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Montdory
Montdory, pseudonym of Guillaume des Gilberts (baptized 13 March 1594; died between 17 November 1653 and 14 November 1654), was a French actor manager, recognized as "the most powerful tragedian of his day."Roy 1995. Birth, family, and name Montdory was born in Thiers and baptized there in the parish of Saint-Genès on 13 March 1594. He was named after his father, Guilhaume Dosgilberts, who was a ''coutelier'' (cutlery maker). The spelling of Guilhaume was often standardized to Guillaume, even during his lifetime. The Thiernaise patois article ''dos'' is translated into French as ''des'', and the surname appears in various documents with 'z' instead of 's' and as one word or two (e.g., 'Dosgilbertz' or 'Desgilberts' or 'des Gilberts'). The family owned property in nearby Escoutoux, in the village of Les Giliberts (today Les Gilberts). His mother was Catherine Sandry, sister of Guilhaume Sandry, a merchant, who served as his godfather. He adopted the pseudonym Montdory early i ...
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Montdory Signature 1622-07-14 – Cottier 1937, After P62
Montdory, pseudonym of Guillaume des Gilberts (baptized 13 March 1594; died between 17 November 1653 and 14 November 1654), was a French actor manager, recognized as "the most powerful tragedian of his day."Roy 1995. Birth, family, and name Montdory was born in Thiers, Puy-de-Dôme, Thiers and baptized there in the parish of Église Saint-Genès de Thiers, Saint-Genès on 13 March 1594. He was named after his father, Guilhaume Dosgilberts, who was a ''coutelier'' (cutlery maker). The spelling of :fr:Guillaume (prénom), Guilhaume was often standardized to Guillaume, even during his lifetime. The Thiernaise patois article ''dos'' is translated into French as ''des'', and the surname appears in various documents with 'z' instead of 's' and as one word or two (e.g., 'Dosgilbertz' or 'Desgilberts' or 'des Gilberts'). The family owned property in nearby Escoutoux, in the village of Les Giliberts (today Les Gilberts). His mother was Catherine Sandry, sister of Guilhaume Sandry, a mercha ...
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Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian ''commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' by ...
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Charles Lenoir
Charles Le Noir or Lenoir (first active 1618; died 9 August 1637) was a French actor-manager, who was a member of the troupe of the Maurice, Prince of Orange, Prince of Orange from at least 1622, sometimes named as a co-founder with the actor Montdory of the Théâtre du Marais in 1634, and a member of the Troupe Royale at the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne from 1634 to 1637.Mongrédien 1972, p. 114. Life The first record of Charles Le Noir shows he was the leader of a troupe in Bordeaux in 1618. He then appears as the leader of a troupe in Lille in 1620. Le Noir and Montdory were both members of the troupe of the Maurice, Prince of Orange, Prince of Orange at the Hôtel de Bourgogne in Paris in July and August 1622. The Prince of Orange died in 1625, but the company continued to perform under his name, appearing regularly in alternation with the troupe of Robert Guérin (actor), Robert Guérin at the Bourgogne. According to W. L. Wiley, Montdory joined a diffe ...
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Théâtre Du Marais
The Théâtre du Marais has been the name of several theatres and theatrical troupes in Paris, France. The original and most famous theatre of the name operated in the 17th century. The name was briefly revived for a revolutionary theatre in 1791, and revived again in 1976. The present-day Théâtre du Marais operates at 37, rue Volta in the 3rd arrondissement of Paris. First incarnation (1634–1673) The Théâtre du Marais was founded in 1634, at which time there had been only one theatre company in Paris, the '' comédiens du Roi'' ("comedians of the King"), at the Hôtel de Bourgogne. The actors Charles Lenoir and Montdory decided to create their own troupe, and situated it in the fashionable Le Marais district of Paris, where they converted the Jeu de Paume des "Maretz", an unused tennis court on the Vieille Rue du Temple opposite the Capuchins, into a theatre.Scott 2000, p. 40. The new theatre's repertory was made up mainly of farces by Jodelet and works by Pierre Corn ...
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Mélite
''Mélite'', or ''The False Letters'', is a comedy in five acts by Pierre Corneille. Written in 1625, it is Corneille's first play and debuted on stage in December 1629 in Berthaud’s Jeu de paume court, and was performed by the acting troupe of Montdory. ''Mélite'' represents Corneille’s creation of a new genre, the comedy of manners, which was a departure from the coarse or buffoonish farce in vogue at the time. Plot It is said Corneille based his play on an actual event he witnessed.Charles Henry Conrad Wright, ''A history of French literature'' (Oxford university press, American branch, 1912), 310. The plot turns on “the misunderstandings of lovers misled by false letters.” Éraste is in love with Mélite. When Éraste introduces Mélite to his friend Tircis, Mélite falls in love with Tircis. As a result, Éraste forges some love letter A love letter is an expression of love in written form. However delivered, the letter may be anything from a short and ...
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Bellerose (actor)
Bellerose or Belle-Rose (1592 – 1670) was the stage name of the French actor-manager Pierre le Messier. He was one of the leading Tragedy, tragedians of the first half of the 17th century.Forman 2010, p. 47.Roy 1995 He apprenticed with Valleran le Conte in 1609, performed in Bourges in 1619, and directed his own company in Marseille in 1620, but little else is known about his early career. He joined the Comédiens du Roi under Gros-Guillaume at the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne in 1622. He had a fine speaking voice and performed leading parts in Comedy, comedies and tragedies, and also acted as the 'orator', the member of the company who formally addressed the audience. Some contemporaries regarded Bellerose as "insipid and affected" and preferred his arch-rival, the more aggressive Montdory at the Théâtre du Marais. After Gros-Guillaume's death in 1634, Bellerose became the leader of the Comédiens du Roi at the Bourgogne and remained in that position until ...
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François Tristan L'Hermite
François l'Hermite (c. 16017 September 1655) was a French dramatist who wrote under the name Tristan l'Hermite. He was born at the Château de Soliers in the Haute Marche. Life His adventures began early, for he killed his enemy in a duel at the age of thirteen, and was obliged to flee to England. The story of his childhood and youth he embroiders in a burlesque novel, the . He was, in succession, poet to Gaston d'Orléans, to the duchesse de Chaulnes and the duke of Guise. His first tragedy, ''Marianne'' (1636), was also his best. It was followed by ''Penthée'' (1637), ''La Mort de Seneque'' (1644), ''La Mort de Crispe'' (1645) and the ''Parasite'' (1654). He was also the author of some admirable lyrics. Three of his best plays are printed in the ''Théâtre français'' of 1737. He took his pseudonym from Tristan l'Hermite, a shadowy figure of the late Middle Ages who was provost of the marshals of the King's household under Louis XI of France. He died due to tuberc ...
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Jean Mairet
Jean (de) Mairet (10 May 160431 January 1686) was a classical french dramatist who wrote both tragedies and comedies. Life He was born at Besançon, and went to Paris to study at the Collège des Grassins about 1625. In that year he produced his first piece ''Chryséide et Arimand''. In 1634 he produced his masterpiece, ''Sophonisbe'', which marks, in its observance of the rules, the first to be staged of the classical French tragedies. He also introduced to French drama the three classical unities of time, action and place, after a misreading of Aristotle's '' Poetics''. Mairet was one of the bitterest assailants of Corneille in the controversy over the violation of the classical unities in ''Le Cid''. He produced several pamphlets against Corneille, who responded more than once, most famously with his ''Advertissement au Besançonnois Mairet'' (1637). The personal intervention of Cardinal Richelieu was eventually required to calm the furore in the theatres. It was perhaps ...
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King Louis XIII
Louis XIII (; sometimes called the Just; 27 September 1601 – 14 May 1643) was King of France from 1610 until his death in 1643 and King of Navarre (as Louis II) from 1610 to 1620, when the crown of Navarre was merged with the French crown. Shortly before his ninth birthday, Louis became king of France and Navarre after his father Henry IV was assassinated. His mother, Marie de' Medici, acted as regent during his minority. Mismanagement of the kingdom and ceaseless political intrigues by Marie and her Italian favourites led the young king to take power in 1617 by exiling his mother and executing her followers, including Concino Concini, the most influential Italian at the French court. Louis XIII, taciturn and suspicious, relied heavily on his chief ministers, first Charles d'Albert, duc de Luynes and then Cardinal Richelieu, to govern the Kingdom of France. The King and the Cardinal are remembered for establishing the ''Académie française'', and ending the revolt of the ...
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Cardinal Richelieu
Armand Jean du Plessis, Duke of Richelieu (; 9 September 1585 – 4 December 1642), known as Cardinal Richelieu, was a French clergyman and statesman. He was also known as ''l'Éminence rouge'', or "the Red Eminence", a term derived from the title "Eminence" applied to cardinals and the red robes that they customarily wear. Consecrated a bishop in 1607, Richelieu was appointed Foreign Secretary in 1616. He continued to rise through the hierarchy of both the Catholic Church and the French government by becoming a cardinal in 1622 and chief minister to King Louis XIII of France in 1624. He retained that office until his death in 1642, when he was succeeded by Cardinal Mazarin, whose career he had fostered. He also became engaged in a bitter dispute with the king's mother, Marie de Médicis, who had once been a close ally. Richelieu sought to consolidate royal power and restrained the power of the nobility in order to transform France into a strong centralized state. In foreig ...
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Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he ...
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