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Ming (typefaces)
Ming or Song is a category of typefaces used to display Chinese characters, which are used in the Chinese language, Chinese, Japanese language, Japanese and Korean language, Korean languages. They are currently the most common style of type in print for Chinese and Japanese. Name The names ''Song'' (or ''Sung'') and ''Ming'' correspond to the Song Dynasty when a distinctive printed style of regular script was developed, and the Ming Dynasty during which that style developed into the Ming typeface style. Fonts]typefaces included with Mac OS and Windows differences between some Ming typefaces {{DEFAULTSORT:Ming (Typeface) Chinese-language computing Chinese type styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ming Dynasty
The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last orthodox dynasty of China ruled by the Han Chinese, Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family—collectively called the Southern Ming—survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type Foundry
A type foundry is a company that designs or distributes typefaces. Before digital typography, type foundries manufactured and sold metal and wood typefaces for hand typesetting, and matrices for line-casting machines like the Linotype and Monotype, for letterpress printers. Today's digital type foundries accumulate and distribute typefaces (typically as digitized fonts) created by type designers, who may either be freelancers operating their own independent foundry, or employed by a foundry. Type foundries may also provide custom type design services. England In England, type foundries began in 1476, when William Caxton introduced the printing press, importing at least some of the type that he used in printing. Until William Caslon (1692–1766), however, English type generally had a poor reputation with the best type imported from Holland. Only after Caslon had established his Caslon foundry in Chiswell Street, did the City of London become a major centre for the industry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orthography
An orthography is a set of conventions for writing a language, including norms of spelling, hyphenation, capitalization, word breaks, emphasis, and punctuation. Most transnational languages in the modern period have a writing system, and most of these systems have undergone substantial standardization, thus exhibiting less dialect variation than the spoken language. These processes can fossilize pronunciation patterns that are no longer routinely observed in speech (e.g., "would" and "should"); they can also reflect deliberate efforts to introduce variability for the sake of national identity, as seen in Noah Webster's efforts to introduce easily noticeable differences between American and British spelling (e.g., "honor" and "honour"). Some nations (e.g. France and Spain) have established language academies in an attempt to regulate orthography officially. For most languages (including English) however, there are no such authorities and a sense of 'correct' orthography evol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variant Chinese Character
Variant Chinese characters (; Kanji: ; Hepburn: ''itaiji''; ; Revised Romanization: ''icheja'') are Chinese characters that are homophones and synonyms. Most variants are allographs in most circumstances, such as casual handwriting. Some contexts require the usage of certain variants, such as in textbook editing. Regional standards Variant Chinese characters exist within and across all regions where Chinese characters are used, whether Chinese-speaking (mainland China, Hong Kong, Macau, Taiwan, Singapore), Japanese-speaking (Japan), or Korean-speaking (North Korea, South Korea). Some of the governments of these regions have made efforts to standardize the use of variants, by establishing certain variants as standard. The choice of which variants to use has resulted in some divergence in the forms of Chinese characters used in mainland China, Hong Kong, Japan, Korea and Taiwan. This effect compounds with the sometimes drastic divergence in the standard Chinese character sets of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Asian Gothic Typeface
In the East Asian writing system, gothic typefaces (; ja, ゴシック体, goshikku-tai; ko, 돋움, dotum, ''godik-che'') are a type style characterized by strokes of even thickness and lack of decorations akin to sans serif styles in Western typography. It is the second most commonly used style in East Asian typography, after Ming. History Gothic typefaces were first developed in Japan. Starting in the 1960s, the People's Republic of China's Shanghai Printing Technology and Research Institute developed new typefaces for Simplified Chinese, including gothic typefaces. The communist government favored gothic typefaces because they were plain and "represented a break with the past." Characteristics Similar to Ming and Song typefaces, sans-serif typefaces were designed for printing, but they were also designed for legibility. They are commonly used in headlines, signs, and video applications. Classifications * Square sans (Japanese: ''kaku goshikku''; ), the class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif Typeface
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neaten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revised Romanization Of Korean
Revised Romanization of Korean () is the official Korean language romanization system in South Korea. It was developed by the National Academy of the Korean Language from 1995 and was released to the public on 7 July 2000 by South Korea's Ministry of Culture and Tourism in Proclamation No. 2000-8. The new system addressed problems in the implementation of the McCune–Reischauer system, such as the phenomena where different consonants and vowels became indistinguishable in the absence of special symbols. To be specific, under the McCune–Reischauer system, Korean consonants ''(k)'', ''(t)'', ''(p)'' and ''(ch)'' and ''(kʼ)'', ''(tʼ)'', ''(pʼ)'' and ''(chʼ)'' became indistinguishable when the apostrophe was removed. In addition, Korean vowels ''(ŏ)'' and ''(o)'', as well as ''(ŭ)'' and ''(u)'', became indistinguishable when the breve was removed. Especially in internet use, where omission of apostr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanja
Hanja (Hangul: ; Hanja: , ), alternatively known as Hancha, are Chinese characters () used in the writing of Korean. Hanja was used as early as the Gojoseon period, the first ever Korean kingdom. (, ) refers to Sino-Korean vocabulary, which can be written with Hanja, and (, ) refers to Classical Chinese writing, although "Hanja" is also sometimes used to encompass both concepts. Because Hanja never underwent any major reforms, they are mostly resemble to ''kyūjitai'' and traditional Chinese characters, although the stroke orders for some characters are slightly different. For example, the characters and as well as and . Only a small number of Hanja characters were modified or are unique to Korean, with the rest being identical to the traditional Chinese characters. By contrast, many of the Chinese characters currently in use in mainland China, Malaysia and Singapore have been simplified, and contain fewer strokes than the corresponding Hanja characters. In Japan, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hangul
The Korean alphabet, known as Hangul, . Hangul may also be written as following South Korea's standard Romanization. ( ) in South Korea and Chosŏn'gŭl in North Korea, is the modern official writing system for the Korean language. The letters for the five basic consonants reflect the shape of the speech organs used to pronounce them, and they are systematically modified to indicate phonetic features; similarly, the vowel letters are systematically modified for related sounds, making Hangul a featural writing system. It has been described as a syllabic alphabet as it combines the features of alphabetic and syllabic writing systems, although it is not necessarily an abugida. Hangul was created in 1443 CE by King Sejong the Great in an attempt to increase literacy by serving as a complement (or alternative) to the logographic Sino-Korean ''Hanja'', which had been used by Koreans as its primary script to write the Korean language since as early as the Gojoseon period (spanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanization Of Japanese
The romanization of Japanese is the use of Latin script to write the Japanese language. This method of writing is sometimes referred to in Japanese as . Japanese is normally written in a combination of logographic characters borrowed from Chinese (kanji) and syllabic scripts (kana) that also ultimately derive from Chinese characters. There are several different romanization systems. The three main ones are Hepburn romanization, Kunrei-shiki romanization (ISO 3602) and Nihon-shiki romanization (ISO 3602 Strict). Variants of the Hepburn system are the most widely used. Romanized Japanese may be used in any context where Japanese text is targeted at non-Japanese speakers who cannot read kanji or kana, such as for names on street signs and passports and in dictionaries and textbooks for foreign learners of the language. It is also used to transliterate Japanese terms in text written in English (or other languages that use the Latin script) on topics related to Japan, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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