Moustache (Half A Scissor)
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Moustache (Half A Scissor)
''Moustache (Half a Scissor)'' is the second full-length album by Mr. Oizo, the alias of producer/filmmaker Quentin Dupieux, released in 2005 on CD. This was Dupieux's last release for F Communications, which infamously referred to it as "unlistenable" due to its extensive use of unusual time signatures and dissonant samples. His next two albums were released on the French label Ed Banger Records. The album was re-released by the American label Brainfeeder in 2011 on limited-edition vinyl Vinyl may refer to: Chemistry * Polyvinyl chloride (PVC), a particular vinyl polymer * Vinyl cation, a type of carbocation * Vinyl group, a broad class of organic molecules in chemistry * Vinyl polymer, a group of polymers derived from vinyl m .... The album's only single, "Stunt", did not chart. Track listing # "Untitled" # "The End" # "Latex" # "Vagiclean 2" # "Straw Anxious" # "(E)" # "Nurse Bob" # "Berleef" # "Scum Hotel" # "Drop Urge Need Elle" # "(EE)" # "Stunt" # "Moustache" # " ...
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Electro House
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being infl ...
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Breakbeat
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the '' Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the '' Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks st ...
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Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945,Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, Worl ...
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F Communications
F Communications, also known as FCom, was a French record label based in Paris. It was founded in 1994 by Eric Morand and Laurent Garnier. It produces dance and electronic music by artists like Avril, Garnier, and Mr. Oizo amongst many others. In 1999, it was named "one of France's premier labels specializing in electronic music". In 2003, the record label had a turnover of 2.4 million euros. The record label folded in 2008. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... External linksOfficial website References French record labels Record labels established in 1994 Electronic dance music record labels Electronic music record labels {{France-record-label-stub ...
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Brainfeeder
Brainfeeder is an independent record label based in Los Angeles, California, founded by Flying Lotus in 2008, focusing on electronic music and instrumental hip hop. It has signed artists such as Ras G, Samiyam, The Gaslamp Killer, Thundercat, The Underachievers, Lapalux, Daedelus, and Mr. Oizo. History In 2007, Brainfeeder debuted as the name of a four-hour radio broadcast by Flying Lotus and his friends on Dublab. It is also the name of the first track on Flying Lotus's album Los Angeles. In 2008, Brainfeeder officially launched as a record label. In 2010, Ninja Tune offered Brainfeeder a deal to manufacture, distribute and promote the catalogue worldwide, with Alpha Pup Records remaining as the U.S. digital distributor. In that year, Brainfeeder was listed by ''LA Weekly'' as the most exciting Los Angeles indie label. In 2012, it was named "Label of the Year" at Gilles Peterson's Worldwide Awards. Roster * Austin Peralta * Captain Murphy * Daedelus * DJ Paypal * Dorian Co ...
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Analog Worms Attack
''Analog Worms Attack'' is the debut studio album by French musician Mr. Oizo, released on 11 October 1999 through F Communications. The album is mostly instrumental and minimal, taking cues from French house and early American Hip hop music, hip hop. All music was composed on mainly analogue synthesisers and equipment, most notably the Korg MS-20 analog synth, as opposed to later works that would rely upon digital equipment and techniques. Background The album received generally favourable reviews on release, and has become an influence in the electronic genre. Allmusic reviewer John Bush described the album as "a left-field treat for both pop-culture seekers and genuine music fans". The track "Last Night a DJ Killed My Dog" is a reference to Indeep's 1980's single "Last Night a D.J. Saved My Life". The bassline is also very similar to Last Night a DJ Saved My Life. French producer and Ed Banger staple Feadz provides most of the turntable work on the record. Track listing ...
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Steak (album)
Steak: Music From The Motion Picture is a 2007 album by Sébastien Tellier, Mr. Oizo and SebastiAn. It is the soundtrack to the film ''Steak'' directed by Quentin Dupieux (Mr. Oizo) starring Eric Judor, Ramzy Bedia, Jonathan Lambert, Vincent Belorgey and Sebastian Akchoté. Track listing Adapted from Apple Music Apple Music is a music, audio and video streaming service developed by Apple Inc. Users select music to stream to their device on-demand, or they can listen to existing playlists. The service also includes the Internet radio stations Apple M ... References External links * {{Sebastian (French musician) 2007 soundtrack albums Film soundtracks ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Sample (music)
Sample or samples may refer to: Base meaning * Sample (statistics), a subset of a population – complete data set * Sample (signal), a digital discrete sample of a continuous analog signal * Sample (material), a specimen or small quantity of something * Sample (graphics), an intersection of a color channel and a pixel * SAMPLE history, a mnemonic acronym for questions medical first responders should ask * Product sample, a sample of a consumer product that is given to the consumer so that he or she may try a product before committing to a purchase * Standard cross-cultural sample, a sample of 186 cultures, used by scholars engaged in cross-cultural studies People *Sample (surname) *Samples (surname) * Junior Samples (1926–1983), American comedian Places * Sample, Kentucky, unincorporated community, United States * Sampleville, Ohio, unincorporated community, United States * Hugh W. and Sarah Sample House, listed on the National Register of Historic Places in Iowa, United ...
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Ed Banger Records
Ed Banger Records (sometimes referred to as Ed Rec) is a French electronic music record label founded by Pedro Winter in 2003 as a division of Headbangers Entertainment. It focuses on house music, particularly French house, as well as alternative dance, electro, hip hop, nu disco, and synthpop, among other styles. The label is home to French acts Justice, SebastiAn, Breakbot, Cassius, DJ Mehdi, Mr. Oizo, Uffie, Myd, Krazy Baldhead, Mr. Flash, So Me, Feadz, DSL, Boston Bun, and Winter himself under the alias Busy P. Most videos and album art for Ed Banger releases are coordinated by So Me. History The label enjoyed a dramatic rise in fame in early 2007 when a number of the artists signed to its roster found mainstream success, most notably French electronic group Justice, whose rework of "Never Be Alone" by now defunct electro-rock band Simian, was a success in clubs worldwide, entering the UK charts at  20. The music video for the single won the award for best video a ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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