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Moog Satellite
The Satellite is a lesser known monophonic analog synthesizer that was manufactured by Moog Music from 1973 to 1979 in response to the ARP Pro Soloist. It had one VCO. It was designed for use with any organ or sound system. The American company Thomas Organ bought the license to build it. The case is made out of wood. Preset sounds * Brass * Reeds * Strings * Bell * Lunar Notable users * Vangelis * Ronnie Foster Further reading https://www.moogmusic.com/legacy/moog-product-timeline See also * List of Moog synthesizer players * Moog Music * Moog synthesizer * Robert Moog Robert Arthur Moog ( ; May 23, 1934 – August 21, 2005) was an American engineer and electronic music pioneer. He was the founder of the synthesizer manufacturer Moog Music and the inventor of the first commercial synthesizer, the Moog synthesi ... References External links {{Moog Music Moog synthesizers Monophonic synthesizers Analog synthesizers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moog Music
Moog Music Inc. () is an American synthesizer company based in Asheville, North Carolina. It was founded in 1953 as R. A. Moog Co. by Robert Moog and his father and was renamed Moog Music in 1972. Its early instruments included the Moog synthesizer (the first commercial synthesizer), followed by the Minimoog in 1970, two of the most influential electronic instruments of all time. In 1971, following a recession, Robert Moog sold Moog Music to Norlin Musical Instruments, where he remained employed as a designer until 1977. In 1978, he founded a new company, Big Briar. Moog Music filed for bankruptcy in 1987 and the Moog Music trademark was returned to Robert Moog in 2002, when Big Briar resumed operations under the name Moog Music. Moog Music also manages Moogfest, a pioneering electronic music and music technology festival in Durham, NC. History 1953–1967: R. A. Moog Co. Robert Moog founded R. A. Moog Co. with his father in 1953 at the age of 19 in Trumansburg, Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monophonic
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which partials of an audio signal (often one rich in harmonics) are attenuated by a filter to alter the timbre of the sound. While subtractive synthesis can be applied to any source audio signal, the sound most commonly associated with the technique is that of analog synthesizers of the 1960s and 1970s, in which the harmonics of simple waveforms such as sawtooth, pulse or square waves are attenuated with a voltage-controlled resonant low-pass filter. Many digital, virtual analog and software synthesizers use subtractive synthesis, sometimes in conjunction with other methods of sound synthesis. Examples of subtractive synthesis A human example The basis of subtractive synthesis can be understood by considering the human voice; when a human speaks, sings or makes other vocal noises, the vocal folds act as an oscillator and the mouth and throat as a filter. Consider the difference between singing "oooh" and "aaah" , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CV/gate
CV/gate (an abbreviation of ''control voltage/gate'') is an analog method of controlling synthesizers, drum machines, and similar equipment with external sequencers. The control voltage typically controls pitch and the gate signal controls note on-off. This method was widely used in the epoch of analog modular synthesizers and CV/Gate music sequencers, since the introduction of the Roland MC-8 Microcomposer in 1977 through to the 1980s, when it was eventually superseded by the MIDI protocol (introduced in 1983), which is more feature-rich, easier to configure reliably, and more readily supports polyphony. The advent of digital synthesizers also made it possible to store and retrieve voice "patches" – eliminating patch cables and (for the most part) control voltages. However, numerous companies – including Doepfer, who designed a modular system for Kraftwerk in 1992, Buchla, MOTM, Analogue Systems, and others continue to manufacture modular synthesizers that are increa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monophonic Synthesizer
Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic. Synthesizer Monophonic A monophonic synthesizer or ''monosynth'' is a synthesizer that produces only one note at a time, making it smaller and cheaper than a polyphonic synthesizer which can play multiple notes at once. This does not necessarily refer to a synthesizer with a single oscillator; The Minimoog, for example, has three oscillators which are settable in arbitrary intervals, but it can play only one note at a time. Well-known monosynths include the Minimoog, the Roland TB-303, the Korg Prophecy, and the Korg Monologue. Duophonic Duophonic synthesizers, such as the ARP Odyssey and Formanta Polivoks built in the 1970s and 1980s respectively, have a capability to independently play two pitches at a time. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARP Pro Soloist
The ARP Pro Soloist was one of the first commercially successful preset synthesizers. Introduced by ARP Instruments, Inc. in 1972, it replaced the similar ARP Soloist (19701971) in the company's lineup of portable performance instruments. History ARP Instruments, having developed the large and powerful ARP 2500 for studio work, released the Soloist as a light, portable, easy-to-use performance instrument that could be placed on top of an electric piano or electronic organ. In contrast to the flexible modular design of the 2500, the Soloist had no patch panels or cables. A set of toggle switches allowed the performer to quickly choose one of 18 preset monophonic patches that were not modifiable (note that "Voice" was ARP parlance for Preset, or Patch). This lack of programmability was compensated by giving the performer control over the voice expression, adding "growl", "wow", "brilliance", portamento, pitch bend, and/or vibrato to the timbre. A pressure-sensitive keyboard a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vangelis
Evangelos Odysseas Papathanassiou ( el, Ευάγγελος Οδυσσέας Παπαθανασίου ; 29 March 1943 – 17 May 2022), known professionally as Vangelis ( ; el, Βαγγέλης, links=no ), was a Greek composer and arranger of electronic, progressive, ambient, and classical orchestral music. He was best known for his Academy Award-winning score to ''Chariots of Fire'' (1981), as well as for composing scores to the films ''Blade Runner'' (1982), '' Missing'' (1982), ''Antarctica'' (1983), '' The Bounty'' (1984), '' 1492: Conquest of Paradise'' (1992), and ''Alexander'' (2004), and for the use of his music in the 1980 PBS documentary series '' Cosmos: A Personal Voyage'' by Carl Sagan. Born in Agria and raised in Athens, Vangelis began his career in the 1960s as a member of the rock bands The Forminx and Aphrodite's Child; the latter's album '' 666'' (1972) is now recognised as a progressive- psychedelic rock classic. Vangelis first settled in Paris, and ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Foster
Ronnie Foster (born May 12, 1950) is an American funk and soul jazz organist, and record producer. His albums recorded for Blue Note Records in the 1970s have gained a cult following after the emergence of acid jazz. Early life Foster was born in Buffalo, New York, on May 12, 1950. He attended Public School 8, Woodlawn Jr. High for a year, McKinley Vocational High School for two years, and then spent his final year at Lafayette High School. The only formal musical instruction he received was a month of accordion lessons. He was attracted to music at the age of four, took it more seriously from his early teens, and had his first professional gig aged fifteen, playing in a strip club. Later life and career Foster initially performed with other local musicians. He moved to New York City with his own band, and acquired a publishing company. Foster has performed as a sideman with a wide range of musicians. He frequently worked with guitarist George Benson, including playing on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Moog Synthesizer Players
This is a list of notable musicians who use Moog synthesizers. A *ABBA – a minimoog and polymoog played by Benny Andersson * Patrick Adams *Walter Afanasieff - Producer *Air *Don Airey *Damon Albarn - Blur *The Anniversary *Apoptygma Berzerk * Arandel *Arjen Lucassen *Army of Freshmen *Alesso B * Tony Banks – Genesis – Used a Polymoog mostly on ''And Then There Were Three'' (1978) information on the book from Armando Gallo – ''I Know What I Like'' (DIY) 1981 * Basilica and National Shrine of Our Lady of Consolation Many Synthesizers are used in the church's keyboard section *Les Baxter (See in 1968, ''Moog Rock'' Album) *Armin Van Buuren *Leroy Bach – Wilco * Zac Baird – Korn, Everlast, Fear and the Nervous System, Jonathan Davis and the SFA, Maimou *Peter Bardens – Camel * Battlecat – Hip hop producer (Snoop Dogg) *Peter Baumann – solo and with (Tangerine Dream) *Beastie Boys *The Beach Boys *The Beatles – one of the first mainstream albums to use a Moog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moog Synthesizer
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. (later known as Moog Music) produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today. The Moog synthesizer consists of separate modules which create and shape sounds, which are connected via patch cords. Modules include voltage-controlled oscillators, amplifiers, filters, envelope generators, noise generators, ring modulators, triggers, and mixers. The synthesizer can be played using controllers including keyboards, joysticks, pedals, and ribbon controllers, or controlled with sequencers. Its oscillators can produce waveforms of different timbres, which can be modulated and filtered to shape their sounds ( subtractive synthesis). By 1963, Robert Moog had been designing and selling theremins for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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