Memento (Dead Can Dance Album)
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Memento (Dead Can Dance Album)
''Memento'', subtitled ''The Very Best of Dead Can Dance'', is a compilation album by Dead Can Dance, released 25 October 2005, shortly after their US tour. Designed for the American market, this compilation focused on the second half of the band's musical career, when the duo were at their most successful in that country. Track listing #"Nierika" – 5:47 – from '' Spiritchaser'' (1996) #"The Ubiquitous Mr Lovegrove" – 6:16 – from '' Into the Labyrinth'' (1993) #"Cantara" – 5:59 – from ''Within the Realm of a Dying Sun'' (1987) #"The Carnival is Over" – 5:26 – from ''Into the Labyrinth'' (1993) #"Ariadne" – 1:55 – from ''Into the Labyrinth'' (1993) #"Enigma of the Absolute" – 4:14 – from '' Spleen and Ideal'' (1985) #"The Lotus Eaters" – 6:42 – from '' Dead Can Dance (1981–1998)'' (2001) #"In the Kingdom of the Blind the One-Eyed Are Kings" – 4:12 – from '' The Serpent's Egg'' (1988) #"Sanvean" – 3:48 – from ''Toward the Within ''Towar ...
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Dead Can Dance
Dead Can Dance are an Australian music duo first established in Melbourne. Currently composed of Lisa Gerrard and Brendan Perry, the group formed in 1981. They relocated to London the following year. Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern music, mantras, and art rock." Having disbanded in 1998, they reunited briefly in 2005 for a world tour and reformed in 2011 when they released and toured a new album, '' Anastasis''. They released a new album in 2018 called ''Dionysus'' and toured Europe in 2022. Career Formation and early years Dead Can Dance was formed in Melbourne, Australia, in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals and percussion, Simon Monroe (Marching Girls) on drums and Brendan Perry (also of Marching Girls) on vocals and guitar. Gerrard and Perry were ...
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Within The Realm Of A Dying Sun
''Within the Realm of a Dying Sun'' is the third studio album by Australian band Dead Can Dance. It was released on 27 July 1987 by 4AD. Background By this time, Dead Can Dance were predominantly a duo of Lisa Gerrard and Brendan Perry, along with Peter Ulrich, after the departure of Scott Rodger and James Pinker in 1987. On the sound of the album, the group commented, "We realised we had been limiting our musical visions efore relying around guitar, bass and drums. These instruments weren't adequate to express a lot of the things we were hearing". On the making of the album, 4AD label owner Ivo Watts-Russell commented, "I think the relationship between them and roducerJohn Rivers was at its peak with 'Within the Realm of a Dying Sun'' It's probably my favourite record of theirs". Gerrard's vocals featured prominently on the second half of the album, and her singing style often had mellifluous, mystical overtones, especially on "Cantara". The cover's photograph was take ...
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4AD Compilation Albums
4AD is a British record label owned by Beggars Group. It was founded in London under the name "Axis" (after Axis: Bold as Love, the Hendrix album) by Ivo Watts-Russell and Peter Kent in 1980 as an imprint of Beggars Banquet Records. The name was changed to 4AD after the release of the label's first four singles. Later that year, Watts-Russell and Kent purchased the label from Beggars Banquet to become an independent record label, and Kent sold his share to Watts-Russell a year later. The label gained prominence in the 1980s for releasing albums from alternative rock, post-punk, gothic rock, and dream pop artists, such as Bauhaus (band), Bauhaus, Cocteau Twins, Modern English (band), Modern English, Dead Can Dance, Clan of Xymox, Pixies (band), Pixies, Throwing Muses, Belly (band), Belly and Watts-Russell's own musical project This Mortal Coil. In 1987, the label scored an international hit with the dance music single "Pump Up the Volume (song), Pump Up the Volume" by the one-off ...
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2005 Greatest Hits Albums
5 (five) is a number, numeral (linguistics), numeral and numerical digit, digit. It is the natural number, and cardinal number, following 4 and preceding 6, and is a prime number. It has attained significance throughout history in part because typical humans have five Digit (anatomy), digits on each hand. In mathematics 5 is the third smallest prime number, and the second super-prime. It is the first safe prime, the first good prime, the first balanced prime, and the first of three known Wilson primes. Five is the second Fermat prime and the third Mersenne prime exponent, as well as the third Catalan number, and the third Sophie Germain prime. Notably, 5 is equal to the sum of the ''only'' consecutive primes, 2 + 3, and is the only number that is part of more than one pair of twin primes, (3, 5) and (5, 7). It is also a sexy prime with the fifth prime number and first Repunit#Decimal repunit primes, prime repunit, 11 (number), 11. Five is the third factorial prime, an alternat ...
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Dead Can Dance Albums
Death is the irreversible cessation of all biological functions that sustain an organism. For organisms with a brain, death can also be defined as the irreversible cessation of functioning of the whole brain, including brainstem, and brain death is sometimes used as a legal definition of death. The remains of a former organism normally begin to decompose shortly after death. Death is an inevitable process that eventually occurs in almost all organisms. Death is generally applied to whole organisms; the similar process seen in individual components of an organism, such as cells or tissues, is necrosis. Something that is not considered an organism, such as a virus, can be physically destroyed but is not said to die. As of the early 21st century, over 150,000 humans die each day, with ageing being by far the most common cause of death. Many cultures and religions have the idea of an afterlife, and also may hold the idea of judgement of good and bad deeds in one's life ( h ...
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Aion (Dead Can Dance Album)
''Aion'' is the fifth studio album by the Australian band Dead Can Dance, released on 11 June 1990 by 4AD. The first album Lisa Gerrard and Brendan Perry wrote after the end of their romantic partnership, it was recorded at Perry's new estate, Quivvy Church in Ireland, with additional recording on "The Arrival and the Reunion" and "The End of Words" taking place at Woodbine Street Recording Studios in Leamington Spa. On this album, Dead Can Dance explored early music to a greater degree, including medieval music and Renaissance music, as Perry noted, "synonymous with the Bosch period"; this included pieces like the 14th-century Italian dance instrumental ("Saltarello") and 16th-century Catalan ballad ("The Song of the Sibyl"), lyrics from 17th-century Spanish baroque poet Luis de Góngora ("Fortune Presents Gifts Not According to the Book"), and instrumentation such as hurdy-gurdy and viols. The male soprano David Navarro Sust contributed vocals to tracks 1 and 7. The album co ...
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Toward The Within
''Toward the Within'' (1994) is the first official live album of Brendan Perry and Lisa Gerrard's group Dead Can Dance. It contains 15 songs, of which only four appeared on their previous albums, and two of which were later re-recorded and included on Lisa Gerrard's first solo album, ''The Mirror Pool''. The others previously existed only in live performances and unofficial bootlegs, but were not officially released until ''Toward the Within''. Along with Perry and Gerrard were a number of musicians who had performed with them on other occasions. Overview ''Toward the Within'' was recorded in one take in November 1993 at the Mayfair Theatre in Santa Monica, California and was released by 4AD as an album and a video ( VHS and LaserDisc) a year later. It was the last major event to take place in the Mayfair Theatre before it was severely damaged in the Northridge earthquake in January 1994 and had to be closed indefinitely. The video was filmed by producer Mark Magidson, kno ...
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The Serpent's Egg (album)
''The Serpent's Egg'' is the fourth studio album by the Australian band Dead Can Dance, released on 24 October 1988 by record label 4AD. Background The album was the last produced while Brendan Perry and Lisa Gerrard were a romantic couple. A majority of the album was recorded in a multi-storey apartment block in the Isle of Dogs, London. Perry discussed the album's title: "In a lot of aerial photographs of the Earth, if you look upon it as a giant organism—a macrocosmos—you can see that the nature of the life force, water, travels in a serpentine way". Track listing Reception In a retrospective review, AllMusic said, "Perry and Gerrard continued to experiment and improve with ''The Serpent's Egg'', as much a leap forward as ''Spleen and Ideal'' was some years previously", heaping particular praise on the album opener "The Host of Seraphim", which it called "so jaw-droppingly good that almost the only reaction is sheer awe". Legacy * Electronic music duo The ...
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Dead Can Dance (1981–1998)
''Dead Can Dance (1981–1998)'' (2001) is a four-disc box set, containing three CDs of music spanning Dead Can Dance's career and a DVD of their 1994 video release ''Toward the Within''. While most of the tracks are taken from previously released albums, this set also contains a large number of rarities. "Frontier" (Demo) and "The Protagonist" were originally released on the 1987 4AD compilation '' Lonely Is an Eyesore''. "Labour of Love", "Ocean", "Orion", and "Threshold" were recorded for the John Peel Show in 1983. In 1984, a follow-up Peel Session produced the version of "Carnival of Light" contained in this set. "Sloth" (Radio) was recorded for radio and a studio version was later released on Brendan Perry's solo album ''Eye of the Hunter''. "Bylar", a Lisa Gerrard and Robert Perry (Brendan's brother) composition, was taken from a live performance recorded on 10 July 1996 at the Keswick Theatre in Glenside, Pennsylvania for the Echoes public radio show. It was origin ...
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Spleen And Ideal
''Spleen and Ideal'' is the second studio album by Australian band Dead Can Dance. It was released on 25 November 1985 by 4AD. The album spearheaded the group's sonic transition from their post-punk and gothic rock-influenced roots towards a neoclassical dark wave style. Background The band's official website stated that the album title was taken "from 19th Century symbolist ideals". The title is directly taken from "Spleen et Idéal", a collection of poems by French poet Charles Baudelaire which form a section of his magnum opus ''Les Fleurs du mal''. Discussing the album's musical style, AllMusic commented that with ''Spleen and Ideal'', Dead Can Dance "fully took the plunge into the heady mix of musical traditions that would come to define its sound and style for the remainder of its career. The straightforward goth affectations are exchanged for a sonic palette and range of imagination". The cover image shows the partial demolition of Grain Elevator No. 2 at Salford Qu ...
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Into The Labyrinth (Dead Can Dance Album)
''Into the Labyrinth'' is the sixth studio album by Australian band Dead Can Dance, released on 13 September 1993, by 4AD. It marked a strong shift from their previous albums, putting ethnic music influences at the forefront, as would be the case in the later albums. It was their first album completed on their own without the aid of guest musicians, and their first album to have a major-label release in the US, thanks to a distribution deal that 4AD had with Warner Bros. Records. It featured the single "The Ubiquitous Mr Lovegrove". ''Into the Labyrinth'' was a major success, selling more than 500,000 copies worldwide. Overview ''Into the Labyrinth'' was a marked change on many fronts from the previous album '' Aion'', released three years earlier. Perry and Gerrard were now living far apart and writing music independently (Perry was living on an island in the middle of a river in Ireland, while Gerrard lived in Australia with her husband and daughter). For the album, Gerrard ...
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Dark Wave
Dark wave (also typeset as darkwave) is a music genre that emerged from the new wave and post-punk movement of the late 1970s. Dark wave compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow. The genre embraces a range of styles including cold wave,Schilz, Andrea: ''Flyer der Schwarzen Szene Deutschlands: Visualisierungen, Strukturen, Mentalitäten.'' Waxmann Verlag, 2010, , p. 84. ethereal wave, gothic rock,Uecker, Susann: ''Mit High-Heels im Stechschritt'', Hirnkost Verlag, 2014, neoclassical dark wave and neofolk. In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose followers were called ''wavers'' or ''dark wavers''. In some countries such as Germany, the movement also included fans of gothic rock (so-called ''trad-goths''). 1980s: Origins Since the 1980s, SPEX. Musik zur Zeit: ''Classified Ad by German distribution ...
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