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Misedashi
is a ceremony where a (an aspiring geisha {{Culture of Japan, Traditions, Geisha {{nihongo, Geisha, 芸者 ({{IPAc-en, ˈ, ɡ, eɪ, ʃ, ə; {{IPA-ja, ɡeːɕa, lang), also known as {{nihongo, , 芸子, geiko (in Kyoto and Kanazawa) or {{nihongo, , 芸妓, geigi, are a class of female J ...) becomes a (an apprentice geisha) and officially begins their career. The is guided around her local area to call on businesses, teachers, and other by her 's (male dresser) to thank her teachers and peers for their support and to let them know of her debut. are usually 17 or 18 when this ceremony takes place as post-WWII labor laws prevent from beginning their employment as apprentices at an earlier age as in pre-WWII eras. Some apprentices, however, skip the stage, being too old to debut as a young apprentice, and instead begin their apprenticeship appearing as a geisha. Attire Because the debut is considered one of the most important moments of a geisha's career, only the most f ...
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Geisha
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha, 芸者 ({{IPAc-en, ˈ, ɡ, eɪ, ʃ, ə; {{IPA-ja, ɡeːɕa, lang), also known as {{nihongo, , 芸子, geiko (in Kyoto and Kanazawa) or {{nihongo, , 芸妓, geigi, are a class of female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, traditional hairstyles and {{transliteration, ja, oshiroi make-up. Geisha entertain at parties known as {{transliteration, ja, ozashiki, often for the entertainment of wealthy clientele, as well as performing on stage and at festivals. Modern geisha are not prostitutes. This misconception originated due to the conflation of Japanese courtesans ({{transliteration, ja, oiran), {{transliteration, ja, oiran reenactors, the extant {{transliteration, ja, tayū, and prostitutes, who h ...
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Maiko
A is an apprentice geisha in Kyoto and Their jobs consist of performing songs, dances, and playing the or other traditional Japanese instruments for visitors during banquets and parties, known as . are usually aged between 17 to 20 years old, and graduate to geisha status after a period of training, which includes learning traditional dance, learning to play the , learning to sing , and, in Kyoto only, learning the Kyoto dialect. This apprenticeship usually ranges from a period of a few months to a year or two years, though apprentices too old to dress as may instead skip to the stage of geisha, despite still being in training. Apprentice geisha in other locations in Japan are known by other terms, such as for apprentices in Tokyo. The traditions of apprentice geisha in these areas vary from those in Kyoto, sometimes to a considerable degree, including an apprentice's appearance and the structure of their apprenticeship. Work In the morning, take lessons in the tradi ...
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Okiya
An is the lodging house/drinking establishment to which a or geisha is affiliated with during her career as a geisha. The is typically run by the "mother" () of the house, who handles a geisha's engagements, the development of her skills, and funds her training through a particular teahouse. Though a geisha is legally required to be registered to an in order to work, and may live there as a trainee, it is not a legal requirement for geisha to live within their .Dalby 1983 p192 A geisha's engagements at parties, and her lessons in singing, traditional dance, musical instruments and tea ceremony are also booked through her . An and its attached teahouse typically has its own "branch" of art names linking its geisha and together, usually through the use of a shared prefix; for example, many of the geisha trained at the Dai-Ichi teahouse in Pontochō have names that begin with . Living arrangements Many geisha, particularly those working in more traditional geisha communi ...
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Nihongami
is the term used for a number of traditional Japanese hairstyles considered to be distinctive in their construction and societal role. Traditionally, the construction of most hairstyles consisted of two "wings" at the side of the head, curving upwards towards the back of the head to form a topknot or ponytail, with a long loop of hair below this also drawn into the topknot. Styles were accessorised with traditional hair accessories, though typically only by women; the combination of both style and accessories formed hairstyles that distinctively varied based on gender, age, job role and social standing. Most styles of were hardened and shaped with wax, known as , and were styled with specially-carved combs made of either bamboo or boxwood, with heated tongs used to straighten the hair before styling. Hair styled in this manner was typically restyled weekly, and in some cases would necessitate sleeping on a pillow raised from the floor, known as a . are no longer com ...
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Kanzashi
are hair ornaments used in traditional Japanese hairstyles. The term refers to a wide variety of accessories, including long, rigid hairpins, barrettes, fabric flowers and fabric hair ties. In the English-speaking world, the term is typically used to refer to hair ornaments made from layers of folded cloth used to form flowers (), or the technique of folding used to make the flowers. History were first used in Japan during the Jōmon period. During that time, the wearing of a single thin rod or stick was considered to hold powers to ward off evil spirits, with people wearing them in their hair for protective purposes. The Jōmon period also saw the introduction of hair combs. During the Nara period, a variety of Chinese cultural aspects and items were brought to Japan through mutual trade and envoys. The items brought back from China included Chinese hairpins (, ; written with the same Chinese character as ), amongst other hair ornaments such as Chinese combs. During ...
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Oshiroi
is a powder foundation traditionally used by kabuki actors, geisha and their apprentices. The word literally means "white powder", and is pronounced as the word for white () with the honorific prefix . When worn by geisha and , is notable for only partially covering the nape of the neck, as an uncovered nape was traditionally considered erotic in Japanese culture. Description is traditionally applied over a base of two types of wax used as a primer: is applied to the eyebrows, whereas (facial wax) is applied to cover the rest of the face and the neck. The upper portion of back is also covered if the wearer will be dressed in a ("trailing skirt") kimono, where the upper half of the neck will be visible. The is mixed with water before being applied with a wide, flat brush over the neck, face and back. The must be mixed carefully with water to achieve the right consistency, and can be difficult to achieve, as that has too much moisture will not apply smoothly to the fac ...
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Mon (emblem)
, also , , and , are Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution or business entity. While is an encompassing term that may refer to any such device, and refer specifically to emblems used to identify a family. An authoritative reference compiles Japan's 241 general categories of based on structural resemblance (a single may belong to multiple categories), with 5,116 distinct individual . However, it is well-acknowledged that there exist a number of lost or obscure . The devices are similar to the badges and coats of arms in European heraldic tradition, which likewise are used to identify individuals and families. are often referred to as crests in Western literature, the crest being a European heraldic device similar to the in function. History may have originated as fabric patterns to be used on clothes in order to distinguish individuals or signify membership of a specific clan or organization. By the ...
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Obi (sash)
An is a belt of varying size and shape worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the developed over time into a belt with a number of different varieties, with a number of different sizes and proportions, lengths, and methods of tying. The , which once did not differ significantly in appearance between men and women, also developed into a greater variety of styles for women than for men. Despite the kimono having been at one point and continuing to appear to be held shut by the , many modern are too wide and stiff to function in this way, with a series of ties known as , worn underneath the , used to keep the kimono closed instead. are categorised by their design, formality, material, and use, and can be made of a number of types of fabric, with heavy brocade weaves worn for formal occasions, and some lightweight silk worn for informal occasions. are also made f ...
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Mizuage
was a ceremony undergone by apprentice () and some (apprentice geisha) as part of their coming of age ceremony and graduation. For , who had often already lost their virginity, a patron would pay for the exclusive privilege of being a new 's first customer; for who underwent , it formed part of a number of ceremonies and occasions used to mark graduation into geishahood, including symbolic changes in hairstyle and official visits to benefactors. Before the outlawing of prostitution in Japan, who underwent would see patrons and benefactors bid large sums of money for the privilege of taking their virginity, a sum of money the (the geisha house an apprentice was affiliated to) would take entirely. In the present day, a 's graduation is known as , and is entirely non-sexual, though some older sources – such as the autobiography of Mineko Iwasaki, the geisha that author Arthur Golden used as inspiration for his character of Sayuri in the novel ''Memoirs of a Geisha'' – refe ...
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Maiko
A is an apprentice geisha in Kyoto and Their jobs consist of performing songs, dances, and playing the or other traditional Japanese instruments for visitors during banquets and parties, known as . are usually aged between 17 to 20 years old, and graduate to geisha status after a period of training, which includes learning traditional dance, learning to play the , learning to sing , and, in Kyoto only, learning the Kyoto dialect. This apprenticeship usually ranges from a period of a few months to a year or two years, though apprentices too old to dress as may instead skip to the stage of geisha, despite still being in training. Apprentice geisha in other locations in Japan are known by other terms, such as for apprentices in Tokyo. The traditions of apprentice geisha in these areas vary from those in Kyoto, sometimes to a considerable degree, including an apprentice's appearance and the structure of their apprenticeship. Work In the morning, take lessons in the tradi ...
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