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Museo Collezione Gianfranco Luzzetti
The Museo Collezione Gianfranco Luzzetti (''Gianfranco Luzzetti Collection Museum'') is an art museum in Grosseto, Tuscany, Italy. The art gallery is located in a 17th-century former Clarissine convent, home to the city's cultural centre "Le Clarisse", and opened on 22 December 2019. It houses a collection of paintings and sculptures from the Italian Renaissance, Baroque and Neoclassicism, donated to the City of Grosseto by the antiquarian Gianfranco Luzzetti; most notably, the collection include works by artists such as Antonio Rossellino, Giovanni di Tano Fei, Giambologna, Santi di Tito, Domenico Passignano, Cigoli, Rutilio di Lorenzo Manetti, Giovanni Antonio Galli, Pietro Dandini, Camillo Rusconi and Corrado Giaquinto Corrado Giaquinto (8 February 1703 – 18 April 1766) was an Italian Rococo painter. Early training and move to Rome He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667–1725), escaping the rel .... Refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grosseto
Grosseto () is a city and ''comune'' in the central Italian region of Tuscany, the capital of the Province of Grosseto. The city lies from the Tyrrhenian Sea, in the Maremma, at the centre of an alluvial plain on the Ombrone river. It is the most populous city in Maremma, with 82,284 inhabitants. The comune of Grosseto includes the ''frazioni'' of Marina di Grosseto, the largest one, Roselle, Principina a Mare, Principina Terra, Montepescali, Braccagni, Istia d'Ombrone, Batignano, Alberese and Rispescia. History The origins of Grosseto can be traced back to the High Middle Ages. It was first mentioned in 803 as a fief of the Counts Aldobrandeschi, in a document recording the assignment of the church of St. George to Ildebrando degli Aldobrandeschi, whose successors were counts of the Grossetana Mark until the end of the 12th century. Grosseto steadily grew in importance, owing to the decline of Rusellae and Vetulonia until it was one of the principal Tuscan cities. In 1137 th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Passignano
Domenico Passignano (1559 – 17 May 1638), born Domenico Cresti or Crespi, was an Italian painter of a late-Renaissance or Counter-''Maniera'' (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century. Biography Cresti was born in Passignano in Val di Pesa, Passignano, currently a ''frazione'' of Barberino Tavarnelle about 30 km south of Florence, and was educated by the local Vallombrosan monks. He started his works in the stylized Tuscan manner, working with Giovanni Battista Naldini and Girolamo Macchietti. After travelling from Rome to Venice (1581–1589), he came under the influence of Tintoretto's style. He had traveled to Venice as an assistant to Federico Zuccari, who had employed him previously in the completion of Giorgio Vasari's ''The Last Judgement (Vasari and Zuccari), The Last Judgment'' on the ceiling of the dome of Florence Cathedral. He was known to paint with great speed; however, as he used less paint in order to work q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2019 Establishments In Italy
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrado Giaquinto
Corrado Giaquinto (8 February 1703 – 18 April 1766) was an Italian Rococo painter. Early training and move to Rome He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667–1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696–1784) and Giuseppe Bonito (1707–1789), he trained from 1719 to 1723 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Giaquinto followed a peripatetic career, with long sojourns in Naples, Rome (between 1723 and 1753), Turin (1733 and 1735–39), and Madrid (1753–1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Rusconi
Camillo Rusconi (14 July 1658 – 8 December 1728) was an Italian sculptor of the late Baroque in Rome. His style displays both features of Baroque and Neoclassicism. He has been described as a Carlo Maratta in marble. Biography Initially trained in his hometown of Milan with Giuseppe Rusnati. By 1685-1686, he had moved to Rome and into the studio of Ercole Ferrata, who died within a year or two of his arrival. Rusconi's talent attracted commissions, for example, for plaster allegorical statues depicting four virtues (prudence, justice, temperance, and strength) for the Ludovisi chapel in the church of Sant'Ignazio. He then worked alongside Le Gros in sculpting angels for the tympanum of the altar of ''Saint Ignatius'' at the Church of the Gesù. Camillo’s masterpieces are the four larger-than-life apostles (''Matthew'', ''James the Great'', ''Andrew'', and ''John'') completed during 1708-1718 for the niches of the Archbasilica of St. John Lateran (San Giovanni in Laterano). T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Dandini
Pietro Dandini (12 April 1646 – 26 November 1712) was an Italian painter of the Baroque period, active mainly in Florence. Biography He is also called ''Pier Dandini''. He was the son (or nephew) and pupil of the painter Vincenzo Dandini. Pietro's uncle, Cesare Dandini, was a prominent painter in Florence. Vincenzo's sons, Ottaviano and Vincenzo Dandini the younger also became painters. Among his pupils as Valerio Baldassarri of Pescia, Father Alberico Carlini of Vellano, Gaetano Santarelli Giovanna Fratellini, and Giovanni Cinqui. In addition to having training within the family, he traveled to Bologna, Modena, Venice, and Rome to learn about art. Pellegrino Antonio Orlandi, Bolognese, 1723, page 365. As a painter, Dandini's styles are eclectic, as reflected in his travels, though he has the high-minded graciousness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Galli (artist)
Giovanni Antonio Galli, also called lo Spadarino (baptized January 16, 1585 – after June 1651), was an Italian Baroque artist who was a member of the Caravaggisti (followers of Michelangelo Merisi da Caravaggio). Life He was born in Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ... to a family originally from Florence.Ponzi. His activities are poorly documented but he is known to have been working in Rome in 1597. In 1616 he worked on the decoration of the Sala Regia in the Palazzo del Quirinale with Carlo Saraceni. He was long confused with his lesser-known brother Giacomo Galli, a gilder, picture framer and artist. In 1943 the art historian Roberto Longhi identified Giovanni Antonio Galli as the painter of a number of works, based on stylistic comparison with ''The Mira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutilio Di Lorenzo Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), ''Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Egypt'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cigoli
Lodovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Biography Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the " Counter-''Maniera''" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting. For the Roman patron, Massimo Massimi, he painted an '' Ecce Homo'' (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominent contemporary pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Di Tito
Santi di Tito (5 December 1536 – 25 July 1603) was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism. Biography He was born in Florence, then its own city-state. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558 to 1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (''Homage of the People'') alongside Giovanni de' Vecchi and Niccolò Circignani. He acquired a classical trait, described as ''Raphaelesque'' by S. J. Freedberg. This style contrasted with the reigning ornate Roman painterliness of Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. After returning to Florence in 1564, he joined the Accademia del Disegno. He contributed two conventionally Mannerist paintings for the Duke's study and laboratory, the Stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museum
An art museum or art gallery is a building or space for the display of art, usually from the museum's own Collection (artwork), collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily concerned with Visual arts, visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections. Terminology An institution dedicated to the display of art can be called an art museum or an art gallery, and the two terms may be used interchangeably. This is reflected in the names of institutions around the world, some of which are called galleries (e.g. the National Gallery and Neue Nationalgalerie), and some of which are called museums (including the Metropolitan Museum of Art, the Museum of Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambologna
Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style. Biography Giambologna was born in Douai, Flanders ( then and now in France), in 1529. After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550 and studied in Rome, making a detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance, and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune and subsidiary figures for the Fountain of Neptune (the base designed by Tommaso Laureti, 1566) in Bologna. Giambologna spent his most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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