Mildred Constantine
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Mildred Constantine
Mildred Constantine Bettelheim (June 28, 1913 – December 10, 2008) was an American curator who helped bring attention to the posters and other graphic design in the collection of the Museum of Modern Art in the 1950s and 1960s Biography Constantine (she used her maiden name professionally) was born in 1913 in Brooklyn, New York. She received bachelor's and master's degrees from New York University and attended the graduate school of the National Autonomous University of Mexico. She worked for the College Art Association from 1931 to 1937 as an editorial assistant on the journal ''Parnassus''. She met Rene d'Harnoncourt, her future boss as director of the Museum of Modern Art, while she was working in Washington, D.C. at the Office of the Coordinator of Inter-American Affairs. She also traveled to Mexico, in 1936, as part of the leftist Committee Against War and Fascism, where she developed an interest in Latin and Central American political graphics. A Latin American po ...
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Curator
A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. In recent years the role of curator has evolved alongside the changing role of museums, and the term "curator" may designate the head of any given division. More recently, new kinds of curators have started to emerge: "community curators", "literary curators", " digital curators" and " biocurators". Collections curator A "collections curator", a "museum curator" or a "keeper" of a cultural heritage institution (e.g., gallery, museum, library or archive) is a content specialist charged with an institution's collections and involved with the interpretation of heritage material including historical artifacts. A collections curator's concern necessarily involves tangible objects of some sort—artwork, c ...
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Massimo Vignelli
Massimo Vignelli (; January 10, 1931 – May 27, 2014) was an Italian designer who worked in a number of areas including packaging, houseware, furniture, public signage, and showroom design. He was the co-founder of Vignelli Associates, with his wife, Lella Vignelli, Lella. His motto was, "If you can design one thing, you can design everything," which the broad range of his work reflects. Vignelli worked firmly within the modernism, modernist tradition. His style stressed simplicity by using basic geometry, geometric shapes. Life Vignelli studied architecture at the Politecnico di Milano and later at the Università Iuav di Venezia. From 1957 to 1960, he visited America on a fellowship, and returned to New York in 1966 to start the New York branch of a new company, Unimark International, which quickly became, in scope and personnel, one of the largest design firms in the world. The firm went on to design many of the world's most recognizable corporate identities, including that ...
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Mary Jane Jacob
Mary Jane Jacob is an American curator, writer, and educator from Chicago, Illinois. She is a professor at the School of the Art Institute of Chicago, and is the Executive Director of Exhibitions and Exhibition Studies. She has held posts as Chief Curator at the Museum of Contemporary Art, Los Angeles and at the Museum of Contemporary Art, Chicago. Since 1990 Jacob has been a pioneer in the areas of public, site-specific, and socially engaged art. Jacob is the author and editor of many key texts including ''Conversations at the Castle: Changing Audiences and Contemporary Art'' (1996) an''Culture in Action: New Public Art in Chicago''(1993). Jacob has mounted exhibitions, and created public art opportunities that have featured the work of some of the most influential artists in contemporary art including Mark Dion, Suzanne Lacy, Ernesto Pujol, J. Morgan Puett, Pablo Helguera, Marina Abramović, and Alfredo Jaar. The Women's Caucus for Art honored Jacob as a 2010 recipient of the or ...
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Lloyd Cotsen
Neutrogena Corporation, trading as Neutrogena, is an American company that markets skin care, hair care and cosmetics owned by parent company Johnson & Johnson and is headquartered in Los Angeles, California.Neutrogena.com ,
According to product advertising at their website, Neutrogena products are distributed in more than 70 countries. Neutrogena was founded in 1930 by Emanuel Stolaroff, and was originally a cosmetics company named Natone. Johnson & Johnson acquired the independent company in 1994. The company originally supplied to department stores and salons that catered for the .


History

In 1930, Emanuel Stolaroff st ...
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Peter Selz
Peter Howard Selz (March 27, 1919 – June 21, 2019) was a German-born American art historian and museum director and curator who specialized in German Expressionism. Biography Peter Selz was born in Munich of Jewish parents. In 1936, aged 17, he fled Nazi Germany because his parents wanted to send him to study in the United States. His family managed to escape Germany just before the Night of Broken Glass, with the help of some nuns, whom his optometrist father had treated for free. He spent one year at Columbia University and discovered that he was distantly related to Alfred Stieglitz, who became his mentor. After serving in World War II he received an A.M. from the University of Chicago on the GI Bill in 1949. He received several Fulbright scholarships in the following years to study at the University of Paris and École du Louvre as well as the Musées Royaux d'Art et d'Histoire; at the same time, Selz was teaching at the University of Chicago and also chaired the education ...
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Fiber Art
Fiber art (fibre art in British spelling) refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility. History The term fiber art came into use by curators and arts historians to describe the work of the artist-craftsman following World War II. Those years saw a sharp increase in the design and production of "art fabric." In the 1950s, as the contributions of craft artists became more recognized—not just in fiber but in clay and other media—an increasing number of weavers began binding fibers into nonfunctional forms as works of art. The 1960s and 70s brought an international revolution in fiber art. Beyond weaving, fiber structures were created through knotting, twining, plaiting, coiling, pleating, lashing, interlacing, and even braiding. Artists in th ...
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Textile Arts
Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. Textiles have been a fundamental part of human life since the beginning of civilization. The methods and materials used to make them have expanded enormously, while the functions of textiles have remained the same, there are many functions for textiles. Whether it be clothing or something decorative for the house/shelter. The history of textile arts is also the history of international trade. Tyrian purple dye was an important trade good in the ancient Mediterranean. The Silk Road brought Chinese silk to India, Africa, and Europe, and, conversely, Sogdian silk to China. Tastes for imported luxury fabrics led to sumptuary laws during the Middle Ages and Renaissance. The Industrial Revolution was shaped largely by innovation in textiles technology: the cotton gin, the spinning jenny, and the power loom mechanized production and led to the Luddite rebel ...
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Wall Hangings
Wall Hangings was an exhibition of textile fiber art at Museum of Modern Art from 25 February to 4 May 1969. It was planned in 1966 and toured 11 cities in 1968–1969. About Wall Hangings Exhibition was curated by Mildred Constantine and Jack Lenor Larsen and featured 28 Artists from 8 countries. It was the first major art exhibition in fiber arts or textiles. This exhibition showcased the artists’ work in ways not typically seen before like hanging from the ceiling, standing free from the wall, and even on revolving turntables to allow visual access to the great details put into every pieces displayed. Artworks were noted for their techniques, material, scale and three-dimensionality and were referenced both to their break from and use of tradition in those areas. The history of the artists in the show were directly attributed to the Austrian Wiener Werkstätte and the German Bauhaus, though mention was made of other inspirations such as Pre-Columbian Peruvian weavers. Ideo ...
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Jack Lenor Larsen
Jack Lenor Larsen (August 5, 1927 – December 22, 2020) was an American textile designer, author, collector and promoter of traditional and contemporary craftsmanship. Through his career he was noted for bringing fabric patterns and textiles to go with modernist architecture and furnishings. Some of his works are part of permanent collections at prominent museums including Museum of Modern Art, Victoria and Albert Museum, Art Institute of Chicago, Musée des Arts Décoratifs at the Louvre, and the Minneapolis Institute of Art which has his most significant archive. Early life Larsen was born on August 5, 1927 in Seattle, Washington, to Mabel (née Bye) and Elmer Larsen. His father was a building contractor. His parents were Canadians of Danish-Norwegian ancestry who moved to Bremerton, Washington from Alberta in Canada. He was educated in Bremerton before enrolling at the School of Architecture at the University of Washington, where he struggled with drawing, and became intereste ...
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Nyack, New York
Nyack () is a Village (New York), village located primarily in the Town (New York), town of Orangetown, New York, Orangetown in Rockland County, New York, Rockland County, New York (state), New York, United States. Incorporated in 1872, it retains a very small western section in Clarkstown, New York, Clarkstown. It is a suburb of New York City lying approximately north of the Manhattan boundary near the west bank of the Hudson River, situated north of South Nyack, New York, South Nyack, east of Central Nyack, New York, Central Nyack, south of Upper Nyack, New York, Upper Nyack, and southeast of Valley Cottage, New York, Valley Cottage. Nyack had a population of 6,765 as of the 2010 United States Census, 2010 census. Setting Nyack is one of five southeastern Rockland County Village (New York), villages and Hamlet (New York), hamlets that constitute "The Nyacks" – Nyack, Central Nyack, South Nyack, New York, South Nyack, Upper Nyack, New York, Upper Nyack and West Nyack, Ne ...
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Heart Failure
Heart failure (HF), also known as congestive heart failure (CHF), is a syndrome, a group of signs and symptoms caused by an impairment of the heart's blood pumping function. Symptoms typically include shortness of breath, excessive fatigue, and leg swelling. The shortness of breath may occur with exertion or while lying down, and may wake people up during the night. Chest pain, including angina, is not usually caused by heart failure, but may occur if the heart failure was caused by a heart attack. The severity of the heart failure is measured by the severity of symptoms during exercise. Other conditions that may have symptoms similar to heart failure include obesity, kidney failure, liver disease, anemia, and thyroid disease. Common causes of heart failure include coronary artery disease, heart attack, high blood pressure, atrial fibrillation, valvular heart disease, excessive alcohol consumption, infection, and cardiomyopathy. These cause heart failure by altering ...
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Hilton Kramer
Hilton Kramer (March 25, 1928 – March 27, 2012) was an American art critic and essayist. Biography Early life Kramer was born in Gloucester, Massachusetts, and was educated at Syracuse University, receiving a bachelor's degree in English; Columbia University; he studied literature and philosophy at Harvard University, Indiana University, and the New School for Social Research. Career Kramer worked as the editor of ''Arts Magazine'', art critic for ''The Nation'', and from 1965 to 1982, as chief art critic for ''The New York Times''. He also published in the '' Art and Antiques Magazine'' and ''The New York Observer''. Kramer's ''New York Post'' column, initially called "Times Watch" - focused on his former employer, the New York Times - and later expanded to "Media Watch", was published weekly from 1993 to November 1997. Kramer fought against what he considered to be leftist political bias in art criticism, and what he perceived as the aesthetic nihilism characteristic of ma ...
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