Background
The EP was initially pressed by Boards of Canada's own Music70 label on cassette and vinyl in 1995. Before ''Twoism'' was re-pressed in 2002, it was a highly sought-after item, being pressed in an edition of approximately 100 copies. It would often be exchanged from one person to the next for around £800 ( US$1500). ''Twoism'' is the only widely available Boards of Canada release with early third member Chris Horne, who was credited (as Chris H.) on the original release. However, his name was omitted on the 2002 Warp re-released version at his own request. According to credits from Canadian Musical Reproduction Rights Agency he only co-wrote "Melissa Juice".Content
There are differences between "Sixtyniner" on this EP and other releases, as Boards of Canada have often re-released early songs on later, more popular releases, sometimes with changes. On the original Music70 pressing of the record, "Sixtyniner" lasted 5:40, while reissues shortened it to 5:14. The channels are reversed on the CD reissue compared to the original vinyl EP. This can also be noted on the tracks "Seeya Later" and "Smokes Quantity", which have the channels reversed compared to their appearances on ''Hi Scores'' and '' Music Has the Right to Children'' respectively. "Smokes Quantity" includes the hidden track "1986 Summer Fire" at the end. On some pressings, the two tracks are combined.Artwork
The album cover is taken from the 1980 film ''The Killings at Outpost Zeta''. The first pressing of the CD from Warp Records was on a black CD, similar to original PlayStation discs, and included a sticker with the yellow Boards of Canada logo on it. The barcode on the CD's digipack was also an easily removable sticker.Reception
Andy Beta of Pitchfork describes how the EP features prescient, beanie-nodding beats and highlights the complexity of certain tracks like "Basefree," with a surging bass throb and intense hyper-beat. However, it also notes limitations due to the cassette-only format, with some tracks having distorted and fuzzy elements that muddy the overall effect. The review suggests that the music has a strange ecstasy in the vocals and a melancholic feel in some parts. Overall, the review portrays the music as complex and mature, with certain sonic qualities that stand out, but also with some limitations in terms of sonic clarity. AllMusic said of the reissue, "Excepting only the rigid drum monster "Basefree" (which sounds a bit likeTrack listing
All tracks written by Michael Sandison and Marcus Eoin, except 'Melissa Juice' co-written by Chris Horne.Credits
* Michael Sandison - production, photography * Marcus Eoin - production * Chris Horne - productionReferences
External links