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Morsing
The morsing (also mukharshanku, mourching, morching or morchang; Sanskrit: दंत वाद्यन्तरात्मसत्रस्य, Telugu: మోర్సింగ్, Kannada: ಮೋರ್ಸಿಂಗ್, Rajasthani: मोरचंग, Tamil: நாமுழவு அல்லது முகச்சங்கு, Malayalam: മുഖർശംഖ്, English: " jaw harp") is an instrument similar to the Jew's harp, mainly used in Rajasthan, in the Carnatic music of South India, and in Sindh, Pakistan. It can be categorized under lamellophones, which is a sub-category of plucked idiophones. The instrument consists of a metal ring in the shape of a horseshoe with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. The metal tongue, also called the trigger, is bent at the free end in a plane perpendicular to the circular ring so that it can be struck and made t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morsingh
The morsing (also mukharshanku, mourching, morching or morchang; Sanskrit: दंत वाद्यन्तरात्मसत्रस्य, Telugu: మోర్సింగ్, Kannada: ಮೋರ್ಸಿಂಗ್, Rajasthani: मोरचंग, Tamil: நாமுழவு அல்லது முகச்சங்கு, Malayalam: മുഖർശംഖ്, English: " jaw harp") is an instrument similar to the Jew's harp, mainly used in Rajasthan, in the Carnatic music of South India, and in Sindh, Pakistan. It can be categorized under lamellophones, which is a sub-category of plucked idiophones. The instrument consists of a metal ring in the shape of a horseshoe with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. The metal tongue, also called the trigger, is bent at the free end in a plane perpendicular to the circular ring so that it can be struck and mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srirangam Kannan
Srirangam Kannan (born 5 May 1952) is an Indian musician and artist, known for playing the morsing. He has a degree in mathematics. Profile Vidwan Srirangam S. Kannan was born on 5 May 1952 in Srirangam to K Sathyamurthy and Kamalam. Growing up, he had little experience with Carnatic music. When he was 19 years old he heard a concert where Sri Pudukkotai S. Mahadevan played the morsing. Shortly afterwards, he became Mahadevan's disciple. He also learned more about ''laya'' (tempo) from Kanadukathan Rajaraman, a kanjeera and mridangam artist and a friend of Mahadevan. By age 23, Srirangam Kannan had started his career as a full-fledged morsing artist. After graduating from university with a degree in mathematics, he joined Indian Bank, where he worked for 30 years before retiring in 2000 after having become manager. He continues to play in concerts across India. He also performs regularly for AIR Chennai. Awards and honours Srirangam Kannan has been the recipient of many aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Percussion
Hand percussion is a percussion instrument that is held in the hand. They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that are not drums or pitched percussion instruments such as the marimba or the xylophone. Shakers A shaker (percussion) is any instrument that makes a noise when shaken. Historically they were naturally occurring items such as seed pods. A caxixi is a basketwork shaker with a gourd base. Gourds are used all over the world and covered with a net with shells or seeds to create an instrument such as the shekere. Modern shakers are often cylinders made from metal wood or plastic containing small hard items such as seeds, stones, or plastic - an example is the Egg Shaker.There is another category of shaken instrument using jingles, little discs of metal which tap together when shaken. Tambourines fall into this category. Scrapers This can be a wood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonica
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth (lips and tongue) to direct air into or out of one (or more) holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound. Reeds are tuned to individual pitches. Tuning may involve changing a reed’s length ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swara Prastara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or ''saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''nirukt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neraval
In Carnatic music, Neraval also known as Niraval or Sahitya Vinyasa is the elaboration and improvisation of melody for a particular line. Usually, just one or two lines of text from the song (from the charanam part of the kriti) are sung repeatedly, but with improvised elaborations. This elaboration remains within the framework of the original patterns of duration ( talam), Randel (2003), p562 and each word in the lines of text stay set within their original place (''idam'') in the tala cycle. Viswanathan & Cormack (1998), p232 The lines are then also played at different levels of speed which can include double speed, triple speed, quadruple speed and even sextuple speed. The neraval is one of the features in the extempore improvisation aspect (''Manodharma Sangita'') of Carnatic music, and is intended to highlight the Raga bhava effectively. It is usually performed by the more advanced performers. Examples Examples of Krithis containing lines best suited for neraval: *'' Vat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konnakol
Konnakol (also spelled Konokol, Konakkol, Konnakkol) ( ta, கொன்னக்கோல் koṉṉakkōl) ( ml, വായ്ത്താരി) is the art of performing percussion syllables vocally in South Indian Carnatic music. Konnakol is the spoken component of solkattu, which refers to a combination of konnakol syllables spoken while simultaneously counting the tala (meter) with the hand. It is comparable in some respects to '' bol'' in Hindustani music, but allows the composition, performance or communication of rhythms. A similar concept in Hindustani classical music is called padhant. Usage Musicians from a variety of traditions have found konnakol useful in their practice. Prominent among these is John McLaughlin, who led the Mahavishnu Orchestra and has long used konnakol as a compositional aid. V. Selvaganesh, who plays alongside McLaughlin in the group Remember Shakti, and Ranjit Barot, who plays with McLaughlin in the group 4th Dimension, are other noted konnako ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhol
Dhol (IPA: ) can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in India, Bangladesh and Pakistan primarily includes northern areas such as the Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. The range stretches westward as far as eastern Afghanistan. A related instrument is the dholak or dholki. Someone who plays the dhol is known as ''dholi''. Construction The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term ''dhol'' is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left hand tabla drum. The typical sizes of the drum vary slightly from region to region. In Punjab, the dhol remains large and bulky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beeswax
Beeswax (''cera alba'') is a natural wax produced by honey bees of the genus ''Apis''. The wax is formed into scales by eight wax-producing glands in the abdominal segments of worker bees, which discard it in or at the hive. The hive workers collect and use it to form cells for honey storage and larval and pupal protection within the beehive. Chemically, beeswax consists mainly of esters of fatty acids and various long-chain alcohols. Beeswax has been used since prehistory as the first plastic, as a lubricant and waterproofing agent, in lost wax casting of metals and glass, as a polish for wood and leather, for making candles, as an ingredient in cosmetics and as an artistic medium in encaustic painting. Beeswax is edible, having similarly negligible toxicity to plant waxes, and is approved for food use in most countries and in the European Union under the E number E901. Production The beeswax is formed by worker bees, which secrete it from eight wax-producing mirror glan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
