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Muh Dikhai
''Muh Dikhai: Unveiling The Songs Of Eternal Love'' (; ) is the third solo studio album by Pakistani classical and pop singer, songwriter, and composer Shafqat Amanat Ali. It was released in India on March 20, 2015 by the Times Music label. Background and musical style The album was released five years after Ali's previous album, '' Kyun Dooriyan,'' and does not specifically focus on a particular genre or theme. It features an eclectic mix of pop, folk, ''ghazal'', sentimental ballads, and Sufi devotional songs, and includes songs in both Hindi and Punjabi languages. ''Rolling Stone'' (India) characterized the album as "genre-bending" and "rock-ballad-meets-symphony-meets-Hindustani classical." While discussing the overall tone of the album, Ali stated: "I have given a slight twist to the traditional forms in terms of orchestration and arrangements." Ali has stated that the songs "Rang," "Muh Dikhai (Teri Khoj)," "Dil Dharhaknay Ka Sabab," and "Ratiyaan" were especially signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shafqat Amanat Ali
Shafqat Amanat Ali Khan ( ur, ; ; born 26 February 1965) is a Pakistani pop and classical singer, songwriter, and composer belonging to the Patiala Gharana tradition of music. He was the lead vocalist of the Pakistani pop rock band Fuzön until 2006 and is a prominent playback singer in the Indian film industry. The youngest son of noted classical vocalist Ustad Amanat Ali Khan, Ali started his musical training at the age of four under the tutelage of his uncle, Ustad Bade Fateh Ali Khan, who was widely regarded as the foremost exponent of Hindustani classical music in Pakistan. Ali rose to prominence in both India and Pakistan with the lead single "Aankhon Ke Saagar" and the song "Khamaj" (also known as "Mora Saiyaan") from Fuzön's debut album, '' Saagar'' (2002). In 2006, Ali went on to achieve breakthrough success in Bollywood with two songs – "Mitwa" (from the film ''Kabhi Alvida Naa Kehna'') and "Yeh Honsla" (from the film '' Dor''). Both songs earned Ali signific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zero (2018 Film)
''Zero'' is a 2018 Indian romantic comedy drama film written by Himanshu Sharma, directed by Aanand L. Rai and produced by Colour Yellow Productions in collaboration with Red Chillies Entertainment. Starring Shah Rukh Khan, Anushka Sharma, Katrina Kaif, Abhay Deol, R. Madhavan and Mohammed Zeeshan Ayyub. This was the fourth collaboration between Khan and Sharma after Rab Ne Bana Di Jodi (2008), Jab Tak Hai Jaan (2012), and Jab Harry Met Sejal (2017). The film revolves around Bauua Singh, a short man from Meerut who after having difficulty finding a marriage partner, finds a companion in Aafia Bhinder, a NSAR (a fictional space research facility) scientist with cerebral palsy. However, film superstar Babita also gets close with him, testing his first relationship, before this love triangle takes them to far-off cities, thrusting Bauua into an adventure to discover both his true love and completeness in a life lived to the fullest. The project was conceived by Rai in 2012, before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nizamuddin Auliya
Muhammad Nizamuddin Auliya (sometimes spelled Awliya; 1238 – 3 April 1325), also known as Hazrat Nizamuddin, and Mahbub-e-Ilahi () was an Sunni Muslim scholar, Sufi saint of the Chishti Order, and is one of the most famous Sufis from the Indian Subcontinent. His predecessors were Fariduddin Ganjshakar, Qutbuddin Bakhtiyar Kaki, and Moinuddin Chishti, who were the masters of the Chishti spiritual chain or ''silsila'' in the Indian subcontinent. Nizamuddin Auliya, like his predecessors, stressed love as a means of realising God. For him his love of God implied a love of humanity. His vision of the world was marked by a highly evolved sense of religious pluralism and kindness. It is claimed by the 14th century historiographer Ziauddin Barani that his influence on the Muslims of Delhi was such that a paradigm shift was effected in their outlook towards worldly matters. People began to be inclined towards mysticism and prayers and remaining aloof from the world. It is also believed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murshid
''Murshid'' ( ar, مرشد) is Arabic for "guide" or "teacher", derived from the root ''r-sh-d'', with the basic meaning of having integrity, being sensible, mature. Particularly in Sufism it refers to a spiritual guide. The term is frequently used in Sufi orders such as the Naqshbandiyya, Qādiriyya, Chishtiya, Shadhiliya and Suhrawardiyya. The path of Sufism starts when a student (Murid) takes an oath of allegiance or ''Bay'ah'' (''bai'ath'') with a spiritual guide (''murshid''). In speaking of this initiatory pact of allegiance, the Qur’ān (48:10) says: ''Verily they who pledge unto thee their allegiance pledge it unto none but God. The Hand of God is above their hands''.Cf. Martin Lings, ''What is Sufism'', Islamic Texts Society, Cambridge, p. 125. The murshid's role is to spiritually guide and verbally instruct the disciple on the Sufi path, but "only one who has himself reached the End of the path is a spiritual guide in the full sense of the Arabic term ''murshid''". A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pir (Sufism)
Peer or Pir ( fa, پیر, lit=elder) is a title for a Sufi spiritual guide. They are also referred to as a ''Hazrat'' (from ar, حضرة, Haḍra) and ''Sheikh (Sufism), Sheikh'' or Shaykh, which is literally the Arabic equivalent. The title is often translated into English as "saint." In Sufism a Pir's role is to guide and instruct his disciples on the Sufi path. This is often done by general lessons (called ''Suhbas'') and individual guidance. Other words that refer to a Pir include ''Murshid'' ( ar, مرشد, lit=guide, mentor) and ''Sarkar'' ( fa, سرکار, lit=master, lord). The title ''Peer Baba'' (from fa, بابا, lit=father) is common in the Indian subcontinent used as a salutation to Sufi masters or similarly honored persons. After their death, people visit their tombs or mausolea, referred to as dargah or maqbara. The path of Sufism starts when a student takes an oath of allegiance with a teacher called ''Bai'at'' or ''Bay'ah'' (Arabic word meaning "transactio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amir Khusrau
Abu'l Hasan Yamīn ud-Dīn Khusrau (1253–1325 AD), better known as Amīr Khusrau was an Indo-Persian culture, Indo-Persian Sufi singer, musician, poet and scholar who lived under the Delhi Sultanate. He is an iconic figure in the cultural history of the Indian subcontinent. He was a mysticism, mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian language, Persian, but also in Hindustani language, Hindavi. A vocabulary in verse, the ''Ḳhāliq Bārī'', containing Arabic, Persian and Hindustani language, Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (''Tuti-e-Hind''), and has been called the "father of Urdu literature." Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaj Rang Hai
''Aaj Rang Hai'' (; ) also known as Rang or Rung () is a Qawwali written by the 13th-century Sufi poet, Amir Khusrau in Hindavi and Braj Bhasha dialects. In the song, Khusrau describes to his mother his ecstasy upon finding his ''murshid'' (spiritual master) in the Sufi saint Nizamuddin Auliya. The song is a staple of most Qawwali sessions in North India and Pakistan, especially in the Chishti shrines of Delhi. It is traditionally sung as a closing piece at the end of a Qawwali session. The song is celebratory in tone and holds a prominent place in the landscape of Sufi music. The word "rang" or "rung" literally translates into "color." The theme of saturated colors, dyes, and hues is a well-known motif in Sufi poetry and imagery and is understood to symbolize union between the seeker and God (as the Beloved). In the context of the song, however, "rang" or "rung" refers to the happiness, splendor, or glow that Khusrau feels after having met his '' pir'' (spiritual guide). In this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qawwali
Qawwali ( Punjabi: (Shahmukhi), (Gurmukhi); Urdu: (Nasta'liq); Hindi: क़व्वाली (Devanagari); Bengali: কাওয়ালি (Bengali)) is a form of Sufi Islamic devotional singing, originating from the Indian subcontinent. It is popular mostly in the Punjab and Sindh regions of Pakistan; in Hyderabad, Delhi and other parts of India, especially North India; as well as the Dhaka and Chittagong Divisions of Bangladesh. Originally performed at Sufi shrines or dargahs throughout South Asia, it gained mainstream popularity and an international audience in late 20th century. Qawwali music received international exposure through the work of Nusrat Fateh Ali Khan, Aziz Mian and Sabri Brothers largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals. Other famous Qawwali singers include Fareed Ayyaz & Abu Muhammad, Rahat Fateh Ali Khan, Badar Miandad, Rizwan & Moazzam Duo, Qutbi Brothers, the late Amjad Sabri, Wad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohan Singh (poet)
Mohan Singh (1905–1978) was a noted Indian poet in the Punjabi language and an academic, and one of the early pioneers of modern Punjabi poetry. Biography Born in 1905 at Lyallpur (now in Pakistan), Mohan Singh spent the early years of his life at his ancestral village Dhamial in Rawalpindi District. His poem Kuri Pathohar Di is reminiscent of his romantic early days. He obtained a master's degree in Persian and started his career as a Lecturer in Persian, Urdu and Punjabi at Khalsa College, Amritsar in 1933. He was well read in English, Persian and Urdu literatures. At Amritsar, Teja Singh, Sant Singh Sekhon, Gurbachan Singh 'Talib' became his friends. In 1940, he joined as a lecturer in the Sikh National College, Lahore, but after some time he left the job and started a firm, Hind Publishers to promote the literary standards of Punjabi publications. In 1939, he started his famous literary Punjabi monthly, Panj darya. After Partition In 1947 he shifted his business to Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sufi Poetry
Sufi literature consists of works in various languages that express and advocate the ideas of Sufism. Sufism had an important influence on medieval literature, especially poetry, that was written in Arabic, Persian, Turkic and Urdu. Sufi doctrines and organizations provided more freedom to literature than did the court poetry of the period. The Sufis borrowed elements of folklore in their literature. The works of Nizami, Nava'i, Hafez, Sam'ani and Jami were more or less related to Sufism. The verse of such Sufi poets as Sanai (died c. 1140), Attar (born c. 1119), and Rumi (died 1273) protested against oppression with an emphasis on divine justice and criticized evil rulers, religious fanaticism and the greed and hypocrisy of the orthodox Muslim clergy. The poetic forms used by these writers were similar to the folk song, parable and fairy tale. Background Sufi literature written in Persian flourished from the 12th to 15th centuries. Later major poets linked with the Sufi tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sufism
Sufism ( ar, ''aṣ-ṣūfiyya''), also known as Tasawwuf ( ''at-taṣawwuf''), is a mystic body of religious practice, found mainly within Sunni Islam but also within Shia Islam, which is characterized by a focus on Islamic spirituality, ritualism, asceticism and esotericism. It has been variously defined as "Islamic mysticism",Martin Lings, ''What is Sufism?'' (Lahore: Suhail Academy, 2005; first imp. 1983, second imp. 1999), p.15 "the mystical expression of Islamic faith", "the inward dimension of Islam", "the phenomenon of mysticism within Islam", the "main manifestation and the most important and central crystallization" of mystical practice in Islam, and "the interiorization and intensification of Islamic faith and practice". Practitioners of Sufism are referred to as "Sufis" (from , ), and historically typically belonged to "orders" known as (pl. ) – congregations formed around a grand who would be the last in a chain of successive teachers linking back to Muham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sufi Music
Sufi music refers to the devotional music of the Sufis, inspired by the works of Sufi poets like Rumi, Hafiz, Bulleh Shah, Amir Khusrow, and Khwaja Ghulam Farid. Qawwali is the best-known form of Sufi music and is most commonly found in the Sufi culture in South Asia. However, music is also central to the Sema ceremony of the whirling dervishes, which is set to a form of music called Ayin, a vocal and instrumental piece featuring Turkish classical instruments such as the ney (a reed flute). The West African gnawa is another form, and Sufis from Indonesia to Afghanistan to Morocco have made music central to their practices. Some of the Sufi orders have taken an approach more akin to puritan forms of Islam, declaring music to be unhelpful to the Sufi way. Sufi love songs are often performed as ghazals and Kafi, a solo genre accompanied by percussion and harmonium, using a repertoire of songs by Sufi poets. Musicians Abida Parveen, a Pakistani Sufi singer is one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
