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Messe Des Pauvres
The ''Messe des pauvres'' (''Mass for the Poor'') is a partial musical setting of the mass for mixed choir and organ by Erik Satie. Composed between 1893 and 1895, it is Satie's only liturgical work and the culmination of his "Rosicrucian" or "mystic" period. It was published posthumously in 1929. A performance lasts around 18 minutes. History In the early 1890s, Satie's fascination with medieval Catholicism, Gothic art and Gregorian chant led him to explore religious influences in his life and music. At first he was drawn to Joséphin Péladan's Rose + Croix movement, for which he acted as official composer from 1891 to 1892, and after breaking with Péladan he associated with the occultist writer Jules Bois, publisher of the religious esoteric journal ''Le coeur''. At the same time he was immersed in a bohemian lifestyle as a pianist at Montmartre cabarets, where his already eccentric behavior took on a growing penchant for buffoonery and exhibitionism. This paradox came to a he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey
An abbey is a type of monastery used by members of a religious order under the governance of an abbot or abbess. Abbeys provide a complex of buildings and land for religious activities, work, and housing of Christian monks and nuns. The concept of the abbey has developed over many centuries from the early monastic ways of religious men and women where they would live isolated from the lay community about them. Religious life in an abbey may be monastic. An abbey may be the home of an enclosed religious order or may be open to visitors. The layout of the church and associated buildings of an abbey often follows a set plan determined by the founding religious order. Abbeys are often self-sufficient while using any abundance of produce or skill to provide care to the poor and needy, refuge to the persecuted, or education to the young. Some abbeys offer accommodation to people who are seeking spiritual retreat. There are many famous abbeys across the Mediterranean Basin and Europe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul De Maleingreau
Paul Constant Eugène de Maleingreau (23 November 1887 - 9 January 1956) was a Belgian composer and organist. Biography Paul Constant Eugène Malengreau was born in Trélon, Nord, France. He later changed his surname to "de Maleingreau". From 1905 to 1912 he studied at the Brussels Conservatory where his principal teachers were Alfons Desmet, Paul Gilson and Edgar Tinel. He began teaching at the Conservatory in 1913 and was professor of organ (succeeding Desmet) from 1929 until 1953. His pupils included Pierre Froidebise, Charles Koenig, Robert Kohnen, Marcel Druart, Paul Sprimont and Herman Roelstraete. In 1921 and 1922 he was the first to play Bach’s complete organ works in Brussels. Gregorian plainsong forms the basis of most of Malengreau’s compositions, and indeed part of his output is intended for the liturgy. He also wrote programme music, his organ symphonies being inspired by paintings by Rogier van der Weyden and the van Eyck brothers. While the chromaticism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darius Milhaud
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical Migr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnossiennes
The ''Gnossiennes'' () are several piano compositions by the French composer Erik Satie in the late 19th century. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. The form as well as the term was invented by Satie. Etymology Satie's coining of the word ''gnossienne'' was one of the rare occasions when a composer used a new term to indicate a new "type" of composition. Satie used many novel names for his compositions (''vexations'', '' croquis et agaceries'' and so on). ''Ogive'', for example, is the name of an architectural element which was used by Satie as the name for a composition, the ''Ogives''. ''Gnossienne'', however, was a word that did not exist before Satie used it as a title for a composition. The word appears to derive from ''gnosis''. Satie was involved in gnostic sects and movements at the time that he began to compose the ''Gnossiennes''. However, some published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pièces Froides
The ''Pièces froides'' (''Cold Pieces'') are two sets of piano pieces composed in March 1897 by Erik Satie. Unpublished until 1912, they marked Satie's break from the mystical-religious music of his "Rosicrucianism, Rosicrucian" period (1891–95), and were a harbinger of his humoristic piano suites of the 1910s. Biographer Rollo H. Myers placed the ''Pièces froides'' high among Satie's piano works, writing, "Only a born musician of the finest sensibility could have conceived these limpid and so essentially 'musical' pieces which ought to be in the repertory of every pianist who is more interested in music than virtuosity." A third set of ''Pièces froides'', written in 1907 but shelved by the composer, was published posthumously. Background The title ''Pièces froides''—which can also be translated as ''Cold Rooms'' or ''Cold Cuts'' —has been viewed as a punning allusion to the dire poverty Satie experienced during his last years living in Montmartre. In July 1896, he ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyrie
Kyrie, a transliteration of Greek , vocative case of (''Kyrios''), is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison ( ; ). In the Bible The prayer, "Kyrie, eleison," "Lord, have mercy" derives from a Biblical phrase. Greek "have mercy on me, Lord" is the Septuagint translation of the phrase found often in Psalms ( 6:2, 9:13, 31:9, 86:3, 123:3) In the New Testament, the Greek phrase occurs three times in Matthew: * Matthew 15:22: the Canaanite woman cries out to Jesus, "Have mercy on me, O Lord, Son of David." () *Matthew 17:15: "Lord, have mercy on my son" () *Matthew 20:30f, two unnamed blind men call out to Jesus, "Lord, have mercy on us, Son of David." () In the Parable of the Publican and the Pharisee (Luke 18:9-14) the despised tax collector who cries out "Lord have mercy on me, a sinner" is contrasted with the smug Pharisee who believes he has no need for forgiveness. Luke 17:13 has ''epistates'' "master" instead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
6 Rue Cortot
6 (six) is the natural number following 5 and preceding 7. It is a composite number and the smallest perfect number. In mathematics Six is the smallest positive integer which is neither a square number nor a prime number; it is the second smallest composite number, behind 4; its proper divisors are , and . Since 6 equals the sum of its proper divisors, it is a perfect number; 6 is the smallest of the perfect numbers. It is also the smallest Granville number, or \mathcal-perfect number. As a perfect number: *6 is related to the Mersenne prime 3, since . (The next perfect number is 28.) *6 is the only even perfect number that is not the sum of successive odd cubes. *6 is the root of the 6-aliquot tree, and is itself the aliquot sum of only one other number; the square number, . Six is the only number that is both the sum and the product of three consecutive positive numbers. Unrelated to 6's being a perfect number, a Golomb ruler of length 6 is a "perfect ruler". Six is a con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novena
A novena (from Latin: ''novem'', "nine") is an ancient tradition of devotional praying in Christianity, consisting of private or public prayers repeated for nine successive days or weeks. The nine days between the Feast of the Ascension and Pentecost, when the disciples gathered in the upper room and devoted themselves to prayer, is often considered to be the first novena. In some Christian communities, such as in Africa, Latin America and the Philippines, novena traditions are popular and include devotional rituals such as congregational prayers, the decoration of statues, hymn singing with music, as well as community fiesta events over beverages, refreshments or processions. Novenas are most often prayed by members of the Roman Catholic Church, but also by Lutherans, Anglicans, and Eastern Orthodox Christians; they have been used in ecumenical Christian settings as well. The prayers are often derived from devotional prayer books, or consist of the recitation of the rosary (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danses Gothiques
The ''Danses gothiques'' (''Gothic Dances'') is an 1893 piano composition by Erik Satie, one of the works of his "Rosicrucian" or "mystic" period. It was published posthumously in 1929. A performance lasts around 12 minutes. Background The ''Danses gothiques'' was composed in the middle of Satie's six-month love affair (January to June, 1893) with the painter Suzanne Valadon, when he was torn between his religious preoccupations of the period and more earthly matters. It was the only intimate relationship he is known to have had, and he was clearly the more emotionally vulnerable of the two. The free-spirited Valadon, whom Satie affectionately called "Biqui", took a room near his at 6 Rue Cortot in Montmartre to facilitate the romance; and she painted a now-famous portrait of him, one of her earliest efforts in oils. But she rejected his proposal of marriage and continued to see other men. Chief among them was the stockbroker Paul Moussis, with whom she had an intermittent but l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzanne Valadon
Suzanne Valadon (23 September 18657 April 1938) was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo. Valadon spent nearly 40 years of her life as an artist. The subjects of her drawings and paintings, such as '' Joy of Life'' (1911), included mostly female nudes, portraits of women, still lifes, and landscapes. She never attended the academy and was never confined within a tradition. She was a model for many renowned artists. Among them, Valadon appeared in such paintings as '' Dance at Bougival'' (1883) and '' Dance in the City'' by Pierre-Auguste Renoir (1883), and ''Suzanne Valadon'' (1885) by Henri de Toulouse-Lautrec. Early life Valadon grew up in poverty with her mother, an unmarried laundress in Montmartre. She did not know her father. Known to be quite independent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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