Michele Benedetti (bass)
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Michele Benedetti (bass)
Michele Benedetti (17 October 1778 – after 1828 ) was an Italian bass particularly associated with Rossini roles. Career Benedetti was born in Loreto. He sang in the world première of Giuseppe Farinelli's '' Calliroe'' in 1808 and at the Italian première of Spontini's La vestale in 1811, both in Naples, where his career was based. He created several Rossini roles in Naples, notably: Elmiro in ''Otello'', Idraote in ''Armida'', the title role in ''Mosè in Egitto'', Ircano in ''Ricciardo e Zoraide'', Fenicio in ''Ermione'', Douglas in ''La donna del lago'', Leucippo in ''Zelmira''. For Donizetti, he created the roles of Atkins in ''Alfredo il grande'' (1823) and the King in ''Gianni di Calais'' (1828), and for Bellini in 1826 the role of Clemente in '' Bianca e Gernando''. He also sang in Paris and London, and appeared in premières of operas by Mayr, Pacini, and Mercadante. Stendhal Marie-Henri Beyle (; 23 January 1783 – 23 March 1842), better known by his ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Alfredo Il Grande
''Alfredo il grande'' (''Alfred the Great'') is a ''melodramma'' serio or serious opera in two acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto, which may have been derived from Johann Simon Mayr's 1818 opera of the same name. The opera tells the story of the Anglo-Saxon king Alfred the Great. This opera, with its "highly Rossini-influenced score"Osborne 1994, p. 153 was Donizetti's first exploration into British history, but it turned out to be a spectacular failure. It received its premiere on 2 July 1823 at the Teatro San Carlo in Naples, and this also became its last performance. Roles Synopsis :Time: The ninth century :Place: Isle of Athelny in Somerset Recordings *Opera Rara, 2004. ''The Young Donizetti'' disc contains the cavatina ''Non é di morte il fulmine'' sung by Bruce Ford. London Philharmonia Orchestra, conductor: David Parry. ORR 229. *Opera Rara, 1998. ''Della Jones Sings Donizetti'' contains ''Che potrei dirti, o caro?'' sung b ...
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Operatic Basses
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Italian Opera Singers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Culture of Italy, Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also

* * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) {{Disambiguation Language and nationality disambiguation pages ...
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1778 Births
Events January–March * January 18 – Third voyage of James Cook: Captain James Cook, with ships HMS ''Resolution'' and HMS ''Discovery'', first views Oahu then Kauai in the Hawaiian Islands of the Pacific Ocean, which he names the ''Sandwich Islands''. * February 5 – **South Carolina becomes the first state to ratify the Articles of Confederation. ** **General John Cadwalader shoots and seriously wounds Major General Thomas Conway in a duel after a dispute between the two officers over Conway's continued criticism of General George Washington's leadership of the Continental Army.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p166 * February 6 – American Revolutionary War – In Paris, the Treaty of Alliance and the Treaty of Amity and Commerce are signed by the United States and France, signaling official French recognition of the new rep ...
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New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Elizabeth Forbes (musicologist)
Elizabeth Forbes (3 August 1924 – 22 October 2014) was an English author, music critic, and musicologist who specialised in writing about opera. Her main areas of interest were 19th- and 20th-century opera (French and Scandinavian in particular) and singers, both historical and present-day. She contributed many reviews and articles to several notable periodicals and newspapers internationally including the ''Financial Times'' (which she joined in the early 1970s, working with Andrew Porter and then Ronald Crichton), ''The Independent'', ''The Musical Times'', ''Opera'', ''Opera Canada'' and ''Opera News'' among several others. Born in Camberley, she was the author of numerous books on various subjects related to opera, including her 1985 work, ''Mario and Grisi'', which details the lives of opera singers Giulia Grisi and Giovanni Matteo Mario. She wrote a significant number of singing translations of many operas, from French, German and Swedish, including works by Gaspare Spontin ...
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Stendhal
Marie-Henri Beyle (; 23 January 1783 – 23 March 1842), better known by his pen name Stendhal (, ; ), was a 19th-century French writer. Best known for the novels ''Le Rouge et le Noir'' (''The Red and the Black'', 1830) and ''La Chartreuse de Parme'' (''The Charterhouse of Parma'', 1839), he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist, he coined the same characteristic in his characters' "Beylism". Life Born in Grenoble, Isère, he was an unhappy child, disliking his "unimaginative" father and mourning his mother, whom he passionately loved, and who died when he was seven. His closest friend was his younger sister, Pauline, with whom he maintained a steady correspondence throughout the first decade of the 19th century. His family was part of the bourgeois class and was attached to the Ancien Regime, explaining his ambiguous view toward Napoleon, the Bour ...
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Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante (baptised 17 September 179517 December 1870) was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as prolific a number of works as either; and his development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which Giuseppe Verdi built his dramatic technique. Biography Early years Mercadante was born illegitimate in Altamura, near Bari in Apulia; his precise date of birth has not been recorded, but he was baptised on 17 September 1795. Mercadante studied flute, violin and composition at the conservatory in Naples, and organized concerts among his compatriots.Michael Rose, "Mercadante: Flute Concertos", booklet accompanying the 2004 RCA CD recording with James Galway and I Solisti Veneti under Claudio Scimone. The opera composer Gioachino Rossini sa ...
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Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly becam ...
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Johann Simon Mayr
Johann(es) Simon Mayr (also spelled Majer, Mayer, Maier), also known in Italian as Giovanni Simone Mayr or Simone Mayr (14 June 1763 – 2 December 1845), was a German composer. His music reflects the transition from the Classical to the Romantic musical era. He was an early inspiration to Rossini and taught and advocated for Donizetti. Life He was born in Mendorf near Altmannstein, Landkreis Eichstätt, Bavaria, and studied theology at the University of Ingolstadt, continuing his studies in Italy from 1787. He was closely associated with the Illuminati of Adam Weishaupt while a student in Ingolstadt, and the ideals of the French Enlightenment were a strong influence on his philosophy as a musician as corroborated by his famed ''Zibaldone'' or "Notebooks" compiled toward the end of his career. Shortly thereafter, he took music lessons with Carlo Lenzi, and later with Ferdinando Bertoni. He moved to Bergamo in 1802 and was appointed ''maestro di cappella'' at the Cath ...
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Bianca E Gernando
''Bianca e Fernando'' (''Bianca and Fernando'') is an opera in two acts by Vincenzo Bellini. The original version of this opera was presented as ''Bianca e Gernando'' and was set to a libretto by Domenico Gilardoni, based on ''Bianca e Fernando alla tomba di Carlo IV, duca di Agrigento'' (''Bianca and Ferdinand at the Tomb of Charles IV, Duke of Agrigento''), a play by Carlo Roti which is set in Sicily. In 1826, use of the name ''Fernando'' in the title was forbidden because Ferdinando was the name of the heir to the throne, and no form of it could be used on a royal stage. The 1826 work—Bellini's first professionally staged opera—had its first performance at the Teatro di San Carlo in Naples on 30 May 1826.Weinstock 1971, pp. 30—34 Its success resulted in the offer to the young composer from Domenico Barbaia, the intendente at the San Carlo and also part of the management of La Scala opera house in Milan, of a commission to write a new opera for La Scala. The revival of ' ...
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