|
Monsieur De Pourceaugnac (1932 Film)
''Monsieur de Pourceaugnac'' is a three-act ''comédie-ballet''—a ballet interrupted by spoken dialogue—by Molière, first presented on 6 October 1669 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors. Subsequent public performances were given at the theatre of the Palais-Royal beginning on 18 November 1669. The music was composed by Jean-Baptiste Lully, the choreography was by Pierre Beauchamp, the sets were by Carlo Vigarani, and the costumes were created by the chevalier d’Arvieux. Lully notably took a role himself on stage in the work's première, portraying a physician in the dance of the enemas. (Molière regularly performed in his own stage works.) Overview This comedy-ballet was written in September 1669 by Molière at the Chateau de Chambord, a village located in the former province of Orleans (Kingdom of France) and the current French department of Loir-et-Cher. The piece was published in Paris by Jean Ribou in a book dati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monsieur De Pourceaugnac, Molière, Couverture
( ; ; plural, pl. ; ; 1512, from Middle French , literally "my lord") is an honorific title that was used to refer to or address the eldest living brother of the king in the Ancien Régime in France, French royal court. It has now become the customary French people, French title of respect and term of address for a French-speaking man, corresponding to such English titles as Mr. or sir. History Under the Ancien Régime, the court title of Monsieur referred to the next brother in the line of succession of the List of French monarchs, King of France. It was always used for referring to the prince, not as a Style (form of address), Style. The Kings' brothers were addressed as Monseigneur or Royal Highness. François, Duke of Anjou, Hercule François, Duke of Anjou and Alençon (1555–1584), was the first notable member of the royalty to assume the title without the use of an adjoining proper name. In 1576, Monsieur pressured his brother King Henry III of France into sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Walsh (poet)
William Walsh (6 October 166215 March 1708) of Abberley Hall, Worcestershire was an English poet and critic and a Whig politician who sat in the English and British House of Commons from 1698 to 1708. Life Walsh was the second of eight children born to Joseph and Elizabeth Walsh of Abberley Hall. The last of his siblings, Octavia Walsh, was also, secretly, a poet. He entered Wadham College, Oxford, as a gentleman commoner in 1678. Leaving the university without a degree, he settled in his native county. Walsh was returned MP for Worcestershire in 1698, 1701 and 1702. In 1705 he sat for Richmond, Yorkshire. On the accession of Queen Anne he was made "gentleman of the horse," a post which he held till his death, noted by Narcissus Luttrell on 18 March 1708. Works Walsh wrote a ''Dialogue concerning Women, being a Defence of the Sex'' (1691), addressed to "Eugenia"; and ''Letters and Poems, Amorous and Gallant'' (preface dated 1692, printed in ''Jonson's Miscellany'', 1716, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Jean-Baptiste Lully
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hunga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1669 Plays
Events January–March * January 2 – Pirate Henry Morgan of Wales holds a meeting of his captains on board his ship, the former Royal Navy frigate ''Oxford'', and an explosion in the ship's gunpowder supply kills 200 of his crew and four of the pirate captains who had attended the summit. * January 4 – A 5.7 magnitude earthquake strikes the city of Shamakhi in Iran (now in Azerbaijan) and kills 7,000 people. Fourteen months earlier, an earthquake in Shamakhi killed 80,000 people. * February 13 – The first performance of the ''Ballet de Flore'', a joint collaboration of Jean-Baptiste Lully and Isaac de Benserade is given, premiering at the Palais du Louvre in Paris. King Louis XIV finances the performance and even appears in a minor role in the production as a dancer. * February 23 – Isaac Newton writes his first description of his new invention, the reflecting telescope. * March 11 – Mount Etna erupts, destroying the Sicilian t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Giovedì Grasso
''Il giovedì grasso'' is a ''farsa'' in one act by Gaetano Donizetti, from a libretto by Domenico Gilardoni. The literal translation of the title is "Fat Thursday", a reference to Carnival celebration. The libretto was adapted from the French comedies ''Monsieur de Pourceaugnac'' by Molière and ''Le nouveau Pourceaugnac'' by Charles-Gaspard Delestre-Poirson and Eugène Scribe. The opera uses spoken dialogue rather than recitatives, and the buffo role is given in the Neapolitan language. The work premiered at the Teatro del Fondo in Naples on 26 February 1829. Roles Synopsis :Time: 17th century :Place: "A house in the country, outside Paris"Osborne 1994, p. 181 The lovers Nina and Teodoro are in despair since Nina is promised to another man, Ernesto. Their friend Sigismondo (who is mistakenly jealous of his wife Camilla) concocts a scheme to help the lovers. Inspired by Molière's ''Monsieur de Pourceaugnac'', Sigismondo proposes that he and his wife will dress up as on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Mitrani
Michel Mitrani (1930 - 1996) was a French film director and screenwriter. He was the founder of the Festival International de Programmes Audiovisuels in 1987. His 1974 film '' Les Guichets du Louvre'' was entered into the 24th Berlin International Film Festival. Selected filmography * ''L'Invite Clandestin'' (Director) (1990) * ''Monsieur de Pourceaugnac ''Monsieur de Pourceaugnac'' is a three-act ''comédie-ballet''—a ballet interrupted by spoken dialogue—by Molière, first presented on 6 October 1669 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors. ...'' (Director) (1985) * ''Un Balcon En Foret'' (Director) (1979) * '' Les Guichets du Louvre'' (Director/Screenwriter) (1974) * ''La Nuit des Bulgares'' (Director/Screenwriter) (1971) * ''La Cavale (Director/Screenwriter)'' (1971) References External links Filmography* Obituary (published in French, 12 Nov. 1996) 1930 births 1996 deaths French film directors People from Varna, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Von Hofmannsthal
Hugo Laurenz August Hofmann von Hofmannsthal (; 1 February 1874 – 15 July 1929) was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist. Early life Hofmannsthal was born in Landstraße, Vienna, the son of an upper-class Christian Austrian mother, Anna Maria Josefa Fohleutner (1852–1904), and a Christian Austrian–Italian bank manager, Hugo August Peter Hofmann, Edler von Hofmannsthal (1841–1915). His great-grandfather, Isaak Löw Hofmann, Edler von Hofmannsthal, from whom his family inherited the noble title "Edler von Hofmannsthal", was a Jewish tobacco farmer ennobled by the Austrian emperor. He was schooled in Vienna at Akademisches Gymnasium, where he studied the works of Ovid, later a major influence on his work. He began to write poems and plays from an early age. Some of his early works were written under pseudonyms, such as ''Loris Melikow'' and ''Theophil Morren'', because he was not allowed to publish as a student. He met the German poet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Martin (composer)
Frank Martin (15 September 1890 – 21 November 1974) was a Swiss composer, who spent much of his life in the Netherlands. Childhood and youth Born into a Huguenot family in the Eaux-Vives quarter of Geneva, the youngest of the ten children of a Calvinist pastor named Charles Martin, Frank Martin started to improvise on the piano prior to his formal schooling. At the age of nine he had already written a few songs without external musical instruction. At 12, he attended a performance of Johann Sebastian Bach's '' St. Matthew Passion'' and was deeply affected by it. Respecting his parents' wishes, he studied mathematics and physics for two years at Geneva University, but at the same time was also studying piano, composition and harmony with his first music teacher Joseph Lauber (1864–1953), a Geneva composer and by that time a leading figure of the city's musical scene. In the 1920s, Martin worked closely with Émile Jaques-Dalcroze from whom he learned much about rhythm a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Franchetti
Alberto Franchetti (18 September 1860 – 4 August 1942) was an Italian composer, best known for the 1902 opera ''Germania''. Biography Alberto Franchetti was born in Turin, a Jewish nobleman of independent means. He studied first in Venice, then at the Munich Conservatory under Josef Rheinberger, and finally in Dresden under Felix Draeseke. His first major success occurred in 1888 with his opera ''Asrael''. His operatic style combined Wagnerianism and the traits of Meyerbeer with Italian verismo. During his life, critics sometimes referred to him as the "Meyerbeer of modern Italy." The words of music critic G. B. Nappi sum up Franchetti's primary talents: "His character is perhaps unsuitable for passionate dramas, but rather for those subjects, where the fantastic, romantic and epic are required in the symphonic texture and large choral pictures. In this regard Alberto Franchetti knows that he has no rival" (from "Orfeo" 6.3, 1915). '' Grove'' considers '' Cristoforo Colombo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_FOTO000791.jpg "Click for more on -> Alberto Franchetti")