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Mimas (Giant)
In Greek mythology, Mimas (Ancient Greek: Μίμας) was one of the Gigantes (Giants), the offspring of Gaia, born from the blood of the castrated Uranus. Mythology According to the mythographer Apollodorus, he was killed during the Gigantomachy, the cosmic battle of the Giants with the Twelve Olympians, by Hephaestus with "missiles of red-hot metal" from his forge. In Euripides' '' Ion'' (c. 410 BC), the chorus, describing the wonders of the late sixth century Temple of Apollo at Delphi, tell of seeing depicted there the Gigantomachy showing, among other things, Zeus burning Mimas "to ashes" with his thunderbolt. In the ''Argonautica'' by Apollonius of Rhodes, and the ''Gigantomachia'' by Claudian, Mimas was killed by Ares (or in Claudian's case by Ares' Roman counterpart Mars). Mimas is also mentioned in the company of other Giants, by the Latin writers Horace and Seneca. A fragment of an Attic black-figure dinos by Lydos (Athens Akropolis 607) dating from the second quarte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the ''Iliad'' and the ''Odyssey''. Two poems by Homer's near contemporary Hesiod, the '' Theogony'' and the '' Works and Days'', contain accounts of the genesi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label= genitive Boeotian Aeolic and Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label= genitive el, Δίας, ''Días'' () is the sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Eileithyia, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phlegraean Islands
The Phlegraean Islands ( it, Isole Flegree ; nap, Isule Flegree) are an archipelago in the Gulf of Naples and the Campania region of southern Italy. The name is derived from the common affiliation to the geologic area of the Phlegraean Fields. Geography It consists of the islands of Ischia, Procida, Vivara, and Nisida. They are part of the Campanian volcanic arc and Campanian Archipelago (Neapolitan Archipelago), off the coast of Naples in the Tyrrhenian Sea. The archipelago is within the Metropolitan City of Naples. The island of Capri is usually excluded, as it does not belong to the same geologic formations. History In the classical epoch, some Phlegraean Islands were called Pithecussae, the Greek ' (, ‘islands of monkeys’). A Greek myth tells of two brigands, the Cercopes In Greek mythology, the Cercopes ( el, Κέρκωπες, plural of Κέρκωψ, from κέρκος (''n''.) ''kerkos'' "tail") were mischievous forest creatures who lived in Thermopylae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Procida
Procida (; nap, Proceta ) is one of the Flegrean Islands off the coast of Naples in southern Italy. The island is between Cape Miseno and the island of Ischia. With its tiny satellite island of Vivara, it is a ''comune'' of the Metropolitan City of Naples, in the region of Campania. Etymology The island derives its name from the Latin name ''Prochyta''. Προχύτη/Prochýtē means 'poured out' in Ancient Greek. According to another theory, ''Prochyta'' comes from the Ancient Greek verb ''prokeitai'', meaning 'it lies forth', because of the appearance of the island seen from the sea. Geography Procida is located between Capo Miseno and the island of Ischia. It is less than . Its coastlines, very jagged, are . The ''Terra Murata'' hill is the highest point on the island (). Geologically, Procida was created by the eruption of four volcanoes, now dormant and submerged. History Ancient history Some Mycenaean Greek objects from the 16th to 15th centuries BCE have been f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydos
Lydos ( Greek: Λυδός, ''the Lydian'') was an Attic vase painter in the black-figure style. Active between about 560 and 540 BC, he was the main representative of the '’’Lydos Group’’’. His signature, ό Λυδός, ho Lydos ("the Lydian)", inscribed on two vases, is informative regarding the cultural background of the artist. Either he immigrated to Athens from the Lydian empire of King Kroisos, or he was born in Athens as the son of Lydian parents. In any case, he learned his trade in Athens. Style It is difficult to definitely recognise his work, since he was the centre and main artist of a highly productive Attic pottery workshop. For that reason, many vases are simply described as "in the style of Lydos". Several other individual artists within his circle can be identified, including the Painter of Vatican 309 and Painter of Louvre F 6. These works are quite homogeneous in style, but differ considerably in terms of quality. The style of Lydos strongly rese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinos
In the typology of ancient Greek pottery, the ''dinos'' (plural ''dinoi'') is a mixing bowl or cauldron. ''Dinos'' means "drinking cup," but in modern typology is used (wrongly) for the same shape as a '' lebes'', that is, a bowl with a spherical body meant to sit on a stand. It has no handles and no feet. The Dinos Painter, one of the ancient Greek artists known for vase painting, takes his name from the type of vase characteristic of his work.Sparkes, ''Greek Pottery'', p. 115. Dinos were used for mixing water and wine, as it was considered rude to drink straight out of the goblet, at the time. See also * Dinos of the Gorgon Painter * Ancient Greek vase painting * Pottery of ancient Greece Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has ex ... References Ancient Greek pot sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etrus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica (region)
Attica ( el, Περιφέρεια Αττικής, translit=Periféria Attikís, ) is an administrative region of Greece, that encompasses the entire metropolitan area of Athens, the country's capital and largest city. The region is coextensive with the former Attica Prefecture of Central Greece. It covers a greater area than the historical region of Attica. Overview Located on the eastern edge of Central Greece, Attica covers about 3,808 square kilometers. In addition to Athens, it contains within its area the cities of Elefsina, Megara, Laurium, and Marathon, as well as a small part of the Peloponnese peninsula and the islands of Salamis, Aegina, Angistri, Poros, Hydra, Spetses, Kythira, and Antikythera. About 3,800,000 people live in the region, of whom more than 95% are inhabitants of the Athens metropolitan area. In 2019, Attica had the HDI of 0.912, the highest in Greece. Administration The region was established in the 1987 administrative reform, and until 2010 i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seneca The Younger
Lucius Annaeus Seneca the Younger (; 65 AD), usually known mononymously as Seneca, was a Stoic philosopher of Ancient Rome, a statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature. Seneca was born in Córdoba in Hispania, and raised in Rome, where he was trained in rhetoric and philosophy. His father was Seneca the Elder, his elder brother was Lucius Junius Gallio Annaeanus, and his nephew was the poet Lucan. In AD 41, Seneca was exiled to the island of Corsica under emperor Claudius, but was allowed to return in 49 to become a tutor to Nero. When Nero became emperor in 54, Seneca became his advisor and, together with the praetorian prefect Sextus Afranius Burrus, provided competent government for the first five years of Nero's reign. Seneca's influence over Nero declined with time, and in 65 Seneca was forced to take his own life for alleged complicity in the Pisonian conspiracy to assassinate Nero, in which he was proba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace
Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his '' Odes'' as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses ('' Satires'' and ''Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ares
Ares (; grc, Ἄρης, ''Árēs'' ) is the Greek god of war and courage. He is one of the Twelve Olympians, and the son of Zeus and Hera. The Greeks were ambivalent towards him. He embodies the physical valor necessary for success in war but can also personify sheer brutality and bloodlust, in contrast to his sister, the armored Athena, whose martial functions include military strategy and generalship. An association with Ares endows places, objects, and other deities with a savage, dangerous, or militarized quality. Although Ares' name shows his origins as Mycenaean, his reputation for savagery was thought by some to reflect his likely origins as a Thracian deity. Some cities in Greece and several in Asia Minor held annual festivals to bind and detain him as their protector. In parts of Asia Minor, he was an oracular deity. Still further away from Greece, the Scythians were said to ritually kill one in a hundred prisoners of war as an offering to their equivalent of Ares. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
