Museum Biberach
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Museum Biberach
The Museum Biberach is a museum with several sections in Biberach an der Riss in Upper Swabia. The museum resides in one of the oldest and biggest buildings from the 16th century in this city. It belongs to the considerable collections in Baden-Württemberg. On 2.800 square meters it presents archaeology, history, art and natural history. Models, all sorts of installations, and computer animations explain the origin and settlement of the Upper Swabian landscape. The collections reveal the life and the terms of employment of the people, such as the notable weaving in the town since the 17th century. Prominent pieces of art from former times until the present enrich the knowledge of the visitors. The Art history, art-historical division gathers key works of art of the Upper Swabian region and the important works of the German expressionist Ernst Ludwig Kirchner. History Since 1898 numerous founders and sponsors laid the basis for a Biberach civil museum which was opened in 1902 in ...
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Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ...
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Atelier
An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored method of training. However, many professional artists c ...
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Tin Toy
''Tin Toy'' is a 1988 American computer-animated short film produced by Pixar and directed by John Lasseter. The short film, which runs five minutes, stars Tinny, a tin one-man band toy, attempting to escape from Billy, an infant. The third short film produced by the company's small animation division, it was a risky investment: due to the low revenue produced by Pixar's main product, the Pixar Image Computer, the company was under financial constraints. Lasseter pitched the concept for ''Tin Toy'' by storyboard to Pixar owner Steve Jobs, who agreed to finance the short despite the company's struggles, which he kept alive with annual investment. The film was officially a test of the PhotoRealistic RenderMan software and proved new challenges to the animation team, namely the difficult task of realistically animating Billy. ''Tin Toy'' later gained attention from Disney, who sealed an agreement to create ''Toy Story'' starring Tom Hanks and Tim Allen, which was primarily inspire ...
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Free Imperial City
In the Holy Roman Empire, the collective term free and imperial cities (german: Freie und Reichsstädte), briefly worded free imperial city (', la, urbs imperialis libera), was used from the fifteenth century to denote a self-ruling city that had a certain amount of autonomy and was represented in the Imperial Diet. An imperial city held the status of Imperial immediacy, and as such, was subordinate only to the Holy Roman Emperor, as opposed to a territorial city or town (') which was subordinate to a territorial princebe it an ecclesiastical lord ( prince-bishop, prince-abbot) or a secular prince (duke ('), margrave, count ('), etc.). Origin The evolution of some German cities into self-ruling constitutional entities of the Empire was slower than that of the secular and ecclesiastical princes. In the course of the 13th and 14th centuries, some cities were promoted by the emperor to the status of Imperial Cities ('; '), essentially for fiscal reasons. Those cities, which had ...
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Modernist Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubists Georg ...
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Stuttgart
Stuttgart (; Swabian: ; ) is the capital and largest city of the German state of Baden-Württemberg. It is located on the Neckar river in a fertile valley known as the ''Stuttgarter Kessel'' (Stuttgart Cauldron) and lies an hour from the Swabian Jura and the Black Forest. Stuttgart has a population of 635,911, making it the sixth largest city in Germany. 2.8 million people live in the city's administrative region and 5.3 million people in its metropolitan area, making it the fourth largest metropolitan area in Germany. The city and metropolitan area are consistently ranked among the top 20 European metropolitan areas by GDP; Mercer listed Stuttgart as 21st on its 2015 list of cities by quality of living; innovation agency 2thinknow ranked the city 24th globally out of 442 cities in its Innovation Cities Index; and the Globalization and World Cities Research Network ranked the city as a Beta-status global city in their 2020 survey. Stuttgart was one of the host cities ...
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Johann Baptist Pflug
Johann Baptist Pflug (13 February 1785, Biberach an der Riss - 30 May 1866, Biberach an der Riß) was a German genre painter. Life At the age of twelve, after attending the local elementary school, he became a choirboy at the local monastery where he continued his education and received his first drawing lessons. When the monastery closed, the fathers recommended that he become a church painter. Johann Franz Schefold (1750-1828), a lawyer whose father was a church painter, acted as a sort of patron to Pflug, allowing him access to his library and gallery. In 1806, he went to the Academy of Fine Arts Munich where he studied under Johann Christian von Mannlich, whose instruction consisted largely of having him make copies of the Dutch Masters. At the outbreak of the Tyrolean Rebellion, he returned to Biberach where he passed an art examination and became a teacher at the newly created Biberach Gymnasium, a post he held until 1856. Beginning in 1813, his painting focused largely ...
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Johann Heinrich Schönfeld
Johann Heinrich Schönfeld (1609–1684) was a German painter in the Baroque style. Biography He was the son of Johann Baptist Schönfeld (?-1635); a goldsmith. From birth, he was blind in his left eye and could only use his right hand for simple tasks, so he was not trained as a goldsmith, as would have otherwise been the case. Instead, he received lessons in painting from in Memmingen. Later, he took study trips to Stuttgart and Basel. In 1633, at the height of the Thirty Years' War, he fled to Italy. Originally, he lived in Rome, then moved to Naples around 1649. After a brief stay in Dresden he returned home in 1651. The following year, in Pfuhl (near Ulm) he married Anna Elisabetha Strauß. They had eight children together. Shortly after their marriage, they moved to Augsburg, where he became a citizen and a member of the Master's Guild. In the following years, he created many church paintings; notably at Würzburg Cathedral, where he painted Christ carrying the Cross an ...
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Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ...
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Stone Age
The Stone Age was a broad prehistoric period during which stone was widely used to make tools with an edge, a point, or a percussion surface. The period lasted for roughly 3.4 million years, and ended between 4,000 BC and 2,000 BC, with the advent of metalworking. Though some simple metalworking of malleable metals, particularly the use of gold and copper for purposes of ornamentation, was known in the Stone Age, it is the melting and smelting of copper that marks the end of the Stone Age. In Western Asia, this occurred by about 3,000 BC, when bronze became widespread. The term Bronze Age is used to describe the period that followed the Stone Age, as well as to describe cultures that had developed techniques and technologies for working copper alloys (bronze: originally copper and arsenic, later copper and tin) into tools, supplanting stone in many uses. Stone Age artifacts that have been discovered include tools used by modern humans, by their predecessor species in the ...
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Bronze Age Europe
The European Bronze Age is characterized by bronze artifacts and the use of bronze implements. The regional Bronze Age succeeds the Neolithic and Copper Age and is followed by the Iron Age. It starts with the Aegean Bronze Age in 3200 BC (succeeded by the Beaker culture), and spans the entire 2nd millennium BC (Unetice culture, Tumulus culture, Nordic Bronze Age, Terramare culture, Urnfield culture and Lusatian culture) in Northern Europe, lasting until c. 600 BC. History Aegean The Aegean Bronze Age begins around 3200 BC when civilizations first established a far-ranging trade network. This network imported tin and charcoal to Cyprus, where copper was mined and alloyed with the tin to produce bronze. Bronze objects were then exported far and wide and supported the trade. Isotopic analysis of the tin in some Mediterranean bronze objects indicates it came from as far away as Great Britain. Knowledge of navigation was well developed at this time and reached a peak of skill ...
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Alemanni
The Alemanni or Alamanni, were a confederation of Germanic tribes * * * on the Upper Rhine River. First mentioned by Cassius Dio in the context of the campaign of Caracalla of 213, the Alemanni captured the in 260, and later expanded into present-day Alsace, and northern Switzerland, leading to the establishment of the Old High German language in those regions, by the eighth century named '' Alamannia''. In 496, the Alemanni were conquered by Frankish leader Clovis and incorporated into his dominions. Mentioned as still pagan allies of the Christian Franks, the Alemanni were gradually Christianized during the seventh century. The is a record of their customary law during this period. Until the eighth century, Frankish suzerainty over Alemannia was mostly nominal. After an uprising by Theudebald, Duke of Alamannia, though, Carloman executed the Alamannic nobility and installed Frankish dukes. During the later and weaker years of the Carolingian Empire, the Alemannic co ...
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