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Mockumentary
A mockumentary (a blend of ''mock'' and ''documentary''), fake documentary or docu-comedy is a type of film or television show depicting fictional events but presented as a documentary. These productions are often used to analyze or comment on current events and issues by using a fictional setting, or to parody the documentary form itself. While mockumentaries are usually comedic, pseudo-documentaries are their dramatic equivalents. However, pseudo-documentary should not be confused with docudrama, a fictional genre in which dramatic techniques are combined with documentary elements to depict real events. Also, docudrama is different from docufiction, a genre in which documentaries are contaminated with fictional elements. Mockumentaries are often presented as historical documentaries, with B roll and talking heads discussing past events, or as '' cinéma vérité'' pieces following people as they go through various events. Examples emerged during the 1950s when archival film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Clowns
''I clowns'' (also known as ''The Clowns'') is a 1970 mockumentary film by Federico Fellini about the human fascination with clowns and circuses. Plot summary Cast Main * Riccardo Billi as Himself – Italian Clown (credited as Billi) * Federico Fellini as Himself * Gigi Reder as Himself – Italian Clown (credited as Reder) * Tino Scotti as Himself – Italian Clown (credited as Scotti) * Valentini as Himself – Italian Clown * Fanfulla as Himself – Italian Clown * Merli as Himself – Italian Clown * Carlo Rizzo as Himself – Italian Clown (credited as Rizzo) * Colombaioni as Themselves – Italian Clowns (credited as I 4 Colombaioni) * Pistoni as Himself – Italian Clown * Martana as Themselves – Italian Clowns (credited as I Martana) * Giacomo Furia as Himself – Italian Clown (credited as Furia) * Alvaro Vitali as Himself (The Troupe) * Dante Maggio as Himself – Italian Clown (credited as Maggio) * Galliano Sbarra as Himself – Italian Clown (credited as Sba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Is Spinal Tap
''This Is Spinal Tap'' (also known as ''This Is Spınal Tap: A Rockumentary by Martin Di Bergi'') is a 1984 American mockumentary film co-written and directed by Rob Reiner (in his feature directorial debut). The film stars Christopher Guest, Michael McKean and Harry Shearer as members of the fictional British heavy metal band Spinal Tap, one of England's "loudest bands", with Reiner as Martin "Marty" Di Bergi, a documentary filmmaker who follows them on their American tour. The film satirizes the behavior and musical pretensions of rock bands and the hagiographic tendencies of rock documentaries such as '' The Song Remains the Same'' (1976) and ''The Last Waltz'' (1978), and follows the similar ''All You Need Is Cash'' (1978) by the Rutles. Most of its dialogue was improvised and dozens of hours were filmed. ''This Is Spinal Tap'' was released to critical acclaim, but its initial release found only modest commercial success. Its later VHS release, however, brought it great ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take The Money And Run
''Take the Money and Run'' is a 1969 American mockumentary comedy film directed by Woody Allen. Allen co-wrote the screenplay with Mickey Rose and stars alongside Janet Margolin. The film chronicles the life of Virgil Starkwell, an inept bank robber. Filmed in San Francisco and San Quentin State Prison, ''Take the Money and Run'' received Golden Laurel nominations for Male Comedy Performance (Woody Allen) and Male New Face (Woody Allen), and a Writers Guild of America Award nomination for Best Comedy Written Directly for the Screen (Woody Allen, Mickey Rose). Plot Virgil Starkwell's (Woody Allen) story is told in documentary style, using fake stock footage and 'interviews' with people who knew him. He begins a life of crime at a young age. As a child, Virgil is a frequent target of bullies, who take his glasses and stamp on them on the floor. As an adult, Virgil is clumsy and socially awkward, and both police and judges discipline him by stamping on Virgil's glasses. Virgil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudo-documentary
A pseudo-documentary or fake documentary is a film or video production that takes the form or style of a documentary film but does not portray real events. Rather, scripted and fictional elements are used to tell the story. The pseudo-documentary, unlike the related mockumentary, is not always intended as satire or humor. It may use documentary camera techniques but with fabricated sets, actors, or situations, and it may use digital effects to alter the filmed scene or even create a wholly synthetic scene. Film Orson Welles gained notoriety with his radio show and hoax ''War of the Worlds'' which fooled listeners into thinking the Earth was being invaded by Martians. Film critic Jonathan Rosenbaum says this is Welles' first pseudo-documentary. Pseudo-documentary elements were subsequently used in his feature films. For instance, Welles created a pseudo-documentary newsreel which appeared within his 1941 film ''Citizen Kane'', and he began his 1955 film, ''Mr. Arkadin'', with a pse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Holzman's Diary
''David Holzman's Diary'' is a 1967 American mockumentary, or work of metacinema, directed by James McBride and starring L. M. Kit Carson. A feature-length film made on a tiny budget over several days, it is a work of experimental fiction presented as an autobiographical documentary. "A self-portrait by a fictional character in a real place—New York's Upper West Side," the film comments on the title character's personality and life as well as on documentary filmmaking and the medium of cinema more generally. In 1991, ''David Holzman's Diary'' was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress, being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. Synopsis L. M. Kit Carson plays David, a young white man living alone in his modest studio apartment on Manhattan's West 71st Street during July 1967. The film begins without the conventional opening credits or mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinéma Vérité
Cinéma vérité (, , ; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct Cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth. History Ciné ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Buñuel
Luis Buñuel Portolés (; 22 February 1900 – 29 July 1983) was a Spanish-Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. When Buñuel died at age 83, his obituary in '' The New York Times'' called him "an iconoclast, moralist, and revolutionary who was a leader of avant-garde surrealism in his youth and a dominant international movie director half a century later". His first picture, '' Un Chien Andalou''—made in the silent era—is still viewed regularly throughout the world and retains its power to shock the viewer, and his last film, ''That Obscure Object of Desire''—made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. Writer Octavio Paz called Buñuel's work "the marriage of the film image to the poetic image, creating a new reality.. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rob Reiner
Robert Norman Reiner (born March 6, 1947) is an American actor and filmmaker. As an actor, Reiner first came to national prominence with the role of Michael "Meathead" Stivic on the CBS sitcom ''All in the Family'' (1971–1979), a performance that earned him two Primetime Emmy Awards. As a director, Reiner was recognized by the Directors Guild of America Awards with nominations for the coming of age drama '' Stand by Me'' (1986), the romantic comedy '' When Harry Met Sally...'' (1989), and the military courtroom drama ''A Few Good Men'' (1992), the last of which also earned him a nomination for the Academy Award for Best Picture. He has also received four nominations for the Golden Globe Award for Best Director. Reiner's other major directorial film credits include the heavy metal mockumentary '' This Is Spinal Tap'' (1984), the romantic comedy fantasy adventure '' The Princess Bride'' (1987), the psychological horror-thriller '' Misery'' (1990), the romantic comedy-dra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Connection (1961 Film)
''The Connection'' is a 1961 found footage feature film directed by the American experimental filmmaker Shirley Clarke. The film was Clarke's first feature; she had made several short films over the previous decade. Jack Gelber wrote the screenplay, adapting his play of the same name. The film was the subject of significant court cases regarding censorship. It is the first known movie shot in the found footage format and beginning with a found footage title card. Plot A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden ( Roscoe Lee Browne) working for the acclaimed documentary filmmaker Jim Dunn ( William Redfield), who has disappeared. Leach ( Warren Finnerty) a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy ( Carl Lee), their drug connection, to appear. As the men grow increasingly nervous, waiting for their fix, some of them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dystopia
A dystopia (from Ancient Greek δυσ- "bad, hard" and τόπος "place"; alternatively cacotopiaCacotopia (from κακός ''kakos'' "bad") was the term used by Jeremy Bentham in his 1818 Plan of Parliamentary Reform (Works, vol. 3, p. 493). or simply anti-utopia) is a speculated community or society that is undesirable or frightening. It is often treated as an Opposite (semantics), antonym of ''utopia'', a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence and poverty. The relationship between utopia and dystopia is in actuality not one simple opposition, as many utopian elements and components are found in dystopias as well, and '' vice versa''. Dystopias are often characterized by rampant fear or distress , tyrannical governments, environmental disaster, or other characteristics associated with a cataclysmic decline in society. Distinct t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Privilege (film)
''Privilege'' is a 1967 British comedy-drama music science fiction film directed by Peter Watkins and produced by John Heyman. Johnny Speight wrote the story, and Norman Bogner wrote the script. Some of it was filmed on location in Birmingham, England, partly at Birmingham City F.C.'s St Andrew's stadium and at Birmingham Town Hall. Plot The story is presented as a narrated documentary, set in a near-future 1970s England, and concerning a disillusioned pop singer, Steven Shorter ( Paul Jones), who is the most loved celebrity in the country. His stage show involves him appearing on stage in a jail cell with handcuffs, beaten by police, to the horror and sympathy of the audience. It is described that the two main parties of England have formed a coalition government and encourage the success of Shorter to placate the masses and divert them from political activity. Shorter is consistently monitored and manipulated by handlers consisting of manager Martin Crossley (Jeremy Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
