Miss Havisham's Fire
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Miss Havisham's Fire
''Miss Havisham's Fire'' is an opera in 2 acts by composer Dominick Argento with an English language libretto by John Olon-Scrymgeour. The work is loosely based on Charles Dickens' 1861 novel ''Great Expectations'', and centers on an investigation of the circumstances surrounding the death of Aurelia Havisham. Commissioned by the New York City Opera, the work premiered on March 22, 1979, at the David H. Koch Theater at the Lincoln Center for the Performing Arts in Manhattan. ''Miss Havisham's Fire'' was initially intended to be a farewell vehicle for soprano Beverly Sills, but she pulled out of the project due to illness and was replaced by Rita Shane. The opera received negative to mixed reviews in the press at its premiere and was not mounted again for more than 20 years. Argento revised it into a one-act monodrama entitled ''Miss Havisham's Wedding Night'' which Minnesota Opera premiered on May 1, 1981, at the Tyrone Guthrie Theater in Minneapolis, conducted by Philip Brunell ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Boosey & Hawkes
Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, it controls the copyrights to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York, it also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company and Hawkes & Son. The Boosey family was of Franco–Flemish origin. Boosey & Company traces its roots back to John Boosey, a bookseller in London i ...
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Elaine Bonazzi
Elaine Bonazzi (August 28, 1929 – January 29, 2019) was an American operatic mezzo-soprano who had an active international career from the 1950s through the 1990s. A singer with an unusually broad repertoire that encompassed both classical and contemporary works, she notably created roles in the world premieres of operas by composers Dominick Argento, David Carlson, Carlisle Floyd, Gian Carlo Menotti, Thomas Pasatieri, and Ned Rorem. In the United States she was particularly active with the New York City Opera, the Santa Fe Opera, and the Washington National Opera. Life and career Born in Endicott, New York in 1929, Bonazzi earned a Bachelor of Music in vocal performance from the Eastman School of Music in 1951. She then pursued graduate music studies at Hunter College and the Juilliard School, and studied privately with Elda Ercole in New York City. In 1955 she was the contralto soloist in Johann Sebastian Bach's ''Mass in B minor'' with the Oratorio Society of New York at Hunt ...
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Alan Titus
Alan Titus (born in New York City, on October 28, 1945) is an internationally celebrated baritone. Life and career Titus studied under Aksel Schiøtz at the Colorado School of Music, and Hans Heinz at The Juilliard School. His official debut was as Marcello in ''La bohème'' in Washington, D.C., in 1969. He came to prominence, however, in Leonard Bernstein's theatre piece ''MASS'', creating the role of the Celebrant. ''MASS'' was commissioned by former First Lady Jacqueline Kennedy for the September 1971 opening of the Kennedy Center in Washington, D.C. Titus created the role of Archie Kramer in Lee Hoiby's ''Summer and Smoke'' (after Tennessee Williams) in St. Paul in 1971, and repeated the role in his New York City Opera debut that same year. He found a home at the New York City Opera, where he was a leading baritone for many seasons. He participated in nationally televised performances of ''Il barbiere di Siviglia'' (with Beverly Sills, 1976), ''Il turco in Italia'' (1978) ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Susanne Marsee
Susanne Marsee (born Susan Irene Dowell; November 26, 1941, San Diego, California) is an American mezzo-soprano of note, particularly acclaimed as a singing-actress. Her principal teacher was Nadine Conner, and her educational background includes a Bachelor of Arts from the University of California at Los Angeles, and advanced studies at the American Opera Center of The Juilliard School. She is of Greek, English, and French heritage. New York City Opera Raised in Westchester, California, Marsee was the New York City Opera's leading mezzo-soprano from 1970, when she debuted as Sara, Duchess of Nottingham, opposite Beverly Sills, Plácido Domingo, and Louis Quilico, in Donizetti's ''Roberto Devereux'', with Julius Rudel conducting Tito Capobianco's production. She proceeded to sing a great gallery of roles at the City Opera, including Siébel in ''Faust'', Angelina in ''La Cenerentola'', Rosina in ''Il barbiere di Siviglia'', Sesto in ''Giulio Cesare'', Cherubino in ''Le nozze ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Julius Rudel
Julius Rudel (6 March 1921 – 26 June 2014) was an Austrian-born American opera and orchestra conductor. He was born in Vienna and was a student at the city's Academy of Music. He emigrated to the United States at the age of 17 in 1938 after the country was annexed by Germany. He studied conducting at the Mannes College of Music in New York City. After completing his music studies, he joined the New York City Opera. He died on 26 June 2014 at the age of 93. Professional career New York City Opera After 1944, he began a 35-year career with that company which continued until 1979. After rising to Principal Conductor and General Director in 1957, he brought the company international acclaim with his innovative programming (including three seasons of all-American operas in 1958, 1959, and 1960), and formed a partnership with Beverly Sills, who became the leading soprano of the NYCO. He led the company to its new home at the New York State Theater in Lincoln Center, where it opene ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Opera News
''Opera News'' is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. ''Opera News'' was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, ''Opera News'' offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S. The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to the mag ...
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Chicago Tribune
The ''Chicago Tribune'' is a daily newspaper based in Chicago, Illinois, United States, owned by Tribune Publishing. Founded in 1847, and formerly self-styled as the "World's Greatest Newspaper" (a slogan for which WGN radio and television are named), it remains the most-read daily newspaper in the Chicago metropolitan area and the Great Lakes region. It had the sixth-highest circulation for American newspapers in 2017. In the 1850s, under Joseph Medill, the ''Chicago Tribune'' became closely associated with the Illinois politician Abraham Lincoln, and the Republican Party's progressive wing. In the 20th century under Medill's grandson, Robert R. McCormick, it achieved a reputation as a crusading paper with a decidedly more American-conservative anti-New Deal outlook, and its writing reached other markets through family and corporate relationships at the ''New York Daily News'' and the ''Washington Times-Herald.'' The 1960s saw its corporate parent owner, Tribune Company, rea ...
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