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Muraqqa
A Muraqqa ( tr, Murakka, ar, مورّقة, fa, مُرَقّع) is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter. The album was popular among collectors in the Islamic world, and by the later 16th century became the predominant format for miniature painting in the Persian Safavid, Mughal and Ottoman empires, greatly affecting the direction taken by the painting traditions of the Persian miniature, Ottoman miniature and Mughal miniature. The album largely replaced the full-scale illustrated manuscript of classics of Persian poetry, which had been the typical vehicle for the finest miniature painters up to that time. The great cost and delay of commissioning a top-quality example of such a work essentially restricted them to the ruler and a handful of other great figures, who usually had to maintain a whole workshop of calligraphers, artists and other craftsm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Miniature
A Persian miniature (Persian: نگارگری ایرانی ''negârgari Irâni'') is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a ''muraqqa''. The techniques are broadly comparable to the Western Medieval and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qur'an
The Quran (, ; Standard Arabic: , Quranic Arabic: , , 'the recitation'), also romanized Qur'an or Koran, is the central religious text of Islam, believed by Muslims to be a revelation from God. It is organized in 114 chapters (pl.: , sing.: ), which consist of verses (pl.: , sing.: , cons.: ). In addition to its religious significance, it is widely regarded as the finest work in Arabic literature, and has significantly influenced the Arabic language. Muslims believe that the Quran was orally revealed by God to the final prophet, Muhammad, through the archangel Gabriel incrementally over a period of some 23 years, beginning in the month of Ramadan, when Muhammad was 40; and concluding in 632, the year of his death. Muslims regard the Quran as Muhammad's most important miracle; a proof of his prophethood; and the culmination of a series of divine messages starting with those revealed to Adam, including the Torah, the Psalms and the Gospel. The word ''Quran'' occurs so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ibrahim Mirza
Prince Ibrahim Mirza, Solṭān Ebrāhīm Mīrzā, in full Abu'l Fat'h Sultan Ibrahim Mirza ( fa, ابوالفتح سلطان ابراهیم میرزا) (April 1540 – 23 February 1577) was a Persian prince of the Safavid dynasty, who was a favourite of his uncle and father-in-law Shah Tahmasp I. He is now mainly remembered as a patron of the arts, especially the Persian miniature. Although most of his library and art collection was apparently destroyed by his wife after his murder, surviving works commissioned by him include the manuscript of the ''Haft Awrang'' of the poet Jami which is now in the Freer Gallery of Art in Washington D.C. Biography He was a grandson of the founder of the Safavid dynasty, Ismail I (1487–1524) by Ismail's fourth son, prince Bahram Mirza Safavi (1518–1550), who was governor of Khorasan (1529–32), Gilan (1536–37) and Hamadan (1546–49), and also a commissioner of manuscripts. Two of his uncles and two of his brothers were to rebel again ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Empire
The Mughal Empire was an early-modern empire that controlled much of South Asia between the 16th and 19th centuries. Quote: "Although the first two Timurid emperors and many of their noblemen were recent migrants to the subcontinent, the dynasty and the empire itself became indisputably Indian. The interests and futures of all concerned were in India, not in ancestral homelands in the Middle East or Central Asia. Furthermore, the Mughal empire emerged from the Indian historical experience. It was the end product of a millennium of Muslim conquest, colonization, and state-building in the Indian subcontinent." For some two hundred years, the empire stretched from the outer fringes of the Indus river basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India. Quote: "The realm so defined and governed was a vast territory of some , rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Miniature
Ottoman miniature ( tr, Osmanlı minyatürü) or Turkish miniature was a Turkish art form in the Ottoman Empire, which can be linked to the Persian miniature tradition, as well as strong Chinese artistic influences. It was a part of the Ottoman book arts, together with illumination (), calligraphy (), marbling paper (), and bookbinding (). The words or were used to define the art of miniature painting in Ottoman Turkish. The studios the artists worked in were called Nakkashanes. Original procedure The miniatures were usually not signed, perhaps because of the rejection of individualism, but also because the works were not created entirely by one person; the head painter designed the composition of the scene, and his apprentices drew the contours (which were called ) with black or colored ink and then painted the miniature without making an illusion of third dimension. The head painter, and much more often the scribe of the text, were indeed named and depicted in some of the ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Miniature
Mughal painting is a style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums ( muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Illumination
Turkish or Ottoman illumination covers non-figurative painted or drawn decorative art in books or on sheets in ''muraqqa'' or albums, as opposed to the figurative images of the Ottoman miniature. In Turkish it is called “tezhip”, meaning “ornamenting with gold”. It was a part of the Ottoman Book Arts together with the Ottoman miniature (''taswir''), calligraphy (''hat''), bookbinding (''cilt'') and paper marbling (''ebru''). In the Ottoman Empire, illuminated and illustrated manuscripts were commissioned by the Sultan or the administrators of the court. In Topkapi Palace, these manuscripts were created by the artists working in Nakkashane, the atelier of the miniature and illumination artists. Both religious and non-religious books could be illuminated. Also sheets for albums ''levha'' consisted of illuminated calligraphy (''hat'') of ''tughra'', religious texts, verses from poems or proverbs, and purely decorative drawings. The illuminations were made either surround ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Young Lady Reclining After A Bath, Leaf From The Read Persian Album Herat (Afghanistan), 1590s
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh
The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 "distichs" or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language, regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamsa Of Nizami
The ''Khamsa'' ( fa, خمسه, 'Quintet' or 'Quinary', from Arabic) or ''Panj Ganj'' ( fa, پنج گنج, 'Five Treasures') is the main and best known work of Nizami Ganjavi. Description The ''Khamsa'' is in five long narrative poems: * '' Makhzan-ol-Asrâr'' (, 'The Treasury or Storehouse of Mysteries'CHARLES-HENRI DE FOUCHÉCOUR, "IRAN:Classical Persian Literature" in ''Encyclopædia Iranica''), 1163 (some date it 1176) * ''Khosrow o Shirin'' (, 'Khosrow and Shirin'), 1177–1180 * ''Leyli o Majnun'' (, 'Layla and Majnun'), 1192 * ''Eskandar-Nâmeh'' (, 'The Book of Alexander'), 1194 or 1196–1202 * ''Haft Peykar'' (, 'The Seven Beauties'), 1197 The first of these poems, '' Makhzan-ol-Asrâr'', was influenced by Sanai's (d. 1131) monumental ''Garden of Truth''. The four other poems are medieval romances. Khosrow and Shirin, Bahram-e Gur, and Alexander the Great, who all have episodes devoted to them in Ferdowsi's ''Shahnameh'', appear again here at the center of three of fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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