking to ancient culture generally, and musicians began to discover the musical riches from earlier centuries. The idea of performing early music more "authentically", with a sense of incorporating performance practice, was more completely established in the 20th century, creating a modern early music revival that continues today. Study and performance of ancient music before the 19th century In England, Johann Pepusch developed an " Academy of Ancient Music" in the 1720s to study music by Palestrina, Tomás Luis de Victoria, William Byrd, Thomas Morley, and other composers at least a century old. In Vienna, Baron Gottfried van Swieten presented house concerts of ancient music in the late 1700s, where Mozart developed h ...
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Early Music Network
Early Music Network is an international early music Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical m ... society. Its stated mission is: "To support and promote early music and historical performance by providing information and services which would benefit and help early music organizations, ensembles and solo musicians (such as free web hosting, instrument exchange, help with organization of concerts, to provide info about education, master classes, etc.). To help the growth of early music community on the web and in every community around the world." Early Music Network was founded in 1998 by Predrag Gosta, and it is based in Atlanta, United States. External linksEarly Music Network Early music groups Musical groups established in 1998 {{music-org-stub ...
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Windmill
A windmill is a structure that converts wind power into rotational energy using vanes called windmill sail, sails or blades, specifically to mill (grinding), mill grain (gristmills), but the term is also extended to windpumps, wind turbines, and other applications, in some parts of the English speaking world. The term wind engine is sometimes used to describe such devices. Windmills were used throughout the High Middle Ages, high medieval and early modern periods; the horizontal or panemone windmill first appeared in Persia during the 9th century, and the vertical windmill first appeared in northwestern Europe in the 12th century. Regarded as an icon of Culture of the Netherlands, Dutch culture, there are approximately 1,000 windmills in the Netherlands today. Forerunners Wind-powered machines may have been known earlier, but there is no clear evidence of windmills before the 9th century. Hero of Alexandria (Heron) in first-century Roman Egypt described what appears to be a ...
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Wimbledon Common
Wimbledon Common is a large open space in Wimbledon, southwest London. There are three named areas: Wimbledon Common, Putney Heath, and Putney Lower Common, which together are managed under the name Wimbledon and Putney Commons totalling 460 hectares (1,140 acres). Putney Lower Common is set apart from the rest of the Common by a minimum of of the built-up western end of Putney. Wimbledon and Putney Commons Wimbledon Common, together with Putney Heath and Putney Lower Common, is protected by the Wimbledon and Putney Commons Act of 1871 from being enclosed or built upon. The common is for the benefit of the general public for informal recreation, and for the preservation of natural flora and fauna. It is the largest expanse of heathland in London, with an area of bog with a flora that is rare in the region. The western slopes, which lie on London Clay, support mature mixed woodland. The Commons are also an important site for the stag beetle. Most of the Common is a Site o ...
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Commons
The commons is the cultural and natural resources accessible to all members of a society, including natural materials such as air, water, and a habitable Earth. These resources are held in common even when owned privately or publicly. Commons can also be understood as natural resources that groups of people (communities, user groups) manage for individual and collective benefit. Characteristically, this involves a variety of informal norms and values (social practice) employed for a governance mechanism. Commons can also be defined as a social practice of governing a resource not by state or market but by a community of users that self-governs the resource through institutions that it creates. Definition and modern use The Digital Library of the Commons defines "commons" as "a general term for shared resources in which each stakeholder has an equal interest". The term "commons" derives from the traditional English legal term for common land, which are also known as "commons", ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Monica Huggett
Monica Huggett (born 16 May 1953 in London, England) is a British conductor and leading baroque violinist. Biography At the age of 16, Huggett started studying at the Royal Academy of Music, London, with Manoug Parikian and Kato Havas, baroque violin with Sigiswald Kuijken. She co-founded and served as leader of the Amsterdam Baroque Orchestra under Ton Koopman from 1980 to 1987. She was made a Fellow of the Royal Academy of Music in 1994, and serves as professor of baroque violin at the Hochschule für Künste Bremen, Germany. Huggett has worked with Christopher Hogwood at the Academy of Ancient Music; with Trevor Pinnock and the English Concert; and toured the US in concert with James Galway. She has served as the director of The Hanover Band, guest director of the Arion Baroque Orchestra, Montreal; Tafelmusik, Toronto; the Orchestra of the Age of Enlightenment; the Los Angeles Chamber Orchestra; Philharmonia Baroque, San Francisco; the Norwegian Chamber Orchestra; and Co ...
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Trevor Pinnock
Trevor David Pinnock (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor. He is best known for his association with the period-performance orchestra The English Concert, which he helped found and directed from the keyboard for over 30 years in baroque and classical music. He is a former artistic director of Canada's National Arts Centre Orchestra and founded The Classical Band in New York. Since his resignation from The English Concert in 2003, Pinnock has continued his career as a conductor, appearing with major orchestras and opera companies around the world. He has also performed and recorded as a harpsichordist in solo and chamber music and conducted and otherwise trained student groups at conservatoires. Trevor Pinnock won a Gramophone Award for his recording of Bach's ''Brandenburg Concertos'' with the European Brandenburg Ensemble, an occasional orchestra formed to mark his 60th birthday. Biography and career Early life Trevor Pi ...
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