Message In A Bottle (Taylor Swift Song)
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Message In A Bottle (Taylor Swift Song)
"Message in a Bottle" is a song recorded by American singer-songwriter Taylor Swift. Released by Republic Records, it is the twenty-fifth track on Swift's second re-recorded album, ''Red (Taylor's Version)'' (2021). The song was written by Swift, Max Martin, and Shellback, the latter of whom also produced the song with Elvira Anderfjärd. It impacted US pop and adult pop radio stations as a single in November 2021. "Message in a Bottle" is a 1980s-influenced dance-pop and electropop song with synthesizers and a pulsating bass. In reviews of ''Red (Taylor's Version)'', some critics praised the song's production and likened it to the sound of Swift's 2014 album, ''1989'', but a few others found the song underwhelming in comparison to other pop tracks on the album. The song reached the top 40 of charts in Australia and Canada. It peaked at number 45 on the ''Billboard'' Hot 100, and entered the top twenty of the Adult Top 40 and Mainstream Top 40 airplay charts. Background an ...
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Taylor Swift
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Her discography spans multiple genres, and her vivid songwriting—often inspired by her personal life—has received critical praise and wide media coverage. Born in West Reading, Pennsylvania, Swift moved to Nashville at age 14 to become a country artist. She signed a songwriting deal with Sony/ATV Music Publishing in 2004 and a recording contract with Big Machine Records in 2005. Her 2006 self-titled debut album made her the first female country singer to write or co-write a U.S. platinum-certified album entirely. Swift's next albums, '' Fearless'' (2008) and '' Speak Now'' (2010), explored country pop. The former's " Love Story" and "You Belong with Me" were the first country songs to top the U.S. pop and all-genre airplay charts, respectively. She experimented with rock and electronic styles on ''Red'' (2012), which featured her first ''Billboard'' Hot 100 number-one song, "We Are Neve ...
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1989 (Taylor Swift Album)
''1989'' is the fifth studio album by American singer-songwriter Taylor Swift. It was released on October 27, 2014, by Big Machine Records. After music critics questioned her status as a country musician following her pop and electronic-influenced fourth studio album ''Red'' (2012), Swift was inspired by 1980s synth-pop to recalibrate her artistry from country to pop music. On ''1989'', titled after her birth year to signify her symbolic artistic rebirth, Swift enlisted Max Martin as co-executive producer. The album's synth-pop sound is characterized by heavy synthesizers, programmed drums, and processed backing vocals. The songs, expanding on Swift's songwriting practice taking inspiration from her personal life, express lighthearted perspectives towards failed relationships, departing from her previous hostile attitude. Swift and Big Machine promoted the album extensively through product endorsements, television, radio appearances and social media. They pulled ''1989'' from ...
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Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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22 (Taylor Swift Song)
"22" is a song by American singer-songwriter Taylor Swift, taken from her fourth studio album, ''Red'' (2012). It was released as the album's fourth single on March 12, 2013, by Big Machine Records. Written and produced by Swift, Max Martin, and Shellback, "22" combines pop styles such as dance-pop and bubblegum with disco and 1990s rock. The track begins with an acoustic guitar riff and progresses into an upbeat refrain which incorporates pulsing synthesizers and syncopated bass drums. The lyrics celebrate being 22 years old while acknowledging the heartache that the narrator experienced in the past. Upon ''Red'''s release, critics complimented the production of "22" as catchy but some found the lyrics weak and the song repetitive. Retrospectively, some have considered it one of Swift's best pop songs. "22" peaked at number 20 on the US ''Billboard'' Hot 100 and was certified triple platinum by the Recording Industry Association of America (RIAA). It received platinum o ...
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I Knew You Were Trouble
"I Knew You Were Trouble" is a song by American singer-songwriter Taylor Swift, from her fourth studio album ''Red'' (2012). She wrote the song along with the track's producers, Max Martin and Shellback. A dance-pop, pop rock, and teen pop song with a dubstep refrain, "I Knew You Were Trouble" features electric guitars and synthesizers, with lyrics that talk about self-blame after a toxic relationship. The dubstep production divided music critics, who noted it as a radical move from Swift's previous country pop songs. Big Machine Records, in partnership with Republic Records, released "I Knew You Were Trouble" in the US as the album's second pop-radio single on November 27, 2012. The song peaked within the top five on record charts and received multi-platinum certifications in Australia, Canada, New Zealand, and the UK. In the US, the single peaked at number two on the ''Billboard'' Hot 100 and was certified seven times platinum. Its seven-week run at number one on the Mains ...
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We Are Never Ever Getting Back Together
"We Are Never Ever Getting Back Together" is a song by American singer-songwriter Taylor Swift, taken from her fourth studio album, ''Red'' (2012). It was released for digital download and to U.S. pop radio as the lead single from ''Red'' on August 13, 2012, by Big Machine Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat incorporation of many pop styles, "We Are Never Ever Getting Back Together" contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word bridge. Its lyrics express Swift's frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to U.S. country radio on August 21, 2012. Music critics praised the track for its catchy melody and radio-friendly sound, though some described its lyrics as subpar for Swift's songwriting abilities. The song appeared in year-end lists by ''Rolling Stone'', ''Time'', and ''The Village Voice''. "We Are Never Ever Getting Back Togeth ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Heavy (website)
Heavy is a news aggregation platform based in New York City. It operates through its flagship website, Heavy.com, and Spanish-language platform, AhoraMismo.com. The website specializes in "5 Fast Facts" posts, which aggregate facts about trending topics and people. History Heavy.com was founded by Simon Assaad and David Carson in 1999 as a video-focused entertainment site aimed primarily at young men, debuting audiovisual pop culture phenomena like the '' Kung Faux'' series. Assaad and Carson said they modeled the highly interactive site on video games. The website was rebooted in 2012 as a news site that reached more than 9 million readers a month as of January 2017. Assaad continues to serve as CEO, and Aaron Nobel is the editor in chief. Content Heavy.com aggregates news on trending topics. ''The Wall Street Journal''s editorial board cited ''Heavy.com'' in an August 2019 story on the mass shooter in Dayton, Ohio, as having "gained access to Connor Betts' Twitter accoun ...
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Red (Taylor Swift Album)
''Red'' is the fourth studio album by American singer-songwriter Taylor Swift. It was released on October 22, 2012, by Big Machine Records. The album's title refers to the tumultuous, "red" emotions Swift experienced during the album's conception; its songs discuss the complex and conflicting feelings resulting from fading romance. Hoping to experiment with new sounds beyond her previous albums' country pop style, Swift engaged new producers Dann Huff, Max Martin, Shellback, Jeff Bhasker, Dan Wilson, Jacknife Lee, Butch Walker, alongside her long-time collaborator Nathan Chapman. The record combines styles of pop, country, and rock, with eclectic elements including arena rock, Britrock, dance-pop, hip hop, and dubstep. Big Machine promoted ''Red'' as a country album but many critics disputed this categorization and deemed it a pop record. The album was supported with seven singles, including the US ''Billboard'' Hot 100 number-one lead single "We Are Never Ever Getting Ba ...
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