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Morris Fuller Benton
Morris Fuller Benton (November 30, 1872 – June 30, 1948) was an American typeface designer who headed the design department of the American Type Founders (ATF), for which he was the chief type designer from 1900 to 1937. Many of Benton's designs, such as his large family of related sans-serif or "gothic" typefaces, including Alternate Gothic, Franklin Gothic, and News Gothic, are still in everyday use. Typefaces Benton is credited as America's most prolific designer of metal type, having (with his team) completed 221 typefaces, including revivals of historical models, like Bodoni and Cloister; original designs, such as Hobo, Bank Gothic, and Broadway; and adding new weights to existing faces, such as Century, Goudy Old Style and Cheltenham. Although he did not invent the concept, Benton working at ATF pioneered the concept of families of typeface designs, allowing consistency of appearance in different sizes, widths and weights. This allowed ATF to capitalise on a succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milwaukee
Milwaukee ( ), officially the City of Milwaukee, is both the most populous and most densely populated city in the U.S. state of Wisconsin and the county seat of Milwaukee County. With a population of 577,222 at the 2020 census, Milwaukee is the 31st largest city in the United States, the fifth-largest city in the Midwestern United States, and the second largest city on Lake Michigan's shore behind Chicago. It is the main cultural and economic center of the Milwaukee metropolitan area, the fourth-most densely populated metropolitan area in the Midwest. Milwaukee is considered a global city, categorized as "Gamma minus" by the Globalization and World Cities Research Network, with a regional GDP of over $102 billion in 2020. Today, Milwaukee is one of the most ethnically and culturally diverse cities in the U.S. However, it continues to be one of the most racially segregated, largely as a result of early-20th-century redlining. Its history was heavily influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloister (typeface)
Cloister is a serif typeface that was designed by Morris Fuller Benton and published by American Type Founders from around 1913. It is loosely based on the printing of Nicolas Jenson in Venice in the 1470s, in what is now called the "old style" of serif fonts. American Type Founders presented it as an attractive but highly usable serif typeface, suitable both for body text and display use. Metal type release To ensure its versatility, Cloister was released in a wide selection of sizes and weights. This included an italic (ATF's design, as italics did not exist in Jenson's time) with swash capitals, an inline style and Cloister Initials, a set of initial capitals by Frederic Goudy to match. The practice of creating a wide range of variants of a successful face was a standard ATF practice in order to capitalise on a successful typeface's popularity and allow coherent layout and graphic design; its 1923 specimen book described its approach of creating families which could allow ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luc Devroye
Luc P. Devroye is a Belgian computer scientist and mathematician and a James McGill Professor in the School of Computer Science of McGill University in Montreal, Quebec, Canada. Devroye specializes in the probabilistic analysis of algorithms, random number generation, and type design. Education He studied at Katholieke Universiteit Leuven and subsequently at Osaka University and in 1976 received his PhD from University of Texas at Austin under the supervision of Terry Wagner. Career Since joining the McGill faculty in 1977 he has won an E.W.R. Steacie Memorial Fellowship (1987), a Humboldt Research Award (2004), the Killam Prize (2005) and the Statistical Society of Canada gold medal (2008). He received an honorary doctorate from the University of Louvain (UCLouvain) in 2002, and he received an honorary doctorate from University of Antwerp on March 29, 2012. Awards *Flajolet Lecture Prize The Philippe Flajolet Lecture Prize is awarded to for contributions to analytic c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Print (magazine)
''Print'' is an American design and culture website that began as ''Print, A Quarterly Journal of the Graphic Arts'', in 1940, and continued publishing a physical edition through the end of 2017 as ''Print''. As a printed publication, ''Print'' was a general-interest magazine, written by cultural reporters and critics who looked at design in its social, political, and historical contexts, from newspapers and book covers to Web-based motion graphics, from corporate branding to indie-rock posters. During its run, ''Print'' won five National Magazine Awards and a number of Folio: Eddies, including Best Full Issue in its final year. ''Print'' ceased publication in 2017, with a promise to focus the brand on "a robust and thriving online community." Its publisher, F+W Media, declared bankruptcy in 2019, and a group of independent partners subsequently purchased PRINT from the company that arose out of F+W, Peak Media Properties. Founding The journal was founded by William Edwin Rudge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord's Prayer
The Lord's Prayer, also called the Our Father or Pater Noster, is a central Christian prayer which Jesus taught as the way to pray. Two versions of this prayer are recorded in the gospels: a longer form within the Sermon on the Mount in the Gospel of Matthew, and a shorter form in the Gospel of Luke when "one of his disciples said to him, 'Lord, teach us to pray, as John the Baptist, John taught his disciples. Regarding the presence of the two versions, some have suggested that both were original, the Matthean version spoken by Jesus early in his ministry in Galilee, and the Lucan version one year later, "very likely in Judea". The first three of the seven petitions in Matthew address God; the other four are related to human needs and concerns. Matthew's account alone includes the "Your will be done" and the "Rescue us from the evil one" (or "Deliver us from evil") petitions. Both original Greek language, Greek texts contain the adjective ''epiousios'', which does not appear in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theo Rehak
Theo Rehak is a typefounder and the author of ''Practical Typecasting'' (), ''The Fall of ATF; a Serio-Comedic Tragedy'' and co-author of ''The Music and Life of Theodore "Fats" Navarro"'' (). He is one of the few remaining craftsmen in the field of metal typefounding. Rehak was the last person trained at American Type Founders before their 1993 bankruptcy. He formed The Dale Guild Type Foundry in 1994, purchasing a significant portion of ATF equipment at the firm's liquidation auction. He is also an historian and has assisted museums, including The Smithsonian, around the world in creating exhibits and demonstrating printing technologies. The Dale Guild Type Foundry, located in Howell, New Jersey, is one of the last type foundries in the United States to cast hard foundry type. Rehak has several Barth casters, a Benton engraving machine, and a collection of original type matrices. This equipment has enabled Rehak to continue casting functional type of historical importance. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PostScript
PostScript (PS) is a page description language in the electronic publishing and desktop publishing realm. It is a dynamically typed, concatenative programming language. It was created at Adobe Systems by John Warnock, Charles Geschke, Doug Brotz, Ed Taft and Bill Paxton from 1982 to 1984. History The concepts of the PostScript language were seeded in 1976 by John Gaffney at Evans & Sutherland, a computer graphics company. At that time Gaffney and John Warnock were developing an interpreter for a large three-dimensional graphics database of New York Harbor. Concurrently, researchers at Xerox PARC had developed the first laser printer and had recognized the need for a standard means of defining page images. In 1975-76 Bob Sproull and William Newman developed the Press format, which was eventually used in the Xerox Star system to drive laser printers. But Press, a data format rather than a language, lacked flexibility, and PARC mounted the Interpress effort to create a succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Affine Transformation
In Euclidean geometry, an affine transformation or affinity (from the Latin, ''affinis'', "connected with") is a geometric transformation that preserves lines and parallelism, but not necessarily Euclidean distances and angles. More generally, an affine transformation is an automorphism of an affine space (Euclidean spaces are specific affine spaces), that is, a function which maps an affine space onto itself while preserving both the dimension of any affine subspaces (meaning that it sends points to points, lines to lines, planes to planes, and so on) and the ratios of the lengths of parallel line segments. Consequently, sets of parallel affine subspaces remain parallel after an affine transformation. An affine transformation does not necessarily preserve angles between lines or distances between points, though it does preserve ratios of distances between points lying on a straight line. If is the point set of an affine space, then every affine transformation on can be repre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantograph
A pantograph (, from their original use for copying writing) is a mechanical linkage connected in a manner based on parallelograms so that the movement of one pen, in tracing an image, produces identical movements in a second pen. If a line drawing is traced by the first point, an identical, enlarged, or miniaturized copy will be drawn by a pen fixed to the other. Using the same principle, different kinds of pantographs are used for other forms of duplication in areas such as sculpting, minting, engraving, and milling. Because of the shape of the original device, a pantograph also refers to a kind of structure that can compress or extend like an accordion, forming a characteristic rhomboidal pattern. This can be found in extension arms for wall-mounted mirrors, temporary fences, pantographic knives, scissor lifts, and other scissor mechanisms such as the pantograph used on electric locomotives and trams. History The ancient Greek engineer Hero of Alexandria described pant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheltenham (typeface)
Cheltenham is a typeface for display use designed in 1896 by architect Bertram Goodhue and Ingalls Kimball, director of the Cheltenham Press. The original drawings were known as ''Boston Old Style'' and were made about 14" high. These drawings were then turned over to Morris Fuller Benton at American Type Founders (ATF) who developed it into a final design. Trial cuttings were made as early as 1899 but the face was not complete until 1902. The face was patented by Kimball in 1904. Later the basic face was spun out into an extensive type family by Morris Fuller Benton. Cheltenham is not based on a single historical model, and shows influences of the Arts and Crafts Movement. Originally intended as a text face, "Chelt" became hugely successful as the "king of the display faces." Part of the face's huge popularity is because, as it has elements of both an old style and transitional face, a Cheltenham headline complements virtually any body type. The overwhelming popularit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goudy Old Style
Goudy Old Style (also known as just Goudy) is an Serif#Old-style, old-style serif typeface originally created by Frederic Goudy, Frederic W. Goudy for American Type Founders (ATF) in 1915. Suitable for text and display applications, Goudy Old Style matches the historicist trend of American printing in the early twentieth century, taking inspiration from the printing of the Italian Renaissance without a specific historical model. Eccentricities include the upward-curved ear on the g and the diamond shape of the dots of the i, j, and the points found in the period, colon and exclamation point, and the sharply canted hyphen. The design is relatively light in Type color, colour. History In Goudy's autobiography, he described the italic based on study of sixteenth-century italics: "I studied many of the older italics and came to the conclusion that...some of the outstanding italics of the sixteenth century had little or no inclination and yet preserved their italic character". Several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Century Type Family
Century is a family of serif type faces particularly intended for body text. The family originates from a first design, Century Roman, cut by American Type Founders designer Linn Boyd Benton in 1894 for master printer Theodore Low De Vinne, for use in ''The Century Magazine''. ATF rapidly expanded it into a very large family, first by Linn Boyd, and later by his son Morris. Century is based on the "Scotch" genre, a style of type of British origin which had been popular in the United States from the early nineteenth century and is part of the "Didone" genre of type popular through the entire nineteenth century. Its design emphasizes crispness and elegance, with strokes ending in fine tapers, ball terminals, and crisp, finely pointed serifs. However, compared to many earlier typefaces in the genre, stroke contrast is quite low, creating a less sharp and highly readable structure. With ATF no longer operating, a wide variety of variants and revivals with varying features and quality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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