Mindaugas Rojus
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Mindaugas Rojus
Mindaugas Rojus (born 24 January 1981 in Darbėnai, Kretinga district, Lithuania) is a Lithuanian opera singer (tenor / baritone), a soloist of Klaipėda State Music Theatre, and a member of a stage duo ''Žemaitijos perlai'' (Samogitia's Pearls). Biography Graduated high school of Darbėnai. In Klaipėda, Stasys Šimkus Conservatory he studied choral conducting (class of A. Purlienė) and solo singing (class of V. Balsytė). In 2001 and 2002, attended the Lithuanian Academy of Music preparatory studies (class of prof. Vladimiras Prudnikovas). Since 2004, he studied at Klaipėda University's Faculty of Arts Singing Department (class of M. Gylys, prof. Eduardas Kaniava), gained a master's degree. He has two siblings – a younger sister, Sandra, and an older brother, Rimantas. With Klaipėda State Music Theatre ballerina Viktorija Gulnickaja has a son Augustinas Rojus (born June 9, 2010). Currently lives in a Lithuania's seaport town Klaipėda. Roles In 2006, he won the a ...
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Darbėnai
Darbėnai is a small town in Klaipėda County, in northwestern Lithuania. According to the 2011 census, the town has a population of 1,461 people. It is located 16 km north of Kretinga. Darbėnai is the capital of Darbėnai eldership. History Darbėnai was first mentioned in 1591 but it is thought that the village was established in 1566 during the Wallach reform. According to Simonas Daukantas in 1550 it was still a Palanga forest (''Palangos giria''). In 1621 Jan Karol Chodkiewicz built the first wooden church in the town. In 1701 the duke of Courland granted the privilege of trade to the town which was confirmed by the king Augustus II the Strong. Since 1730 Darbėnai was started to call a town. In the beginning of the 19th century the first parish school was established. In 1842 the current Catholic church named after Saint Apostles Peter and Paul was built. In 1855 the first public primary school was opened. Darbėnai was an important centre during the 1831 Uprising ...
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Master's Degree
A master's degree (from Latin ) is an academic degree awarded by universities or colleges upon completion of a course of study demonstrating mastery or a high-order overview of a specific field of study or area of professional practice.
A master's degree normally requires previous study at the bachelor's degree, bachelor's level, either as a separate degree or as part of an integrated course. Within the area studied, master's graduates are expected to possess advanced knowledge of a specialized body of and applied topics; high order skills in

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Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ...
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Pelléas And Mélisande
''Pelléas and Mélisande'' (french: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893. The work never achieved great success on the stage, apart from in the operatic setting by Claude Debussy, but it was at the time widely read and admired by the literary elite in the symbolist movement, such as Strindberg and Rilke. It also inspired other contemporary composers, including Gabriel Fauré, Arnold Schoenberg, Jean Sibelius, and Mel Bonis. Synopsis Golaud finds Mélisande by a stream in the woods. She has lost her crown in the water but does not wish to retrieve it. They marry, and she instantly wins the favor of Arkël, Golaud's grandfather and king of Allemonde, who is ill. She begins to be drawn to Pelléas, Golaud's brother. They meet by the fountain, where Mélisande loses her wedding ring. Golaud grows suspicious of the lovers, has his son Yniold spy on them, and discov ...
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Porgy And Bess
''Porgy and Bess'' () is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play '' Porgy'', itself an adaptation of DuBose Heyward's 1925 novel of the same name. ''Porgy and Bess'' was first performed in Boston on September 30, 1935, before it moved to Broadway in New York City. It featured a cast of classically trained African-American singers—a daring artistic choice at the time. A 1976 Houston Grand Opera production gained it a renewed popularity after languishing in the doldrums of the 1960s and early 1970s, and it is now one of the best known and most frequently performed operas. The libretto of ''Porgy and Bess'' tells the story of Porgy, a disabled black street beggar living in the slums of Charleston. It deals with his attempts to rescue Bess from the clutches of Crown, her violent and possessive lover, and Sportin' Life ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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Wiener Blut (operetta)
''Wiener Blut'' ('' Viennese Blood'' or ''Viennese Spirit'') is an operetta named after the " Wiener Blut" waltz, supposedly with music by the composer Johann Strauss the Younger, who did not live to witness the première. Such was the popularity of the original "Wiener Blut" Op. 354 waltz until the time of the composer's death that his work would be chosen as the name of the operetta with libretto by Victor Léon and Leo Stein set around the Vienna Congress of 1814 to 1815. Strauss did not specifically compose any music for this operetta, although many of his earlier compositions were incorporated for the work. He took no active part in the musical arrangement at its conception nor any production work leading up to its première. He was content to delegate these tasks to Adolf Müller Jr. as he himself was busy with his ballet ''Aschenbrödel'' in 1898. However, Müller did not confine himself to the music of Johann Jr., and several dance tunes by his brother Josef were also ...
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Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ...
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Ball Im Savoy
''Ball im Savoy'' (''Ball at the Savoy'') is a jazz operetta in three acts and a prelude by Paul Abraham to a libretto by Alfred Grünwald and Fritz Löhner-Beda. It premiered on 23 December 1932 at the Großes Schauspielhaus, Berlin. However, Hitler became Chancellor five weeks later, and because composer and librettists were all Jewish, the show was forced to close down (despite its critical and popular acclaim) on 2 April, 1933. It was revived on 9 September 1933 at the New German Theatre in Prague under music director George Szell. The English-language premiere was on 8 September 1933 at the Drury Lane Theatre, London, under the title ''Ball at the Savoy'', with the libretto adapted by Oscar Hammerstein. This was Abraham's last major success. Although ''Ball im Savoy'' is a relatively recent operetta, its characters follow the classic scheme: Aristide (tenor) is a rueful rake, excruciated by the possible betrayal. Madeleine (soprano) is a more modern person, ready to give ...
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Paul Abraham
Paul Abraham ( hu, Ábrahám Pál, links=no; 2 November 1892 – 6 May 1960) was a Jewish-Hungarian composer of operettas, who scored major successes in the German-speaking world. His specialty – and own innovation – was the insertion of jazz interludes into operettas. Abraham was born in Apatin, Austria-Hungary (today Serbia), and studied at the Royal National Hungarian Academy of Music in Budapest from 1910 to 1916. He studied cello with Adolf Schiffer and composition with Viktor Herzfeld. Career Abraham was a son of Jakab Ábrahám (c. 1859–1909) – who was an merchant from Apatin, later head of a small private bank – and Flóra Blau (1872-1943), who came from Mohács (South-Hungary, next to Danube). Like many other composers of operettas, Abraham started with works of a serious nature. During the decade following his studies he wrote, among other things, sacred music, string quartets and a concerto for violoncello. When he was appointed conductor at the ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ...
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