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Missing The Moon
"Missing the Moon" is a single by The Field Mice. It was released as a 12" vinyl record. It was the group's final proper single release (a live cover of Loop's "Burning World" was later issued as a flexidisc) and marks the culmination of their experiments with electronica, being a heavily synthesised dance pop single. Annemari Davies sings the verses, Bobby Wratten the choruses (with backing vocals by Davies). It was made Single Of The Week in New Musical Express with an enthusiastic review by Ian McCann. "Missing the Moon" the first 12" single released on Sarah Records. Interviewed in ''Melody Maker'' in 1996 to mark the closure of the label, founder Matt Haynes chose "Missing the Moon" as his favourite Sarah Records release, though he also claimed that many fans of the label "hated" it due to its dance crossover style and use of the 12" format. The single was voted number 45 in John Peel's Festive Fifty The Festive Fifty was originally an annual list of the year's 50 (th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Field Mice
The Field Mice were an English indie rock band on the independent record label Sarah Records. They had top 20 success in both the singles and albums UK Independent Charts. Career The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, ''Emma's House'', was released in November 1988, and reached number 20 in the UK Independent Chart.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 738Lazell, Barry (1998) ''Indie Hits 1980-1989'', Cherry Red Books, , p. 87 But it was with their second single " Sensitive" that they first received significant critical attention, on single 'Sensitive'. giving them a top-20 indie hit and with a subsequent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twee Pop
Twee pop is a subgenre of indie pop that originates from the 1986 ''NME'' compilation ''C86''. Characterised by its simplicity and perceived innocence, some of its defining features are boy–girl harmonies, catchy melodies, and lyrics about love. For many years, prominent independent record labels associated with twee pop were Sarah Records (in the UK) and K Records (in the US). Characteristics The definition of twee is something "excessively or affectedly quaint, pretty, or sentimental", supposedly born from a childish mispronunciation of the word sweet. A retrospective fascination with the genre in the US saw Americans eagerly defining themselves as twee. According to ''The A.V. Club''s Paula Mejia: AllMusic says that twee pop is "perhaps best likened to bubblegum indie rock – it's music with a spirit of D.I.Y. defiance in the grand tradition of punk, but with a simplicity and innocence not seen or heard since the earliest days of rock & roll". The author Marc Spitz sugg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Records
Sarah Records was a British independent record label active in Bristol between 1987 and 1995, best known for its recordings of indie pop, which it released mostly on 7" singles. On reaching the catalogue number SARAH 100, the label celebrated its 100th release by throwing a party and shutting itself down. In March 2015, ''NME'' declared Sarah to be the second greatest indie label of all time. Origins The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes and grew out of the fanzine scene at the time, Haynes having previously edited '' Are You Scared To Get Happy?'' and Wadd ''Kvatch''. Both these fanzines had given away flexidiscs, with ''Are You Scared To Get Happy?'' being part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexidiscs as, along with the 7"s, it was thought they summed up the aesthetic and politics of the label better than 12" singles and albums. The label also refused to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Catt
Ian Catt is a British record producer and multi-instrumentalist associated with several popular indie groups, including Saint Etienne, with whom he has been a touring member. He has also collaborated with Saint Etienne's vocalist Sarah Cracknell on her solo album, ''Lipslide''. Catt also produced several albums for Heavenly and is a long-standing collaborator of Bobby Wratten, working with his groups The Field Mice, Northern Picture Library, Trembling Blue Stars and Occasional Keepers. He was also an official member of the latter group for a short time. His solo project, Katmandu, released a single and album on the Vinyl Japan label in 1994. He was the main producer on Saint Etienne's 2012 release '' Words and Music''. His recent work also includes bands on Shelflife Records Shelflife Records is a Portland and San Francisco based independent record label run by Ed Mazzucco and Matthew Bice and has produced such bands as Days, Acid House Kings, and The Radio Dept. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
September's Not So Far Away
The Field Mice were an English indie rock band on the independent record label Sarah Records. They had top 20 success in both the singles and albums UK Independent Charts. Career The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, ''Emma's House'', was released in November 1988, and reached number 20 in the UK Independent Chart.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 738Lazell, Barry (1998) ''Indie Hits 1980-1989'', Cherry Red Books, , p. 87 But it was with their second single " Sensitive" that they first received significant critical attention, on single 'Sensitive'. giving them a top-20 indie hit and with a subsequen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burning World (song)
The Burning World or Burning World may refer to: * ''The Burning World'' (novel), a 1964 science fiction novel * ''The Burning World'' (album), a 1989 rock album by Swans * "The Burning World", song/single by the band The Field Mice {{DEFAULTSORT:Burning World, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Musical Express
''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations. As a 'rock inkie', ''NME'' was the first British newspaper to include a singles chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.com was launched in 1996, and became the world's biggest standalone music site, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festive Fifty
The Festive Fifty was originally an annual list of the year's 50 (though the exact figure varied above and below this number) best songs compiled at the end of the year and voted for by listeners to John Peel's BBC Radio 1 show. It was usually dominated by indie and rock songs which did not fully represent the diversity of music played by Peel but rather the majority opinion among his listeners. After Peel's death the tradition of the Festive Fifty was continued, first by other Radio 1 DJs and then (when Radio 1 decided to discontinue it) by the Internet radio station Dandelion Radio. History The first Festive Fifty was broadcast in 1976 and differed in format to later charts in that it was not restricted to songs from that year. It was topped by Led Zeppelin's "Stairway to Heaven", first released in 1971, and also contained many older songs. The following year, Peel's producer suggested that instead of taking a poll (which might simply be a retread of 1976's list), Peel should ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
