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Merlin (Albéniz)
''Merlin'' is the last of the operas of Isaac Albéniz. It is in three acts, set to a libretto written in English by Francis Money-Coutts, 5th Baron Latymer. The opera was written between 1897 and 1902, the first of a projected trilogy of Arthurian operas commissioned by the librettist. After completing ''Merlin'', Albéniz worked on the second part of the trilogy, ''Lancelot'', in 1902–03, but broke off work and did not complete it before his death in 1909. He did not even begin the final part, ''Guinevere''. Background Albéniz is best known for his piano works, and especially for the collection ''Iberia'', 12 piano "impressions" published in four books of three pieces each (1906, 1907, 1907, and 1908), which incorporate Spanish folk idioms into highly virtuosic piano playing with a turn in the last two books to the influence of the pianist . At the start of the 20th century, he tried very hard to establish himself as an opera composer. Living in London, he composed three op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaac Albéniz
Isaac Manuel Francisco Albéniz y Pascual (; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98. Transcriptions of many of his pieces, such as ''Asturias (Leyenda)'', ''Granada'', ''Sevilla'', '' Cadiz'', '' Córdoba'', '' Cataluña'', ''Mallorca'', and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. The personal papers of Albéniz are preserved in, among other institutions, the Library of Catalonia. Life Born in Camprodon, province of Girona, to Ángel Albéniz (a customs official) and his wife, Maria de los Dolores Pascual, Albéniz was a child prodigy who first performed at the age of four. At age seven, after apparently tak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Wilson-Johnson
David Wilson-Johnson (born 16 November 1950, in Northampton) is a British operatic and concert baritone. Career David Wilson-Johnson was educated at Wellingborough School, and studied Modern and Mediaeval Languages at St Catharine's College, Cambridge. As a singer he studied at the Royal Academy of Music in London, where he won the Dove Prize for most distinguished student. In 1976, Wilson-Johnson made his operatic debut in Henze's ''"We Come to the River"'' at the Royal Opera House at Covent Garden, where he subsequently sang important roles in many operas. In 2006, he decided to retire from the stage production of opera performance, but return to stage ''Swallow'' for ''"Peter Grimes"'' (dir. Willy Decker / cond. Yutaka Sado) at Teatro Regio di Torino in 201 He is still involved in giving concerts (including opera's concert version) worldwide with the major orchestras and recitals with his regular pianist David Owen Norris. David Wilson-Johnson was Professor of Singing at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ector De Maris
The Knights of the Round Table ( cy, Marchogion y Ford Gron, kw, Marghekyon an Moos Krenn, br, Marc'hegien an Daol Grenn) are the knights of the fellowship of King Arthur in the literary cycle of the Matter of Britain. First appearing in literature in the mid-12th century, the Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles. The various stories in the cycle present an assortment of knights from all over Great Britain and abroad, some of whom are even from outside of Europe. Their ranks often include King Arthur's family, Arthur's close and distant relatives, such as Agravain and Gaheris, as well as his reconciled enemies and those he defeated in battle, including Galehaut and King Lot, Lot. Several of the most notable kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gawain
Gawain (), also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and a Knight of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian stories in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the famous Middle English poem ''Sir Gawain and the Green Knight''. Other tales featuring Gawain as the central character include '' De Ortu Waluuanii'', ''Diu Crône'', '' Ywain and Gawain'', '' Golagros and Gawane'', '' Sir Gawain and the Carle of Carlisle'', '' L'âtre périlleux'', '' La Mule sans frein'', '' La Vengeance Raguidel'', '' Le Chevalier à l'épée'', '' The Awntyrs off Arthure'', '' The Greene Knight'', and '' The Weddynge of Syr Gawen and Dame Ragnell''. In Arthurian chivalric romance literature, Gawain is usually depicted as King Arthur's clo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Lot
King Lot , also spelled Loth or Lott (Lleu or Llew in Welsh), is a British monarch in Arthurian legend. He was introduced in Geoffrey of Monmouth's influential chronicle ''Historia Regum Britanniae'' that portrayed him as King Arthur's brother-in-law and under-king, who serves as regent of Britain during the time between the reigns of Uther and Arthur. In the wake of Geoffrey, Lot has appeared regularly in the works of chivalric romance, alternating between the roles of Arthur's enemy and ally. He chiefly figures as ruler of the northern realm of Lothian and sometimes Norway; in other texts he rules Great Britain's northernmost Orkney isles. He is generally depicted as the husband of Arthur's sister or half-sister, often known as Anna or Morgause. The names and number of their children vary depending on the source, but the later romance tradition has given him the sons Gawain, Agravain, Gaheris, Gareth, and Mordred. Lot's literary character is likely connected to the hagiograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Àngel Òdena
Àngel Òdena is a Spanish operatic baritone. Biography Born in Tarragona, Spain, he has a degree in Geography and History. He started studying singing and piano in his native town with Mercè Obiol and Dolors Aldea, and continued his studies at the Accademia Lirica in Mantua with Katia Ricciarelli and later with Eduardo Giménez. His debut was in 1994 in ''La Bohème'', at the Teatro Petruzzelli in Bari Bari ( , ; nap, label= Barese, Bare ; lat, Barium) is the capital city of the Metropolitan City of Bari and of the Apulia region, on the Adriatic Sea, southern Italy. It is the second most important economic centre of mainland Southern Italy a .... Repertory Zarzuela *Luisa Fernanda *Katiuska *La de Manojo de Mosas *Pan y toros *La del Soto del Parral *La revoltosa Spanish Opera *Merlín *Margarita la Tornera *La Dolores *Atlantida *Una voce in off *El gato con botas Sources *Albesa, Isaa"Àngel Òdena debutará en Verona"(in Spanish), ''Diari de Tarragona'', 28 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mordred
Mordred or Modred (; Welsh: ''Medraut'' or ''Medrawt'') is a figure who is variously portrayed in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle ''Annales Cambriae'', wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in Geoffrey of Monmouth's pseudo-historical work ''Historia Regum Britanniae'' which then served as the basis for the following evolution of the legend from the 12th century. Later variants most often characterised him as Arthur's villainous bastard son, born of an incestuous relationship with his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carol Vaness
Carol Theresa Vaness (born July 27, 1952) is an American lirico-spinto soprano and university professor. Early life and education Vaness was born in San Diego and graduated with her bachelor's degree from California State Polytechnic University, Pomona. She later attended California State University, Northridge where she earned her master's degree in 1976. Career Vaness launched her professional career in 1977 with the San Francisco Opera. She appeared regularly at the New York City Opera from 1979 to 1983. She made her Metropolitan Opera debut in 1984 and has sung at many of the major opera houses of Europe, including Teatro alla Scala, the Vienna State Opera, Paris Opera, and the Royal Opera House/Covent Garden. In 1993 she performed the role of Duchess Elena in ''I vespri siciliani'' with the Washington Concert Opera. She was particularly known for her Mozart operatic roles, but she has performed in a wide range of operas, including the title role in Giacomo Puccini's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Soprano
A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than other sopranos, and a darker timbre. They are often used for heroic, often long- suffering, tragic women of opera. Dramatic sopranos have a range from approximately low A ( A3) to "high C" (C6).Coffin (1960) Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces). These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos. Drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuart Skelton
Stuart Skelton (born 1968 in Sydney) is an Australian operatic heldentenor. In 2016 he opened the Metropolitan Opera season with Nina Stemme in Wagner's ''Tristan und Isolde''. Discography Studio concert recordings *2008: Mahler – ''Das Lied von der Erde'', with conductor Michael Tilson Thomas and the San Francisco Symphony *2010: Mahler – ''Das Lied von der Erde'', with conductor Vladimir Ashkenazy and the Sydney Symphony Orchestra *2011: Lancino – Requiem, with conductor Eliahu Inbal and the Orchestre philharmonique de Radio France, Naxos *2020: ''Peter Grimes'', with conductor Edward Gardner and the Bergen Philharmonic Orchestra, Chandos Live opera recordings *2009: Siegmund in Wagner's ''Die Walküre'', with conductor Simone Young in Hamburg, Oehms Classics Awards Skelton won the Best Male Performer in a Supporting Role in an Opera at the 5th Helpmann Awards in 2005 for his Siegmund in Wagner's ''Ring Cycle'' at the State Opera of South Australia, and the Help ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
