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Michele Ciampanti
Michele Ciampanti (active 1463-1510) was an Italian painter active mainly in Lucca. This painter has been identified as matching Berenson's putative ''Master of Stratonice'', and is also called ''Michele di Michele Ciampanti''. Biography Biographical details about the painter were collected in the twentieth century. He seems to have either traveled to Siena or formed contacts with the work of other contemporary Tuscan painters, such as the Florentines, Filippino Lippi and Sandro Botticelli as well as the Sienese, Matteo di Giovanni and Francesco di Giorgio, although it is unclear who influenced who. The cassetoni depicting the scene of ''Stratonice and (the son of) Antiochus'' (c. 1470), now at the Huntington Library in California. In addition, works at the Metropolitan Museum of Art in New York, including the ''Cassoni of the Two Triumphs'' have been attributed to him. An Adoration of the Shepherds at the Galleria Cini in Venice is also attributed to this painter. A short bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Berenson
Bernard Berenson (June 26, 1865 – October 6, 1959) was an American art historian specializing in the Renaissance. His book ''The Drawings of the Florentine Painters'' was an international success. His wife Mary is thought to have had a large hand in some of the writings. Berenson was a major figure in the attribution of Old Masters, at a time when these were attracting new interest by American collectors, and his judgments were widely respected in the art world. Personal life Berenson was born Bernhard Valvrojenski in Butrimonys, Vilnius Governorate (now in Alytus district of Lithuania) to a Litvak family – father Albert Valvrojenski, mother Judith Mickleshanski, and younger siblings including Senda Berenson Abbott. His father, Albert, grew up following an educational track of classical Jewish learning and contemplated becoming a rabbi. However, he became a practitioner of Haskalah, a European movement which advocated more integration of Jews into secular society. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Civitali
Matteo Civitali (1436–1501) was an Italian Renaissance sculptor and architect, painterThe only known painting attributed to Matteo, a triptych of the ''Virgin and Child with Saints Michael Archangel, John the Baptist, Biagio and Peter'', executed in 1467–69, was loaned to the 2004 exhibition. and engineer from Lucca. He was a leading artistic personality of the Early Renaissance in Lucca, where he was born and where most of his work remains. Biography He was trained in Florence, where Antonio Rossellino and Mino da Fiesole influenced his mature style. He is known to have sculpted statues of Adam, Eve, Abraham, Saints Zacchariah and Elizabeth, and others for the chapel of San Giovanni Battista in Genoa Cathedral.R. Soprani and CG. Ratti. He is mentioned with the name of ''Matteo Civitali'' by Vasari in his biography of Jacopo della Quercia, and appears to have taken up the art of sculpture at the age of 40 years, after years of practicing as a "barber" (surgeon). While consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Lucca
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quattrocento Painters
The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento (, , ) from the Italian word for the number 400, in turn from , which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic), the early Renaissance (beginning around 1425), and the start of the High Renaissance, generally asserted to begin between 1495 and 1500. Historical context After the decline of the Western Roman Empire in 476, economic disorder and disruption of trade spread across Europe. This was the beginning of the Early Middle Ages, which lasted roughly until the 11th century, when trade increased, population began to expand and the people regained their authority. In the late Middle Ages, the political structure of the European continent slowly coalesced from small, turbulent fiefdoms into larger, more stable nation states ruled by monarchies. In Italy, urban ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Tuscany
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1510s Deaths
Year 151 (CLI) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Condianus and Valerius (or, less frequently, year 904 ''Ab urbe condita''). The denomination 151 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Asia * Mytilene and Smyrna are destroyed by an earthquake. * First year of Yuanjia of the Chinese Han Dynasty. By topic Art * Detail from a rubbing of a stone relief in Wu family shrine (Wuliangci), Jiaxiang, Shandong, is made (Han dynasty). Births * Annia Galeria Aurelia Faustina, daughter of Marcus Aurelius * Zhong Yao, Chinese official and calligrapher (d. 230) Deaths * Kanishka, Indian ruler of the Kushan Empire * Novatus Saint Novatus (died c. 151) is an early Christian saint. His feast day is 20 June. Novatus and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1470s Births
147 may refer to: * 147 (number), a natural number * AD 147, a year of the Julian calendar, in the second century * 147 BC, a year of the pre-Julian Roman calendar * 147 AH, a year in the Islamic calendar that corresponds to 764 – 765 CE In the military * BQM-147 Dragon unmanned aerial vehicle, a tactical battlefield UAV operated by the US Marine Corps * Ryan Model 147 Lightning Bug was a drone, or unmanned aerial vehicle during the 1960s * was a United States Navy Admirable-class minesweeper during World War II * was a United States Navy Edsall-class destroyer escort during World War II * was a United States Navy Haskell-class attack transport during World War II * was a United States Navy ''General G. O. Squier''-class transport ship during World War II * was a United States Navy Wickes-class destroyer during World War II * was a United States Navy ''Neosho''-class fleet oiler of the United States Navy during the Six-Day War Science and medicine * 147 Protogeneia, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietrasanta Cathedral
The Collegiate Church of San Martino ( it, Collegiata di San Martino; ''Duomo di Pietrasanta'') is a collegiate church in Pietrasanta, in the region of Tuscany, Italy. It is the main church or ''duomo'' of the town. It is first mentioned in 1223, and was subsequently enlarged in 1330 and in 1387 when Pope Urban VI had a baptismal font installed in the church. . Exterior The façade is covered with white marble. Over the three portals are lunettes with scenes of the Life of Christ. On the right transept is another portal with ''St. John the Baptist'', a 14th-century work by Bonuccio Pardini. The coat of arms on the main façade is a memory of the Republic of Genoa, Genoese and Republic of Florence, Florentine dominations, but there is also one of Pope Leo X. The marble rose window is attributed to Riccoman ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptistry Of Lucca
In Christian architecture the baptistery or baptistry (Old French ''baptisterie''; Latin ''baptisterium''; Greek , 'bathing-place, baptistery', from , baptízein, 'to baptize') is the separate centrally planned structure surrounding the baptismal font. The baptistery may be incorporated within the body of a church or cathedral, and provided with an altar as a chapel. In the early Church, the catechumens were instructed and the sacrament of baptism was administered in the baptistery. Design The sacramental importance and sometimes architectural splendour of the baptistery reflect the historical importance of baptism to Christians. The octagonal plan of the Lateran Baptistery, the first structure expressly built as a baptistery, provided a widely followed model. The baptistery might be twelve-sided, or even circular as at Pisa. In a narthex or anteroom, the catechumens were instructed and made their confession of faith before baptism. The main interior space centered upon the bap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Frediano
Vincenzo di Antonio Frediani ( fl. 1481 - 1504) was an Italian Renaissance painter. Life and work He belonged to a modest family from the city of Lucca and, according to local documents, was there between 1481 and 1505. He was associated with the Franciscan Order and, from 1498, held various positions at the Church of Santa Maria Corteorlandini. After 1500, until his death, he was Prior of the "Compagnia dei Disciplinati del Crocifisso".Rebecchini, GuidoBiography in the ''Dizionario biográfico deglii italiani'', vol. 50 (1998) @ Treccani. He was directly influenced by Domenico Ghirlandaio and Filippino Lippi, who worked in Lucca during the early part of the 1490s, and indirectly by Sandro Botticelli, making him the first fully Renaissance painter in that area. His composition, in particular, owes much to Lippi. He also incorporated some Flemish Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Di Biagio
Baldassarre di Biagio, also called Baldassarre di Biagio del Firenze or the ''Master of the Benabbio Triptych'', (1430/1434–1484) was an Italian painter of the high Renaissance period. For many years, he was an unidentified artist known only for his triptych in the Santa Maria Assunta in Benabbio, Italy. In 1978, Massimo Ferretti defined the works and career of the artist, including an altarpiece he collaborated with Matteo Civitali for the Church of San Michele di Antraccoli. Biography Not much is known about Di Biagio's life except through his works. He was born in Florence, and his style puts him in the Florentine School, but he was active mainly in Lucca. He primarily painted sacred subjects for local church commissions. He died in 1484. One of his works, ''Madonna and Child'', is part of the Abbotsford House collection. He is also assigned frescoes found in the church of San Francesco in Lucca, depicting ''Scenes from the Life of Mary''. The style appears influenced b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
