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Metal Machine Music
''Metal Machine Music'' (subtitled ''*The Amine β Ring'') is the fifth studio album by American rock musician Lou Reed. It was recorded on a three-speed Uher machine and was mastered/engineered by Bob Ludwig. It was released as a double album in July 1975 by RCA Records, but taken off the market three weeks later. A radical departure from the rest of his catalog, the ''Metal Machine Music'' album features no songs or recognizably structured compositions, eschewing melody and rhythm for modulated feedback and noise music guitar effects, mixed at varying speeds by Reed. Also in 1975, RCA released a Quadrophonic version of the ''Metal Machine Music'' recording that was produced by playing it back both forward and backward, and by flipping the tape over. The album cost Reed's reputation in the music industry while simultaneously opening the door for some of his later, more experimental material and has generally been panned by critics since its release. In 2008, Reed, Ulric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Reed
Lewis Allan Reed (March 2, 1942October 27, 2013) was an American musician, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. Having played guitar and sung in doo-wop groups in high school, Reed studied poetry at Syracuse University under Delmore Schwartz, and had served as a radio DJ, hosting a late-night avant garde music program while at college. After graduating from Syracuse, he went to work for Pickwick Records in New York City, a low-budget record company that specialized in sound-alike recordings, as a songwriter and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrophonic
Quadraphonic (or quadrophonic and sometimes quadrasonic) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for the reproduction of sound signals that are (wholly or in part) independent of one another. Four channel quadraphonic surround sound can be used to recreate the highly realistic effect of a three-dimensional live concert hall experience in the home. It can also be used to enhance the listener experience beyond the directional limitations of ordinary two channel stereo sound. Quadraphonic audio was the earliest consumer product in surround sound. Since it was introduced to the public in the early 1970s many thousands of quadraphonic recordings have been made. Quadraphonic sound was a commercial failure when first introduced due to a variety of technical issues and format incompatibilities. Four channel audio formats can be more expensive to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angus MacLise
Angus William MacLise (March 14, 1938 – June 21, 1979) was an American percussionist, composer, poet, occultist and calligrapher, known as the first drummer for the Velvet Underground who abruptly quit due to disagreements with the band playing their first paid show. Biography Early years Angus William MacLise was born on March 14, 1938 in Bridgeport, Connecticut, the son of a book dealer. Despite some formal training as a percussionist, his playing style became so idiosyncratic that many assumed he was self-taught. The Velvet Underground MacLise was a member of La Monte Young's Theatre of Eternal Music, with John Cale, Tony Conrad, Marian Zazeela and sometimes Terry Riley. He contributed to the early Fluxus newspaper VTre, edited by George Brecht, and was also an early member of the Velvet Underground, having been brought into the group by flatmate John Cale when they were living at 56 Ludlow Street in Manhattan. Lou Reed recruited his friend Sterling Morrison, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Conrad
Anthony Schmalz Conrad (March 7, 1940 – April 9, 2016) was an American video artist, experimental filmmaker, musician, composer, sound artist, teacher, and writer. Active in a variety of media since the early 1960s, he was a pioneer of both drone music and structural film. As a musician, he was an important figure in the New York minimalist scene of the early 1960s, during which time he performed as part of the Theatre of Eternal Music (along with John Cale, La Monte Young, Marian Zazeela, and others). He became recognized as a filmmaker for his 1966 film '' The Flicker''. He performed and collaborated with a wide range of artists over the course of his career. Biography Early life Conrad was born in Concord, New Hampshire to Mary Elizabeth Parfitt and Arthur Emil Conrad but raised in Baldwin, Maryland and Northern Virginia. His father worked with Everett Warner during World War II in designing dazzle camouflage for the US Navy. Conrad's high school violin lessons wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cale
John Davies Cale (born 9 March 1942) is a Welsh musician, composer, singer, songwriter and record producer who was a founding member of the American rock band the Velvet Underground. Over his six-decade career, Cale has worked in various styles across rock, drone, classical, avant-garde and electronic music. He studied music at Goldsmiths College, University of London, before relocating in 1963 to New York City's downtown music scene, where he performed as part of the Theatre of Eternal Music and formed the Velvet Underground. Since leaving the band in 1968, Cale has released sixteen solo studio albums, including the widely acclaimed '' Paris 1919'' (1973) and ''Music for a New Society'' (1982). Cale has also acquired a reputation as an adventurous record producer, working on the debut albums of several innovative artists, including the Stooges and Patti Smith. Early life and career John Davies Cale was born on 9 March 1942 in the mining village of Garnant in the valley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Eternal Music
The Theatre of Eternal Music (later sometimes called The Dream Syndicate) was an avant-garde musical group formed by La Monte Young in New York City in 1962. The core of the group consisted of Young (voice, saxophone), Tony Conrad (violin), Marian Zazeela (voice, lighting), and John Cale (viola), with additional participants including Angus MacLise, Terry Riley, Billy Name, Terry Jennings, Jon Hassell, Alex Dea, and Jon Gibson. The group's self-described "dream music" explored drones and pure harmonic intervals, employing sustained tones and electric amplification in lengthy, all-night performances. Archival recordings of the group's influential 1960s performances remain in the possession of Young, but none have ever seen official release. A dispute over compositional credit between Young and other members (namely Conrad and Cale) resulted in Young's refusal to release any of the material. Nonetheless, a bootleg recording of a 1965 performance was controversially re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monte Young
La Monte Thornton Young (born October 14, 1935) is an American composer, musician, and performance artist recognized as one of the first American minimalist composers and a central figure in Fluxus and post-war avant-garde music. He is best known for his exploration of sustained tones, beginning with his 1958 composition ''Trio for Strings.'' His compositions have called into question the nature and definition of music, most prominently in the text scores of his '' Compositions 1960''. While few of his recordings remain in print, his work has inspired prominent musicians across various genres, including avant-garde, rock, and ambient music. Young played jazz saxophone and studied composition in California during the 1950s, and subsequently moved to New York in 1960, where he was a central figure in the downtown music and Fluxus art scenes.Jeremy Grimshaw, ''Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young''. Oxford University Press, 2012 He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Overview Music which contains drones and is rhythmically still or very slow, called "drone music",For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 1959, p255 "Remarks such as those on drone effects produced by double pipes with an unequal number of holes provoke thoughts about the mystery of drone music in antiquity and about primitive polyphony.") or ( Barry S. Brook & al., ''Perspectives in Musicology'', W. W. Norton, 1972, , p85 "My third example of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metal Machine Trio
Metal Machine Trio was a group founded in 2008 by Lou Reed, Ulrich Krieger and Sarth Calhoun. The group played free improvised music, touching on various genres from free rock, free jazz, minimal music, noise music, electronica, to ambient music. The group rehearsed to test ideas, but all performances were improvised. History The name of the group refers to Reed’s 1975 noise album ''Metal Machine Music'', which was considered one of the most provocative albums ever. The soundscapes of this dense, abstract, controversial album serve as a reference point for Metal Machine Trio’s improvisations. The noisy, abstract music of the trio counteracts the expectations of Reed's regular audience for song-based rock music. The official flyer for the New York Blender Theatre stated: “No songs. No vocals.” MM3’s music has an eclectic approach to improvisation including ambient drones, electronic sounds, noise music, aggressive free playing, heavy distortion on guitar and saxophon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, Iskra 1903, The Art Ensemble of Chicago and AMM. Characteristics In an atonal context, free improvisation refers to where the focus shifts from harmony to other dimensions of music: timbre, melodic intervals, rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarth Calhoun
Sarth Calhoun is an American musician from Brooklyn, New York. Biography Sarth Calhoun grew up in Brooklyn, New York. He began playing music and writing lyrics at age six. In his teens, he stopped buying comic books to save up for his first bass guitar. His music career started with various rock bands around New York City, during which time he developed a love of computers and the Internet, and formed electronica-improv group, Gebbeth. In 1999 he, Leah Coloff (vocals/lyrics/cello), Tony Diodore (violin, guitar), and Marcus Righter (drums) formed Number19, a rock band that developed experimental sounds within alternative and indie rock settings. The music orients around cello and violin swooping over grooving bass and drums. The band performed online as well as in person, and funded its first album, ''Suspension'', from mp3.com downloads. The band is on an indefinite hiatus. In 2005 Sarth founded the rock/electronic group Lucibel Crater, and experimented more with electronic m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulrich Krieger
Ulrich Krieger (born 1962 in Freiburg) is a German contemporary composer, performer, improviser and experimental rock musician based in Los Angeles. Krieger's artistic work spans a broad field from contemporary classical composition and free improvisation to experimental fusion with electronic music, rock, metal and noise. His special interest lies in the exploration of the physical fringes between acoustic and electronic produced sounds. In his music and with his instrument, the saxophone, he developed an original style of playing he calls "acoustic electronics". Acoustic electronics is about using sounds that appear to be electronic but are actually produced on acoustic instruments. His probably best known experimental project with acoustic electronics is the transcription of Lou Reed's guitar feedback opus ''Metal Machine Music'', which he rearranged for chamber orchestra. In his works for saxophone Krieger uses extended instrumental techniques, microsounds, electronic manipula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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