Mike Shrieve
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Mike Shrieve
Michael Shrieve (born July 6, 1949) is an American drummer, percussionist, and composer. He is best known as the drummer of the rock band Santana, playing on the band's first seven albums from 1969 to 1974. At age 20, Shrieve was the second youngest musician to perform at Woodstock. His drum solo during " Soul Sacrifice" in the ''Woodstock'' film has been described as "electrifying", although he considers his drum solo during "Soul Sacrifice" in 1970 at Tanglewood as being better. History Shrieve's first full-time band was called Glass Menagerie, followed by experience in the house band of an R&B club, backing touring musicians including B.B. King and Etta James. At 16, Shrieve played in a jam session at the Fillmore Auditorium, where he attracted the attention of Santana's manager, Stan Marcum. When he was 19, Shrieve jammed with Santana at a recording studio and was invited to join that day. On August 16, 1969, Santana played the Woodstock Festival, shortly after Shrieve's t ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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OK Hotel Reunion - Michael Shrieve 03 (25248504000)
''OK'' (spelling variations include ''okay'', ''O.K.'', ''ok'' and ''Ok'') is an English word (originating in American English) denoting approval, acceptance, agreement, assent, acknowledgment, or a sign of indifference. ''OK'' is frequently used as a loanword in other languages. It has been described as the most frequently spoken or written word on the planet. Its origins are disputed. As an adjective, ''OK'' principally means "adequate" or "acceptable" as a contrast to "bad" ("The boss approved this, so it is OK to send out"); it can also mean "mediocre" when used in contrast with "good" ("The french fries were great, but the burger was just OK"). It fulfills a similar role as an adverb ("Wow, you did OK for your first time skiing!"). As an interjection, it can denote compliance ("OK, I will do that"), or agreement ("OK, that is fine"). It can mean "assent" when it is used as a noun ("the boss gave her the OK to the purchase") or, more colloquially, as a verb ("the boss OKe ...
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Stomu Yamashta
Stomu Yamashta (or Yamash'ta), born , is a Japanese percussionist, keyboardist and composer. He is best known for pioneering and popularising a fusion of traditional Japanese percussive music with Western progressive rock music in the 1960s and 1970s. In the latter part of the 1970s, he led the supergroup Go with Steve Winwood, Al Di Meola, Klaus Schulze, and Michael Shrieve. Biography Yamash'ta was born in Kyoto, Japan on 15 March 1947. He entered to study at the Kyoto Academy of Music in 1960. His father was the director of the Kyoto Philharmonic, and he became a percussionist in the orchestra when he was 13. He studied music at Kyoto University, Juilliard School of Music, and Berklee College of Music, and has also lectured in music. His innovation and acrobatic drumming style earned him many accolades. In the 1960s he performed with Thor Johnson, Toru Takemitsu, and Hans Werner Henze amongst others. He changed his name from Tsutomu Yamashita to the phonetic Stomu Yamash'ta a ...
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Todd Cochran
Todd Cochran (born September 3, 1951) is an American pianist, composer, keyboardist, essayist and conceptual artist. Early in his career he was also professionally known as Bayeté. Cochran started his career as a teenager with saxophonist John Handy. Two years later he joined vibraphonist Bobby Hutcherson’s Quartet, and made his jazz recording debut composing and performing on a benchmark album for Hutcherson, "Head On" (on Blue Note Records) that featured a nineteen-piece ensemble. The recording was critically hailed as cross-pollinating the evolving contemporary modal jazz, avant-garde sound of the 1970s. Cochran’s first solo project "Worlds Around the Sun" became a #1 jazz album and marked his entree into the jazz discussion. From the mid 1970s forward Todd has experimented with and incorporated synthesizers, electronic and mixed-media concepts in his creative projects while collaborating with a wide range of artists in the genres of jazz, art rock, pop, R&B, and twenty-fir ...
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Pat Thrall
Patrick Thrall is an American rock guitarist. Thrall began his recording career in 1972. He played guitar, vocals, and percussion with the group Cookin' Mama, which had his brother, Preston Thrall, on percussion. They released the album ''New Day'' in 1972. Thrall was born and raised in Alameda, California. Starting as a drummer at 11, then moving to guitar at 13, by age 15 he joined the Alameda band "Cookin’ Mama". The band had some success in the San Francisco Bay Area and released the album "New Day" in 1972. At age 18 Thrall was involved in the first ever instructional book for rock guitar titled "Improvising Rock Guitar Vol 1". Career Thrall has worked with former Deep Purple bassist Glenn Hughes on the Hughes/Thrall project, and was a member of the Pat Travers Band during the peak of their success. He co-wrote one of Pat Travers' biggest hits, a hard-driving tune titled " Snortin' Whiskey", which became one of the most requested songs on American radio in 1980. Thrall l ...
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Lotus (Santana Album)
' is a 1974 live album by the Latin rock band Santana, recorded at the Osaka Kōsei Nenkin Kaikan, Osaka, Japan in July 1973, during their Caravanserai Tour. The Welcome album recording sessions were completed shortly before this concert, and that album was later released in November. Lotus was originally released in 1974 as a triple vinyl LP in Japan only. This version of the album was later released internationally. In 2017 a limited edition version was released as "Lotus: Complete Edition". This release is a 3 disc set hybrid Super Audio CD with seven previously unreleased bonus tracks. This was also a Japan only release. Original release The 1973 live recordings were mixed in 4-channel quadraphonic sound and released in the CBS Stereo Quadraphonic (SQ) matrix system. The SQ encoding makes it possible to format all 4 channels into a 2 channel stereo version, which is compatible with conventional stereo playback equipment. Some releases of this mix have been marked as "Quadr ...
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Borboletta
''Borboletta'' is the sixth studio album by the American Latin rock band Santana. It is one of their jazz-funk-fusion oriented albums, along with '' Caravanserai'' (1972), and ''Welcome'' (1973). Non-band albums by Carlos Santana in this style also include ''Love Devotion Surrender'' (1973) with John McLaughlin and ''Illuminations'' (1974) with Alice Coltrane, Jack DeJohnette and Jules Broussard. The guitarist leaves much room to percussion, saxophone and keyboards to set moods ("Spring Manifestations"), as well as lengthy solos by himself ("Promise of a Fisherman") and vocals ("Give and Take", a funky guitar-led song). The record was released in a metallic blue sleeve displaying a butterfly, an allusion to the album ''Butterfly Dreams'' (1973) by Brazilian musician Flora Purim and her husband Airto Moreira, whose contributions deeply influenced the sound of ''Borboletta''. In Portuguese, ''borboleta'' means "butterfly". Original bassist David Brown returned to replace Doug R ...
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Welcome (Santana Album)
''Welcome'' is the fifth studio album by Santana, released in 1973. It followed the jazz-fusion formula that the preceding ''Caravanserai'' had inaugurated, but with an expanded and different lineup this time. Gregg Rolie had left the band along with Neal Schon to form Journey, and they were replaced by Tom Coster, Richard Kermode and Leon Thomas, along with guest John McLaughlin, who had collaborated with Carlos Santana on ''Love Devotion Surrender''. ''Welcome'' also featured John Coltrane's widow, Alice, as a pianist on the album's opening track, "Going Home" and Flora Purim (the wife of Airto Moreira) on vocals. This album was far more experimental than the first four albums, and ''Welcome'' did not produce any hit singles. In 2003, the album was re-released with a bonus track, "Mantra", described by AllMusic reviewer Thom Jurek as "a killer improv tune with a ferocious bass solo by Rauch and insane drumming by Shrieve." Reception Writing for ''Rolling Stone'', Robert Pa ...
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Caravanserai (album)
''Caravanserai'' is the fourth studio album by American rock band Santana, released on October 11, 1972. The album marked a period of transition for Santana as it was the band's last to feature several key early members, while shifting in a more instrumental, progressive jazz fusion direction. It sold in fewer quantities than the band's previous chart-topping albums, stalling at No. 8 on the ''Billboard'' LPs chart, but has been critically acclaimed. Release and promotion The album was mixed and released in both stereo and quadraphonic. It was released on October 11, 1972. The album was supported with a tour, which spanned the Americas, Europe, Asia, and Oceania and lasted from September 1972 to December 1973. The shows on July 3 and 4, 1973 at the Osaka Kosei Nenkin Kaikan in Osaka, Japan, were released as the triple vinyl LP '' Lotus''. The inner cover carried a quote by Paramahansa Yogananda: In 2000 SME records in Japan, part of Sony Music, also released the remaster ...
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Santana III
''Santana'' is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as ''III'' or ''Santana III'' to distinguish it from the band's 1969 debut album. The album was also known as ''Man with an Outstretched Hand'', after its album cover image. It was the third and last album by the Woodstock-era lineup, until their reunion on ''Santana IV'' in 2016. It was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz fusion and Latin music. The album also marked the addition of 17-year-old guitarist Neal Schon to the group. Release and reception The original album was recorded at Columbia Studios, San Francisco, and released in both stereo and quadraphonic. The album featured two singles that charted in the United States. "Everybody's Everything" peaked at No. 12 in October 1971, while "No One to Depend On", an uncredited adaptation of Willi ...
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Abraxas (album)
''Abraxas'' is the second studio album by Latin rock band Santana. It was released on September 23, 1970 by Columbia Records and became the band's first album to reach number one in the United States. Title The title of the album originates from a line in Hermann Hesse's book ''Demian'', quoted on the album's back cover: "We stood before it and began to freeze inside from the exertion. We questioned the painting, berated it, made love to it, prayed to it: We called it mother, called it whore and slut, called it our beloved, called it Abraxas...." Songs Carlos Santana had been interested in Fleetwood Mac's leader and songwriter Peter Green, having seen him perform at the Fillmore West in San Francisco, and decided to cover the band's song "Black Magic Woman". Both were influenced as guitarists by B.B. King. The band added a cover of Gabor Szabo's instrumental "Gypsy Queen" to the end. "Oye Como Va" was a hit by Tito Puente in the early 1960s and the group played it live regula ...
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Santana (1969 Album)
''Santana'' is the debut studio album by American Latin rock band Santana. It was released on August 22, 1969. Over half of the album's length is composed of instrumental music, recorded by what was originally a purely free-form jam band. At the suggestion of manager Bill Graham, the band took to writing more conventional songs for more impact, but managed to retain the essence of improvisation in the music. The album was destined to be a major release, given a boost by the band's performance at the Woodstock Festival earlier that August. The album's first single, " Jingo", was only a modest performer, spending eight weeks on the chart and reaching #56; however, "Evil Ways", the second single taken from the album, was a U.S. Top 10 hit, reaching #9 and spending thirteen weeks on the chart. The album spent more than two years (108 weeks) on the ''Billboard'' 200 pop album chart and peaked at #4 in November 1969. It also reached #26 on the UK Albums Chart. It has been mixed and r ...
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