Moscow, Cheryomushki
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Moscow, Cheryomushki
''Moscow, Cheryomushki'' (russian: Москва, Черёмушки, link=no; ''Moskva, Cheryómushki'') is an operetta in three acts by Dmitri Shostakovich, his Op. 105. It is sometimes referred to as simply ''Cheryomushki''. Cheryomushki is a district in Moscow full of cheap subsidized housing built in 1956, and the word is also commonly used for such housing projects in general. The libretto was written by the experienced team of and , leading Soviet humorists of the day. The satirical plot dealt with a topical theme geared to one of the most pressing concerns of urban Russians, the chronic housing shortages and the difficulties of securing liveable conditions. 'Cheryomushki' translates to “ bird-cherry trees” and the operetta was named after a real housing estate in south-west Moscow. The work was completed in 1958 and was premiered in Moscow on 24 January 1959. The operetta is reminiscent of Shostakovich's popular music of the period, yet at the same time it engages ...
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Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ...
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Lee Meadows
Henry Lee "Specs" Meadows (July 12, 1894 – January 29, 1963) was an American professional baseball player. He played in Major League Baseball as a right-handed pitcher over parts of 15 seasons (1915–1929) for the St. Louis Cardinals, Philadelphia Phillies and Pittsburgh Pirates. He was the National League wins leader in 1926 with Pittsburgh. For his career, he compiled a 188–180 record in 490 appearances, with a 3.37 ERA and 1063 strikeouts. As a hitter, Meadows posted a .180 batting average (201-for-1117) with 80 runs, 5 home runs, 75 RBIs and 34 bases on balls. Defensively, he was below average, recording a .947 fielding percentage which was 11 points lower than the league average at his position. Meadows played on two National League pennant winners with the Pirates (1925 and 1927), winning the 1925 World Series. He opposed future Hall of Famer Walter Johnson as the Game 1 starting pitchers of that '25 Series. He finished 0–2 in two postseason appearances wit ...
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Arioso
In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato. Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in form, arioso generally not resorting to the process of repetition. Well-known examples At the start of the finale in the first act of Mozart's ''The Magic Flute'', the andante of the priest (''Sprecher'') "''Sobald dich führt der Freundschaft Hand ins Heiligtum zum ew'gen Band''" is an example of arioso. "''Amor ti vieta''", sung by Loris at Giordano's ''Fedora'' could be a ...
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Mighty Handful
The Five ( rus, link=no, Могучая кучка, lit. ''Mighty Bunch''), also known as the Mighty Handful, The Mighty Five, and the New Russian School, were five prominent 19th-century Russian composers who worked together to create a distinct national style of classical music: Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin. They lived in Saint Petersburg, and collaborated from 1856 to 1870. History Name In May 1867 the critic Vladimir Stasov wrote an article, titled ''Mr. Balakirev's Slavic Concert'', covering a concert that had been performed for visiting Slav delegations at the "All-Russian Ethnographical Exhibition" in Moscow. The four Russian composers whose works were played at the concert were Mikhail Glinka, Alexander Dargomyzhsky, Mily Balakirev, and Nikolai Rimsky-Korsakov. The article ended with the following statement: The expression "mighty handful" (russian: Могучая кучка, ''Moguchaya kuch ...
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Isaac Glikman
Isaac Davydovich Glikman (1911–2003) was a Soviet Literary criticism, literary critic, Critic, theater critic, Libretto, librettist, screenwriter, and teacher at the Saint Petersburg Conservatory, St. Petersburg Conservatory. He was a close friend of the composer Dmitri Shostakovich. Biography Glikman was born in 1911 in Vitebsk, in the family of Jewish actor David Glikman. He graduated from philology faculty of the Saint Petersburg State University, Leningrad University. It was while working in an administrative capacity for the Saint Petersburg Philharmonic Orchestra, Leningrad Philharmonia's Mass Education Unit that he first met Shostakovich in 1931; he then became his literary consultant and unofficial secretary. In the 1940s he headed the literary section of the Mikhailovsky Theatre, Maly Opera Theater. Collaborating with composers, librettists and directors, he helped to create new stage works, among them Sergei Prokofiev's ''War and Peace (opera), War and Peace''. He wr ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Limelight (magazine)
''Limelight'', formerly ''ABC Radio 24 Hours'', or simply ''24 Hours'', is an Australian digital and print magazine focusing on music, arts and culture. It is based in Sydney, New South Wales. Originally published by the Australian Broadcasting Corporation (ABC), after several changes of ownership it is owned by Limelight Arts Media Pty Ltd. History Founded in January 1976, the magazine was originally published under the name ''ABC Radio 24 Hours'', or simply ''24 Hours'', and relaunched as ''Limelight'' in June 2003. Ownership The magazine was originally a subsidiary of the ABC's classical music radio station, ABC Classic FM, and existed primarily to provide program details for the station's listeners. The title ''24 Hours'' came to the inaugural Director of ABC FM, Christopher Symons, "literally in the middle of the night. It also occurred to me... that if we got the magazine and its title established, it would be difficult for management to cut the station back to 18 hours ...
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Arts Centre Melbourne
Arts Centre Melbourne, originally known as the Victorian Arts Centre and briefly called the Arts Centre, is a performing arts centre consisting of a complex of theatres and concert halls in the Melbourne Arts Precinct, located in the central Melbourne suburb of Southbank in Victoria, Australia. It was designed by architect Sir Roy Grounds, the masterplan for the complex (along with the National Gallery of Victoria) was approved in 1960 and construction began in 1973 following some delays. The complex opened in stages, with Hamer Hall opening in 1982 and the Theatres Building opening in 1984. Arts Centre Melbourne is located by the Yarra River and along St Kilda Road, one of the city's main thoroughfares, and extends into the Melbourne Arts Precinct. Major companies regularly performing include Opera Australia, The Australian Ballet, the Melbourne Theatre Company, The Production Company, Victorian Opera, Bell Shakespeare, Bangarra Dance Theatre and the Melbourne Symphony Or ...
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