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Mlle. Modiste
''Mlle. Modiste'' is an operetta in two acts composed by Victor Herbert with a libretto by Henry Blossom. It concerns hat shop girl Fifi, who longs to be an opera singer, but who is such a good hat seller that her employer, Mme. Cecil, discourages her in her ambitions and exploits her commercial talents. Also, Fifi loves Etienne de Bouvray, who returns her love, but his uncle, Count Henri, opposes their union. The operetta features the song "Kiss Me Again". After tryouts in Trenton, New Jersey and Washington, D.C., in October 1905, and a two-month tour, the operetta premiered on Broadway on December 25, 1905, at the Knickerbocker Theatre, where it ran for 202 performances and was revived the next season, followed by extensive touring when it was replaced at the theatre by Herbert's next piece, ''The Red Mill''. It was frequently revived early in the 20th century.Keller, Norm. Program notes for ''Mlle. Modiste'' performance by the Light Opera of New York, March 18, 2010, The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Herbert
Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light Opera Of Manhattan
Light Opera of Manhattan, known as LOOM, was an off-Broadway repertory theatre company that produced light operas, including the works of Gilbert and Sullivan and European and American operettas, 52 weeks per year, in New York City between 1968 and 1989. Founded by William Mount-Burke, LOOM's first long-term home was in the Jan Hus theatre from the late 1960s to 1975, where it succeeded another small light opera company, the American Savoyards. At the Jan Hus, LOOM performed predominantly the Savoy operas of Gilbert and Sullivan, such as ''The Pirates of Penzance'', ''The Mikado'' and '' H.M.S. Pinafore''. Led by conductor-director Mount-Burke, principal comedian Raymond Allen and choreographer/stage manager Jerry Gotham, the company mentored many young actors and singers who went on to careers on Broadway or elsewhere in theatre or music. In 1975, the company moved across the street to a legitimate Off-Broadway theatre, the Eastside Playhouse. There it expanded its reper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Gillingwater
Claude Benton Gillingwater (August 2, 1870 – November 1, 1939) was an American stage and screen actor. He first appeared on the stage then in more than 90 films between 1918 and 1939, including the Academy Award-nominated ''A Tale of Two Cities'' (1935) and '' Conquest'' (1937). He appeared in several films starring Shirley Temple, beginning with '' Poor Little Rich Girl'' (1936). Early life Gillingwater was born in Louisiana, Missouri. Though he studied law, he preferred not to follow in his father's footsteps and become a lawyer. He became a travelling salesman for a wholesale firm, selling vinegar. While thus engaged, he joined a small theatrical company managed by David Belasco. Eight years later, Mary Pickford saw him act and secured him for her picture, ''Little Lord Fauntleroy'' (1921), which launched his film career. Hollywood career In later years, Gillingwater generally played curmudgeonly character roles. His best-known role is probably Jarvis Lorry in Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Percival
Walter Percival (May 2, 1887–January 28,1934) was an American actor, producer, and writer on the stage and screen. He performed in numerous theater productions before making his film debut in 1918. In 1909, Percival was part of a company headed by Grace Van Studdiford. His Broadway debut was in ''A Venetian Romance'' (1904), and his last Broadway performance was in ''Find Daddy'' (1926). Filmography * ''Our Mrs. McChesney'' (1918) * ''The Moral Sinner'' (1924) * ''The Flying Horseman'' (1926) * '' The Big City'' (1928) * '' Lights of New York'' (1928) * '' Lightnin''' (1930) * '' The Avenger'' (1931) * ''The Homicide Squad'' (1931) * '' Cabin in the Cotton'' (1932) * ''Tillie and Gus ''Tillie and Gus'' is a 1933 American pre-Code comedy film directed by Francis Martin, co-written by Martin and Walter DeLeon, and starring W.C. Fields, Alison Skipworth, Baby LeRoy, Julie Bishop, and Clarence Wilson. It is based on a short ...'' (1933) References External links * 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Pruette
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First National Pictures
First National Pictures was an American motion picture production and distribution company. It was founded in 1917 as First National Exhibitors' Circuit, Inc., an association of independent theatre owners in the United States, and became the country's largest theater chain. Expanding from exhibiting movies to distributing them, the company reincorporated in 1919 as Associated First National Theatres, Inc., and Associated First National Pictures, Inc. In 1924 it expanded to become a motion picture production company as First National Pictures, Inc., and became an important studio in the film industry. In September 1928, control of First National passed to Warner Bros., into which it was completely absorbed on November 4, 1929. A number of Warner Bros. films were thereafter branded First National Pictures until July 1936, when First National Pictures, Inc., was dissolved. Early history The First National Exhibitors' Circuit was founded in 1917 by the merger of 26 of the bigges ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiss Me Again (1931 Film)
''Kiss Me Again '' is a 1931 American Pre-Code musical operetta film filmed entirely in Technicolor. It was originally released in the United States as ''Toast of the Legion'' late in 1930, but was quickly withdrawn when Warner Bros. realized that the public had grown weary of musicals. The Warner Bros. believed that this attitude would only last for a few months, but, when the public proved obstinate, they reluctantly re-released the film early in 1931 after making a few cuts to the film. Like the 1926 silent First National film '' Mademoiselle Modiste'', ''Kiss Me Again'' is based on a popular 1905 operetta on Broadway, ''Mlle. Modiste'', by Victor Herbert and Henry Martyn Blossom.Traubner, Richard''Operetta: A Theatrical History'' p. 351. Psychology Press, 2003 Plot A French shopgirl (Bernice Claire) obeys her parents by leaving her lover to become an opera star. Cast * Bernice Claire as Mademoiselle Fifi * Edward Everett Horton as Rene * Walter Pidgeon as Paul de St. Cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
