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Meine Seele Rühmt Und Preist, BWV 189
''Meine Seele rühmt und preist'' (My soul extols and praises), , is a church cantata credited to Johann Sebastian Bach and Melchior Hoffmann (composer), Melchior Hoffmann. History and text This is a solo cantata composed for the Feast of the Visitation (Christianity), Visitation of Mary. The prescribed readings for the day were , and . The Libretto, librettist of the work is unknown. The German text of the cantata is a paraphrase of the Magnificat. An old largely lost source attributes the cantata to Melchior Hoffmann (although seemingly confusing the composer with Johann Georg Hoffmann, an organist in Breslau). Throughout the 19th century the cantata was generally attributed to Bach. Only in the second half of the 20th century was the attribution restored to Melchior Hoffmann again in most sources. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Munch (conductor)
Charles Munch (; born Charles Münch, 26 September 1891 – 6 November 1968) was an Alsatian French symphonic conductor and violinist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the Boston Symphony Orchestra. Life and career Munch was born in 1891 in Strasbourg, Alsace. The son of organist and choir director Ernst Münch, he was the fifth of six children. He was the brother of conductor Fritz Münch and the cousin of conductor and composer Hans Münch. Although his first ambition was to be a locomotive engineer, he studied violin at the Strasbourg Conservatoire. His father, Ernst, was a professor of organ at the Conservatoire and performed at the cathedral; he also directed an orchestra with his son Charles in the second violins. After receiving his diploma in 1912, Charles studied with Carl Flesch in Berlin and Lucien Capet at the Conservatoire de Paris. He was conscripted into the German army in World War I, serving as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantatas
A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, Stölzel, Georg Philipp Telemann, Telemann, Christoph Graupner, Graupner and Johann Krieger, Krieger each wrote nearly or more than a thousand. The best known examples, however, are those of Johann Sebastian Bach, whose output stands out not by quantity but by the high level of expertise and craftmanship which they showcase. The bulk of extant cantatas were composed for occasions occurring in the liturgical calendar of the German Reformation era, including Passion cantatas for Good Friday, and most made reference to the content of the readings and to Lutheran hymns appropriate for the occasion. The chorale, melodies of such hymns often appeared in cantatas, for example as in the four-part harmony, four-part settings concluding Bach's works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naxos (company)
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Markus Schäfer
Markus Schäfer (born 13 June 1961) is a German lyric tenor, a soloist in opera, oratorio, and '' Lied''. He has performed with major opera houses and with the ensemble La Petite Bande. He has been a professor of voice at the Musikhochschule Hannover. Career Born in Andernach, Schäfer grew up in Bad Ems where his father was church musician. Schäfer studied singing with Armand McLane. He studied sacred music in Düsseldorf and Karlsruhe. He made his operatic debut with the Zurich ''Opernstudio'' and later joined the ensemble of the Zurich Opera, then the ''Hamburgische Staatsoper'' and until 1993 the ''Deutsche Oper am Rhein''. As a freelance singer, he performed Lied and concerts, including at major festivals. He has been a professor of voice at the Musikhochschule Hannover since 2008. Schäfer has performed with the ensemble La Petite Bande, conducted by Sigiswald Kuijken, in concerts and recordings of Bach cantatas and in works by Mozart, as Ferrando in '' Così fan tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Müller-Brühl
Helmut Peter Müller-Brühl (28 June 1933 – 2 January 2012) was a German conducting, conductor. Müller-Brühl was a pupil of Hermann Abendroth, founder of the Cologne Chamber Orchestra. In 1958, Müller-Brühl invited this orchestra to be the principal orchestra for concerts given at his family home, Schloss Brühl. In 1964, the orchestra's conductor, Erich Kraak, invited Müller-Brühl to be chief conductor, and Müller-Brühl led the orchestra until 2008. He also successfully collaborated with Takako Nishizaki on the “Discovery” album of violin concertos by the Chevalier de Saint-Georges. Müller-Brühl died on January 2, 2012, following a long illness. (German) He was 78. References Helmut Müller-Brühl biography and discographyat Naxos.com at Naxos.com German male conductors (music) 1933 births 2012 deaths 20th-century German conductors (music) 20th-century German male musicians {{germany-conductor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolai Gedda
Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda (11 July 1925 – 8 January 2017), was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera ''Vanessa'' at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception. Early years Harry Gustaf Nikolai Gädda, who later changed the spelling of his surname to Gedda, was born out of wedlock in Stockholm to a Swedish mother and a half-Russian father. He was raised by his aunt Olga Gädda and his adoptive father Michail Ustinov (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum Basiliensis
The Schola Cantorum Basiliensis (SCB) is a music academy and research institution located in Basel, Switzerland, that focuses on early music and historically informed performance. Faculty at the school have organized performing ensembles that have made notable recordings of early music. One of the more popular of these is the 1994 album ''Chill to the Chant''. History Paul Sacher founded the school in 1933. Influential faculty included August Wenzinger (cello and viola da gamba), Ina Lohr (violin), and Max Meili (vocal music). In 1954 the Schola merged with two other Basel music schools to form the City of Basel Music Academy. Faculty Among the school's other notable faculty members, past and present, are musicians from many countries. By nationality, they include: * Australia: keyboardist and conductor Geoffrey Lancaster * Belgium: countertenor and conductor René Jacobs * England: lutenist and ensemble leader Anthony Rooley; soprano Evelyn Tubb; viola da gambist Alison Crum * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Schreier
Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conducted by Rudolf Mauersberger, performing as an alto soloist. He became a tenor, focused on concert and lieder singing, well known internationally for the Evangelist parts in Bach's ''Christmas Oratorio'' and Passion. A member of the Berlin State Opera from 1963, he appeared in Mozart roles such as Belmonte in ''Die Entführung aus dem Serail'' and Tamino in ''Die Zauberflöte'', and in the title role of Pfitzner's ''Palestrina'', among others. He appeared at the Vienna State Opera and the Metropolitan Opera, among others, as one of few singers from the German Democratic Republic to perform internationally. Schreier made many recordings, especially of Bach's works as both a singer and a conductor, even simultaneously. He recorded many lieder i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kammerorchester Carl Philipp Emanuel Bach
The Carl Philipp Emanuel Bach Chamber Orchestra (German: ''Kammerorchester Carl Philipp Emanuel Bach'') was a German chamber orchestra, founded in 1969 in Berlin, dedicated to the music of Carl Philipp Emanuel Bach and his contemporaries. History What was to become the Carl Philipp Emanuel Bach Chamber Orchestra was formed comprising members of the Staatskapelle Berlin in 1969 by composer Jean Kurt Forest with the support of the general manager of the Staatsoper Hans Pischner, with the aim of performing contemporary music. Jean Kurt Forest was succeeded as artistic director by Dieter-Gerhard Worm. In 1980, following the initial collaboration with Hartmut Haenchen and then his appointment as artistic director, this specialist modern music orchestra changed its profile to concentrate on early classical repertoire, in particular that of the composer it was named after and his contemporaries. The reason for this change was state regulation by the East German government, which exert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Grischkat
Hans Adolf Karl Wilhelm Grischkat (29 August 1903 – 10 January 1977) was a German conductor, especially a choral conductor, also a church musician and academic teacher. He founded the choir for pioneering concerts and recordings of works by Bach and Monteverdi in the spirit of historically informed performance. He was the church musician of the in Reutlingen, published Bach cantatas for Hänssler, and was from 1950 a professor of choral conducting at the Musikhochschule Stuttgart. Career Grischkat was born in Hamburg. He studied at the University of Tübingen, first natural sciences, then musicology. He studied at the Musikhochschule Stuttgart with Hermann Keller. Grischkat was active in the . He founded in 1924 the ''Reutlinger Singkreis'', in 1931 the and in 1936 in Stuttgart the ''Grischkat-Singkreis''. In 1945, he founded the orchestra ''Schwäbisches Symphonie-Orchester Reutlingen'' which is now known as the ', serving as the conductor until 1950. Grischkat was in 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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