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Music Has The Right To Children
''Music Has the Right to Children'' is the debut studio album by Scottish electronic music duo Boards of Canada. It was released on 20 April 1998 in the UK by Warp and Skam Records and in the US by Matador. The album was produced at Hexagon Sun, the duo's personal recording studio in Pentland Hills, and continued their distinctive style of electronica, featuring vintage synthesisers, degraded analogue production, found sounds and samples, and hip hop-inspired rhythms that had been featured on their first two EPs ''Twoism'' (1995) and ''Hi Scores'' (1996). The album received critical acclaim upon its release, and has since been acknowledged as a landmark work in electronic music, going on to inspire a variety of subsequent artists. It has been included on various best-ever lists by publications such as ''Pitchfork'' and ''Mojo''. Background The members of Boards of Canada, brothers Michael Sandison and Marcus Eoin, had been creating music together as early as 1981, layering ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boards Of Canada
Boards of Canada are a Scottish electronic music duo consisting of brothers Michael Sandison and Marcus Eoin, formed initially as a group in 1986 before becoming a duo in the 1990s.Hoffmann, Heiko.Pitchfork: Interviews: Boards of Canada (September 2005) Signing first to Skam followed by Warp Records in the 1990s, the duo subsequently received recognition following the release of their debut album ''Music Has the Right to Children'' on Warp in 1998. They followed with the critically acclaimed albums '' Geogaddi'' (2002), '' The Campfire Headphase'' (2005) and '' Tomorrow's Harvest'' (2013), but have remained reclusive and continue to rarely appear live. The duo's work, largely influenced by electronic music of the 1970s and 1980s, incorporates vintage synthesizer tones, samples from outdated media, analog equipment, and hip hop-inspired beats. It has been described by critics as exploring themes related to nostalgia, as well as childhood memory, science, environmental concern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Cassette
The Compact Cassette or Musicassette (MC), also commonly called the tape cassette, cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips in 1963, Compact Cassettes come in two forms, either already containing content as a prerecorded cassette (''Musicassette''), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed - for example the Microcassette - the generic term ''cassette tape'' is normally always used to refer to the Compact Cassette because of its ubiquity. Its uses have ranged from portable audio to home recording to data storage for early microcomputers; the Compact Cassette technology was originally designed for dictation machines, but improvements in fidelity led to it supplanting the stereo 8-track cartridge and reel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fact (UK Magazine)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, Trevor J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi Scores
''Hi Scores'' is an EP by Scottish electronic music duo Boards of Canada. It was released by Skam Records in 1996. It peaked at number 34 on the UK Dance Albums Chart in 2006. "Turquoise Hexagon Sun" would later appear on the duo's 1998 debut studio album, ''Music Has the Right to Children ''Music Has the Right to Children'' is the debut studio album by Scottish electronic music duo Boards of Canada. It was released on 20 April 1998 in the UK by Warp and Skam Records and in the US by Matador. The album was produced at Hexagon Sun, ...''. Track listing Personnel Credits adapted from liner notes. * Mike Sandison – writing, production * Marcus Eoin – writing, production Charts References External links * {{Authority control 1996 EPs Boards of Canada albums Skam Records EPs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twoism
''Twoism'' is the first EP released by Boards of Canada, on their own Music70 record label in 1995. It was a self-financed cassette and record distributed privately. Major public releases would not happen until 1996's ''Hi Scores'' EP on Skam Records. This EP was, however, the work which got them noticed by Skam Records. In 2002, the EP was reissued on vinyl and CD by Warp Records. Content Before ''Twoism'' was re-pressed years later, it was a highly sought-after item, being pressed in an edition of approximately 100 copies. It would often be exchanged from one person to the next for around £800 (US$1500). There are differences between "Sixtyniner" on this EP and other releases, as Boards of Canada have often re-released early songs on later, more popular releases, sometimes with changes. On the original Music70 pressing of the record, "Sixtyniner" lasted 5:40, while reissues shortened it to 5:14. ''Twoism'' is the only widely available Boards of Canada release with earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample (music)
Sample or samples may refer to: Base meaning * Sample (statistics), a subset of a population – complete data set * Sample (signal), a digital discrete sample of a continuous analog signal * Sample (material), a specimen or small quantity of something * Sample (graphics), an intersection of a color channel and a pixel * SAMPLE history, a mnemonic acronym for questions medical first responders should ask * Product sample, a sample of a consumer product that is given to the consumer so that he or she may try a product before committing to a purchase * Standard cross-cultural sample, a sample of 186 cultures, used by scholars engaged in cross-cultural studies People *Sample (surname) *Samples (surname) * Junior Samples (1926–1983), American comedian Places * Sample, Kentucky, unincorporated community, United States * Sampleville, Ohio, unincorporated community, United States * Hugh W. and Sarah Sample House, listed on the National Register of Historic Places in Iowa, United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Found Sound
Found objects are sometimes used in music, often to add unusual percussive elements to a work. Their use in such contexts is as old as music itself, as the original invention of musical instruments almost certainly developed from the sounds of natural objects rather than from any specifically designed instruments. Use in classical and experimental music The use of found objects in modern classical music is often connected to experiments in indeterminacy and aleatoric music by such composers as John Cage and Karlheinz Stockhausen, although it has reached its ascendancy in those areas of popular music as well, such as the ambient works of Brian Eno. In Eno's influential work, found objects are credited on many tracks. The ambient music movement which followed Eno's lead has also made use of such sounds, with notable exponents being performers such as Future Sound of London and Autechre, and natural sounds have also been incorporated into many pieces of new-age music. Also other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Recording
Analog recording is a technique used for the recording of analog signals which, among many possibilities, allows analog audio for later playback. Analog audio recording began with mechanical systems such as the phonautograph and phonograph. Later, electronic techniques such as wire and tape recording were developed. Analog recording methods store analog signals directly in or on the media. The signal may be stored as a physical texture on a phonograph record, or a fluctuation in the field strength of a magnetic recording. Analog transmission methods use analog signals to distribute audio content. These are in contrast to digital audio where an analog signal is sampled and quantized to produce a digital signal which is represented, stored and transmitted as discrete numbers. See also * Comparison of analog and digital recording * History of sound recording * Timeline of audio formats An audio format is a medium for sound recording and reproduction. The term is applied to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesiser
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
