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Museum Of Vojvodina
The Museum of Vojvodina ( sr-cyr, Музеј Војводине) is an art and natural history museum in Novi Sad, Serbia. The museum houses a collection of over 400,000 specimens and a library of over 50,000 volumes. Notable paintings Among others, the following paintings are located in the museum: *'Madonna with Child', by Paris Bordone *'Christ and Centurion', by Carlo Caliari *'Holy Mother with Christ', by Giulio Licinio *'Seneca', by Peter Paul Rubens (stolen) *'Vulcan's Mint', by Peter Paul Rubens *'Tentida gets weapons', by Peter Paul Rubens *'Self Portrait', by Rembrandt (stolen) *'Portrait of Man with Sword', by Palma Giovane *'Katon's Death', by Giovan Battista Langetti *'Resting Soldiers', by Alessandro Magnasco *'Holy Family with St. Ivan', by Cesare Gennari *'Queen Saba's Visiting', by Frans Francken the Younger *'Magdalena with Dead Christ', by Marco Antonio Bassetti *'Flowers', by Jan van Huysum *'Portrait of Vitoria della Rovera', by Justus Sustermans Justus S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novi Sad
Novi Sad ( sr-Cyrl, Нови Сад, ; hu, Újvidék, ; german: Neusatz; see below for other names) is the second largest city in Serbia and the capital of the autonomous province of Vojvodina. It is located in the southern portion of the Pannonian Plain on the border of the Bačka and Syrmia geographical regions. Lying on the banks of the Danube river, the city faces the northern slopes of Fruška Gora. , Novi Sad proper has a population of 231,798 while its urban area (including the adjacent settlements of Petrovaradin and Sremska Kamenica) comprises 277,522 inhabitants. The population of the administrative area of the city totals 341,625 people. Novi Sad was founded in 1694 when Serb merchants formed a colony across the Danube from the Petrovaradin Fortress, a strategic Habsburg military post. In subsequent centuries, it became an important trading, manufacturing and cultural centre, and has historically been dubbed ''the Serbian Athens''. The city was heavily devastated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Magnasco
Alessandro Magnasco (February 4, 1667 – March 12, 1749), also known as il Lissandrino, was an Italian late-Baroque painter active mostly in Milan and Genoa. He is best known for stylized, fantastic, often phantasmagoric genre or landscape scenes. Magnasco's distinctive style is characterized by fragmented forms rendered with swift brushstrokes and darting flashes of light. Life Born in Genoa to a minor artist, Stefano Magnasco, he apprenticed with Valerio Castello, and finally with Filippo Abbiati (1640–1715) in Milan. Except for 1703–09 (or 1709–11)Wittkower 1993, p. 478 when working in Florence for the Grand Duke Cosimo III, Magnasco labored in Milan until 1735, when he returned to his native Genoa. Magnasco often collaborated with placing figures in the landscapes of Tavella and the ruins of Clemente Spera in Milan. Mature style After 1710, Magnasco excelled in producing small, hypochromatic canvases with eerie and gloomy landscapes and ruins, or crowded interio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Serbia
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture In Novi Sad
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justus Sustermans
Justus Sustermans, Joost Sustermans or Suttermans, his given name Italianised to Giusto (Antwerp, 28 September 1597 – Florence, 23 April 1681), was a Flemish painter and draughtsman who is mainly known for his portraits. He also painted history and genre paintings, still lifes and animals.Justus Sustermans at the Sustermans is chiefly noted for his portraits of members of the as he was its |
Jan Van Huysum
Jan van Huysum (or Jan van Huijsum) (15 April 1682 – 8 February 1749) is the most notable member of the Van Huysum family of artists working in Dutch Golden Age of the 17th and 18th centuries; “by common consent, Jan van Huysum has been held to be the best painter of flowers.” Trained in decoration from a young age, he “gradually developed an execution of details of the utmost beauty and finish” creating “wonderful flower pieces whereon drops of water and crawling ants could be seen without a magnifying glass.” Life and work Jan was the son of the painter Justus van Huysum and his first wife Margrietje Schouten and the older brother of Jacob van Huysum and Justus van Huysum the Younger. Jan’s much younger half-brother Michiel van Huysum was also a flower painter. His grandfather Jan van Huysum the Elder is said to have been “expeditious in decorating doorways, screens and vases.” Van Huysum primarily lived and worked in the city of Amsterdam. Jan van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Antonio Bassetti
Marco Antonio Bassetti (1586–1630) was an Italian painter. Life He was born in Verona, and was a pupil of Felice Ricci. He then went to Venice where he was particularly influenced by the works of Tintoretto, Veronese and Jacopo Bassano. He is known to have been in Rome in 1616, and may have arrived there two years earlier. In Rome he came under the influence of the paintings of Caravaggio and Orazio Borgianni. On his return to Verona he painted a ''St. Peter and Saints'' for the church of San Tomaso and a ''Coronation of the Virgin'' for Sant' Anastasia. He died from the plague in Verona in 1630. Among his pupils were Fra SempliceBryan 1886 and Paolo Massimo. His ''Dead Christ supported by the Virgin Mary and Mary Magdalene'' (c. 1616), painted on slate, is in the collection of the Fitzwilliam Museum The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Francken The Younger
Frans Francken the Younger (1581 in Antwerp, 1581 – 6 May 1642, in Antwerp) was a Flemish painter who created altarpieces and furniture panels and gained his reputation chiefly through his small and delicate cabinet pictures with historical, mythological or allegorical themes. He is the best-known and most prolific member of the large Francken family of artists.Frans Francken the Younger at the J. Paul Getty Museum Franckenplayed an important role in the development of Flemish art in the first half of the 17th century through his innovations in many genres including and his introduction of new subject matter. He was a frequent collabora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Gennari
Cesare Gennari (12 December 1637 – 11 February 1688) was an Italian painter of the Baroque period. His ''Saint Mary Magdalene'' is in the Pinacoteca Civica di Cento. His ''Apparition of the Virgin to Saint Nicholas of Bari'' is at the Pinacoteca di Bologna. In his later work Cesare "shed all traces of Guercinesque idiom, adopting instead the courtly accents of St James's and Saint-Germain". Biography Son of Ercole Gennari and born at Cento, he was trained in the studio of his maternal uncle, Giovanni Francesco Barbieri called "Guercino", in Bologna. Cesare's uncle, Benedetto Gennari, and his brother, Benedetto II Gennari (1633–1715), were also painters in the circle of Guercino. Cesare and the younger Benedetto were heirs of Guercino's studio, papers and effects, preserved for some time at Casa Gennari, Bologna. He married Francesca Ripa, and had two sons, Gianfrancesco and Filippo.Rusconi 1861. Among his pupils was Ercole Gaetano Bertuzzi Ercole Gaetano Bertuzzi (Bologna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovan Battista Langetti
Giovanni Battista Langetti (1625–1676), also known as Giambattista Langetti, was an Italian late- Baroque painter. He was active in his native Genoa, then Rome, and finally for the longest period in Venice. He first trained with Assereto, then Pietro da Cortona, but afterwards studied under Giovanni Francesco Cassana, appeared in Venice by the 1650s where he worked in a striking Caravaggesque style. He is thought to have influenced Johann Karl Loth and Antonio Zanchi Antonio Zanchi (; 6 December 1631 – 12 April 1722) was an Italians, Italian painter of the Baroque, active mainly in Venice, but his prolific works can also be seen in Padova, Treviso, Rovigo, Verona, Vicenza, Loreto, Brescia, Milano, and .... He painted many historical busts for private patrons in the Venetian territory and in Lombardy. He died at Venice in 1676. References * *(Original from Fogg Library, Digitized May 18, 2007) 1625 births 1676 deaths 17th-century Italian painters Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museum
An art museum or art gallery is a building or space for the display of art, usually from the museum's own Collection (artwork), collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily concerned with Visual arts, visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections. Terminology An institution dedicated to the display of art can be called an art museum or an art gallery, and the two terms may be used interchangeably. This is reflected in the names of institutions around the world, some of which are called galleries (e.g. the National Gallery and Neue Nationalgalerie), and some of which are called museums (including the Metropolitan Museum of Art, the Museum of Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidobal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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