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Museo Nacional Del Virreinato
The Museo Nacional del Virreinato (in Spanish, National Museum of the Viceroyalty of New Spain) is located in the former College of San Francisco Javier complex in Tepotzotlán, Mexico State, Mexico. Belongs to National Council for Culture and Arts, Consejo Nacional para la Cultura y las Artes. The complex was built by the Aztec. And later used by Jesuits starting in the 1580s. Here, were founded three centers of learning: a school to teach indigenous languages to Jesuit evangelists, a school for Indian boys and the College of San Francisco Javier, to train Jesuit priests. The complex comprises three sections: the College area, with dormitories, library, kitchen, domestic chapel etc.; the Church of San Francisco Javier; and the Church of San Pedro Apostol. The former college and the Church of San Francisco Javier have been converted into the Museo del Virreinato, with the former college area housing a large collection of art and ordinary objects from the colonial era, and the Churc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Nacional Del Virreinato 3
Museo may refer to: *Museum (2018 film), Museo, 2018 Mexican drama heist film *Museo (Naples Metro), station on line 1 of the Naples Metro *Museo, Seville, neighborhood of Seville, Spain {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venustiano Carranza
José Venustiano Carranza de la Garza (; 29 December 1859 – 21 May 1920) was a Mexican wealthy land owner and politician who was Governor of Coahuila when the constitutionally elected president Francisco I. Madero was overthrown in a February 1913 right-wing military coup. Known as the ''Primer Jefe'' or "First Chief" of the Constitutionalist faction in the Mexican Revolution, Carranza was a shrewd civilian politician. He supported Madero's challenge to the Díaz regime in the 1910 elections, but became a critic of Madero once Díaz was overthrown in May 1911. Madero did appoint him the governor of Coahuila. When Madero was murdered during the February 1913 counter-revolutionary coup, Carranza drew up the Plan of Guadalupe, a purely political plan to oust Madero's usurper, General Victoriano Huerta. As a sitting governor when Madero was overthrown, Carranza held legitimate power and he became the leader of the northern coalition opposed to Huerta. The Constitutionalist facti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talavera (pottery)
Talavera pottery (Spanish: Talavera poblana) is a Mexican and Spanish pottery tradition from Talavera de la Reina, in Spain. The Mexican pottery is a type of majolica (faience) or tin-glazed earthenware, with a white base glaze typical of the type. It comes from the town of San Pablo del Monte (in Tlaxcala) and the cities of Puebla, Atlixco, Cholula, and Tecali (all these four latter in the state of Puebla), because of the quality of the natural clay found there and the tradition of production which goes back to the 16th century. Much of this pottery was decorated only in blue, but colors such as yellow, black, green, orange and mauve have also been used. Majolica pottery was brought to Mexico by the Spanish in the first century of the colonial period. Production of this ceramic became highly developed in Puebla because of the availability of fine clays and the demand for tiles from the newly established churches and monasteries in the area. The industry had grown sufficiently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José De Ibarra
José de Ibarra (1688–1756) was a New Spanish painter. He was born in Guadalajara, Mexico in 1688, and died November 21, 1756 in Mexico City, in the Viceroyalty of New Spain (Colonial Mexico).Katzew, p. 169,citing Eduardo Báez Macías, "Planos y censos de la ciudad de México 1753", ''Boletín del Archivo General de la Nación'', 2nd series, 8 nos 3-5 1976. Ibarra was a disciple of the distinguished painter Juan Correa (1646-1716), whose parents were of Afro-Moorish Afro-Mexican descent. José de Ibarra is, along with Juan Rodríguez Juárez (1675-1728), one of the most prominent figures in painting from the first half of the 18th century in New Spain, modern day's Mexico. A follower of the artistic renewal promoted by the brothers Juan and Nicolás Rodríguez Juárez, in whose workshop he collaborated, Ibarra cultivated in his work the language of pictorial modernism with strong Italian and French influences. This would be the direct antecedent of the work of Miguel Cabrera ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel Cabrera (painter)
Miguel Mateo Maldonado y Cabrera (1695–1768) was a Mestizo painter born in Oaxaca but moved to Mexico City, the capital of Viceroyalty of New Spain. During his lifetime, he was recognized as the greatest painter in all of New Spain. He created religious and secular art for the Catholic Church and wealthy patrons. His casta paintings, depicting interracial marriage among Amerindians, Spaniards and Africans, are considered among the genre's finest. Cabrera's paintings range from tiny works on copper to enormous canvases and wall paintings. He also designed altarpieces and funerary monuments. Biography Cabrera was born in Antequera, today's Oaxaca, Oaxaca, and moved to Mexico City in 1719. He may have studied under the Rodríguez Juárez brothers or José de Ibarra. Cabrera was a favorite painter of Archbishop Manuel José Rubio y Salinas, whose portrait he twice painted, and of the Jesuits, which earned him many commissions. In 1 he created an important analytical stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maerten De Vos
Maerten de Vos, Maerten de Vos the Elder or Marten de Vos (1532 – 4 December 1603)Maerten de Vos at the was a Flemish painter. He is known mainly for his and allegorical paintings and portraits. He was, together with the brothers Ambrosius Francken I and |
Juan Correa
Juan Correa (1646–1716) was a Mexican distinguished painter of the late seventeenth and early eighteenth centuries. His years of greatest activity were from 1671 to 1716. He was an Afro-Mexican, the son of a Mulatto or dark-skinned physician from Cádiz, Spain, and a free black woman, Pascuala de Santoyo. Correa "became one of the most prominent artists in New Spain during his lifetime, along with Cristóbal de Villalpando." Manuel Toussaint considers Correa and Villalpando the main exponents of the Baroque style of painting in Mexico. Correa was a very productive religious painter, with two major paintings in sacristy of the Cathedral of Mexico City, one of the Immaculate Conception and the other An Allegory of the Church. He also painted major works for the Jesuit church in Tepozotlan, Mexico (now the Museum of the Viceroyalty). According to Toussaint, Correa is "important in achieving a new quality, in the creative impulse he expresses, and which one cannot doubt e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristóbal De Villalpando
Cristóbal de Villalpando (ca. 1649 – 20 August 1714) was a Baroque Criollo artist from New Spain, arts administrator and captain of the guard. He painted prolifically and produced many Baroque works now displayed in several Mexican cathedrals, including the cathedrals in Querétaro and Mexico City, as well as a depiction of the Zócalo (main square) in Mexico City, showing the damage of the 1692 riot to the viceregal palace three years earlier.Richard L. Kagan, ''Urban Images of the Hispanic World, 1493-1793,'' with the collaboration of Fernando Marías. New Haven: Yale University Press 2000. Life Born in Mexico City to the influential Villalpando family, Cristóbal assumed duties in the local militia as an ensign, as well as painting with Baltasar de Echave Rioja (Echave the Younger) in the Echave workshop.Haces, Juana Gutierrez (2006) "Cristóbal de Villalpando" page 535 ''In'' Rishel, Joseph J. and Stratton-Pruitt, Suzanne (editors) (2006) ''The Arts in Latin America, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Nacional De Antropología
The National Museum of Anthropology ( es, Museo Nacional de Antropología, MNA) is a national museum of Mexico. It is the largest and most visited museum in Mexico. Located in the area between Paseo de la Reforma and Mahatma Gandhi Street within Chapultepec Park in Mexico City, the museum contains significant archaeological and anthropological artifacts from Mexico's pre-Columbian heritage, such as the Stone of the Sun (or the Aztec calendar stone) and the Aztec Xochipilli statue. The museum (along with many other Mexican national and regional museums) is managed by the Instituto Nacional de Antropología e Historia (National Institute of Anthropology and History), or INAH. It was one of several museums opened by Mexican President Adolfo López Mateos in 1964. Assessments of the museum vary, with one considering it "a national treasure and a symbol of identity. The museum is the synthesis of an ideological, scientific, and political feat." Octavio Paz criticized the museum's ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Nacional De Historia
The National Museum of History (Spanish: ), also known as MNH, is a national museum of Mexico, located inside Chapultepec Castle in Mexico City. The Castle itself is found within the first section of the well known Chapultepec Park. The museum received 2,135,465 visitors in 2017. The museum hosts twelve showrooms that house objects from various stages in History of Mexico, Mexican history, including the foundation of the Spanish Empire (known in Mexico as “The Conquest”), the New Spain and the Viceregal era (known in Mexico Mexico (Spanish language, Spanish: México), officially the United Mexican States, is a List of sovereign states, country in the southern portion of North America. It is borders of Mexico, bordered to the north by the United States; to the so ... as “The Colonial epoch”), the Mexican War of Independence, the La Reforma, Liberal Reform, and the Mexican Revolution, Revolution of 1910. On the top floor, in addition to a library, there are two sectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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