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Monte Di Pietà, Naples
The Palazzo of Monte di Pietà is a historic building located along the lower decumanus (East-West road) of Naples, Italy. The lower decumanus is also known as Spaccanapoli street. It housed the Mount of Piety or Christian bank in Naples. History The Monte di Pietà was founded in 1539, after Emperor Charles V issued an edict to expel the Jews devoted to usury. Medieval Christians were prohibited by the church from lending money at a profit, although this injunction was often ignored in the commercial centers of the peninsula. In response to the 1539 edict, some aristocratic Neapolitans (Aurelio Paparo, Gian Domenico di Lega, and Leonardo Palma) created a non-profit organization to lend money. In 1574, the merchant Bernardino Rota left in his will a sum of five hundred ducats to Monte di Pietà. It was established a brotherhood for the management of a pawnshop that in 1592 had as the first venue, the Palazzo Carafa d'Andria, but lack of space them to purchase for a new h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decumanus Maximus
In Roman urban planning, a decumanus was an east–west-oriented road in a Roman city or castrum (military camp). The main decumanus of a particular city was the Decumanus Maximus, or most often simply "the Decumanus". In the rectangular street grid of the typical Roman city plan, the decumanus was crossed by the perpendicular cardo, a north–south street. In a military camp, the decumanus connected the Porta Praetoria (closest to the enemy) to the Porta Decumana (away from the enemy). In the center – called '' groma'' – of a city or castrum, the Decumanus Maximus crossed the perpendicular ''Cardo Maximus'', the primary north–south road. The Forum was normally located close to this intersection of the Decumanus Maximus and the Cardo Maximus. Etymology ''Decumanus'' or ''decimanus'' was the Latin word for 'tenth'. This name is said to come from the fact that the ''via decumana'' or ''decimana'' (the ''tenth'') separated the Tenth Cohort from the Ninth in the legionary enc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Imparato
Girolamo Imparato (1550–1607)Tuck-Scala, Anna Kiyomi, ''The Documented Paintings and Life of Andrea Vaccaro (1604-1670)'', Graduate Program: Art History Degree: Doctor of Philosophy, Dissertation, Date of Defense: August 20, 2003, The Pennsylvania State University, p. 14 was an Italian painter working in a late-Renaissance or Mannerist style, active mainly in Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis .... His father, the painter Francesco Imparato, was a colleague of Francesco Santafede. References * 1550 births 1607 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Naples Italian Mannerist painters {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ippolito Borghese
Ippolito Borghese (late 16th century – March 1627) was an Italian painter of the late-Renaissance, born in Sigillo (near Perugia). His training was probably in Rome, where he became a follower of Scipione Pulzone and was influenced by the painterly traditions of Federigo Barocci. He then moved to Naples. He was influenced by the circle of Mannerist artists active in the Rome of Sixtus V. In 1598 he completed a ''St. George and the dragon'' for the Duomo of Ischia. In 1601 he signed a canvas in Carpignano Salentino. He painted a ''Madonna & saints'' (1601) for the church of Santa Maria della Grotta in Carpignano. In 1603, he painted an ''Assumption of the Virgin'' for the Chapel of the Palace of Monte di Pietà in Naples. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belisario Corenzio
Belisario Corenzio ( el, Βελισσάριος Κορένσιος 1558–1646) was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso Montani
Tommaso is an Italian given name. It has also been used as a surname. Notable people with the name include: Given name A * Tommaso Acquaviva d'Aragona (1600–1672), Roman Catholic prelate * Tommaso Aldrovandini (1653–1736), Italian painter of the Baroque period * Tommaso de Aleni (16th century), Italian painter of the Renaissance period * Tommaso Allan, Italian rugby union player * Tommaso Amantini (1625–1675), Italian sculptor and painter of the Baroque period * Tommaso Ammirato (died 1438), Roman Catholic prelate * Tommaso d'Ancora (1583–1656), Roman Catholic prelate * Tommaso d'Aquino (other), multiple people * Tommaso Arrigoni (born 1994), Italian football midfielder * Tommaso Audisio (1789–1845), Italian priest and architect * Tommaso D'Avalos (1610–1642) was a Roman Catholic prelate B * Tommaso Badia (1483–1547), Italian Dominican cardinal * Tommaso Balestrieri (18th century), Italian luthier * Tommaso Barnabei (c. 1500–1559), Italian painter * T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
