Mein Herze Schwimmt Im Blut, BWV 199
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Mein Herze Schwimmt Im Blut, BWV 199
Johann Sebastian Bach composed the church cantata (My heart swims in blood) 199 in Weimar between 1711 and 1714, and performed it on the eleventh Sunday after Trinity, 12 August 1714. It is a solo cantata for soprano. The text was written by Georg Christian Lehms and published in Darmstadt in 1711 in the collection , on the general topic of redemption. The librettist wrote a series of alternating recitatives and arias, and included as the sixth movement (of eight) the third stanza of Johann Heermann's hymn "". It is not known when Bach composed the work, but he performed it as part of his monthly cantata productions on the eleventh Sunday after Trinity, 12 August 1714. The solo voice is accompanied by a Baroque instrumental ensemble of oboe, strings and continuo. The singer expresses in a style similar to Baroque opera the dramatic development from feeling like a "monster in God's eyes" to being forgiven. Bach revised the work for later performances, leading to three different ...
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Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fra ...
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Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period is based on string instruments (violin, viola) and continuo. A continuous bass is the rule in Baroque music; its absence is worth mentioning and has a reason, such as describi ...
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Widerstehe Doch Der Sünde, BWV 54
(Just resist sin), BWV 54, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for alto in Weimar between 1711 and 1714, and probably performed it on the seventh Sunday after Trinity, 15 July 1714. It is Bach's first extant church cantata for a solo voice. The text of the short work was written by Georg Christian Lehms, for two arias and a connecting recitative. The topic is to resist sin, based on the Epistle of James. The text was published in a 1711 collection, dedicated to the Sunday Oculi. It is not known when Bach composed the work but is assumed that he performed it as part of his monthly cantata productions in 1714 on the seventh Sunday after Trinity, 15 July. The solo voice is accompanied by strings: two violin parts, two viola parts and continuo. The composition begins with a striking dissonant chord. History and words The history of the composition is not clear. The text was written by Georg Christian Lehms for Oculi, the third Sunda ...
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Darmstadt
Darmstadt () is a city in the States of Germany, state of Hesse in Germany, located in the southern part of the Frankfurt Rhine Main Area, Rhine-Main-Area (Frankfurt Metropolitan Region). Darmstadt has around 160,000 inhabitants, making it the fourth largest city in the state of Hesse after Frankfurt am Main, Wiesbaden, and Kassel. Darmstadt holds the official title "City of Science" (german: link=no, Wissenschaftsstadt) as it is a major centre of scientific institutions, universities, and high-technology companies. The European Organisation for the Exploitation of Meteorological Satellites (EUMETSAT) and the European Space Operations Centre (ESOC) are located in Darmstadt, as well as Gesellschaft für Schwerionenforschung, GSI Centre for Heavy Ion Research, where several chemical elements such as bohrium (1981), meitnerium (1982), hassium (1984), darmstadtium (1994), roentgenium (1994), and copernicium (1996) were discovered. The existence of the following elements were also ...
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Galante Poetinnen 0001
Galante is a surname. Notable people with the surname include: * Galante (pedigree), a family of Jewish scholars which flourished in the Middle Ages ** Abraham ben Mordecai Galante (died 1560), kabalist and author ** Mordecai Galante (died 1781), rabbi of Damascus ** Moses Galante (died 1806), rabbi of Damascus ** Moses Galante (the Elder) (or Moshe ben Mordechai Galante; died 1608), rabbi, disciple of Joseph Caro ** Moses Galante (the Younger) (or Moshe ben Yonatan Galante; 1621-1689), rabbi ** Mordecai Galante (died 1781), Chief rabbi of Damascus and author of Gedullat Mordekai ** Moses Galante (died 1806), chief rabbi of Damascus * Andrea Galante (born 1982), Argentine actress * Anyela Galante Salerno (born 1991), Venezuelan model and beauty pageant titleholder * Carmine Galante (1910-1979), a member of the Bonanno crime family * Cecilia (Plummer) Galante, American author * Fabio Galante (born 1973), Italian footballer * Forrest Galante (born 1988), American outdoor adv ...
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Pharisee And The Publican
The parable of the Pharisee and the Publican (or the ''Pharisee and the Tax Collector'') is a parable of Jesus that appears in the Gospel of Luke. In Luke 18:9–14, a self-righteous Pharisee, obsessed by his own virtue, is contrasted with a tax collector who humbly asks God for mercy. This parable primarily shows Jesus teaching that justification can be given by the mercy of God irrespective of the receiver's prior life and that conversely self-righteousness can prohibit being justified. Further coming as it does in a section of teaching on prayer it demonstrates the need to pray humbly. It immediately follows the Parable of the Unjust Judge, which is also about prayer. In the Eastern Orthodox Church, the ''Sunday of the Publican and the Pharisee'' commemorates the parable and begins the three-week pre-Lenten Season. Narrative To some who trusted in their own righteousness and looked down on everybody else, Jesus told this parable: “Two men went to the temple to pray, o ...
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Gospel Of Luke
The Gospel of Luke), or simply Luke (which is also its most common form of abbreviation). tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus Christ. Together with the Acts of the Apostles, it makes up a two-volume work which scholars call Luke–Acts, accounting for 27.5% of the New Testament. The combined work divides the history of first-century Christianity into three stages, with the gospel making up the first two of these – the life of Jesus the Messiah from his birth to the beginning of his mission in the meeting with John the Baptist, followed by his ministry with events such as the Sermon on the Plain and its Beatitudes, and his Passion, death, and resurrection. Most modern scholars agree that the main sources used for Luke were a), the Gospel of Mark, b), a hypothetical sayings collection called the Q source, and c), material found in no other gospels, often referred to as the L (for Luke) source. The author is anonymous; the tr ...
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Paul The Apostle
Paul; grc, Παῦλος, translit=Paulos; cop, ⲡⲁⲩⲗⲟⲥ; hbo, פאולוס השליח (previously called Saul of Tarsus;; ar, بولس الطرسوسي; grc, Σαῦλος Ταρσεύς, Saũlos Tarseús; tr, Tarsuslu Pavlus; la, Paulus Tarsensis AD), commonly known as Paul the Apostle and Saint Paul, was a Christian apostle who spread the teachings of Jesus in the first-century world. Generally regarded as one of the most important figures of the Apostolic Age, he founded several Christian communities in Asia Minor and Europe from the mid-40s to the mid-50s AD. According to the New Testament book Acts of the Apostles, Paul was a Pharisee. He participated in the persecution of early disciples of Jesus, possibly Hellenised diaspora Jews converted to Christianity, in the area of Jerusalem, prior to his conversion. Some time after having approved of the execution of Stephen, Paul was traveling on the road to Damascus so that he might find any Christians ...
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First Epistle To The Corinthians
The First Epistle to the Corinthians ( grc, Α΄ ᾽Επιστολὴ πρὸς Κορινθίους) is one of the Pauline epistles, part of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and a co-author, Sosthenes, and is addressed to the Christian church in Corinth. Scholars believe that Sosthenes was the amanuensis who wrote down the text of the letter at Paul's direction. It addresses various issues that had arisen in the Christian community at Corinth, and is composed in a form of Koine Greek. Authorship There is a consensus among historians and theologians that Paul is the author of the First Epistle to the Corinthians (c. AD 53–54). The letter is quoted or mentioned by the earliest of sources, and is included in every ancient canon, including that of Marcion of Sinope. Some scholars point to the epistle's potentially embarrassing references to the existence of sexual immorality in the church as strengthening the case for the aut ...
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Weinen, Klagen, Sorgen, Zagen, BWV 12
(Weeping, lamenting, worrying, fearing), 12, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for Jubilate, the third Sunday after Easter, and led the first performance on 22 April 1714 in the , the court chapel of the ''Schloss'' in Weimar. Bach was appointed in Weimar in the spring of 1714, a position that called for the performance of a church cantata each month. He composed ''Weinen, Klagen, Sorgen, Zagen'' as the second cantata in the series, on a text probably written by court poet Salomon Franck. The work is structured in seven movements, an instrumental ''Sinfonia'', a choral passacaglia, a recitative on a Bible quotation, three arias and, as the closing chorale, the last stanza from Samuel Rodigast's hymn "" (1674). The cantata is scored for three vocal soloists, a four-part choir, trumpet, oboe, bassoon, two violins, two violas, and basso continuo. Bach performed the cantata again in his first year as ''Thomaskantor'' – director of chur ...
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List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The Liturgical calendar (Lutheran)#Reformation era, liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 of these occasions (e.g. ''Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sun ...
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Ernest Augustus I, Duke Of Saxe-Weimar-Eisenach
Ernest Augustus I, Duke of Saxe-Weimar (German: ''Ernst August I''; 19 April 1688 – 19 January 1748), was a duke of Saxe-Weimar and, from 1741, of Saxe-Weimar-Eisenach. Biography He was the second but eldest surviving son of Johann Ernst III, Duke of Saxe-Weimar and his first wife Sophie Auguste of Anhalt-Zerbst. When his father died in 1707, Ernst August became co-ruler (''Mitherr'') of Saxe-Weimar, along with his uncle Wilhelm Ernst, but his title was only nominal, since Wilhelm Ernst was the actual ruler of the duchy. Only when Wilhelm Ernst died in 1728 did Ernst August begin to exercise true authority over Saxe-Weimar. Excesses Ernst August was a splendor-loving ruler, and his extravagances contributed to the eventual financial ruin of his duchy. Desperately in need of funds, he resorted to the practice of arresting wealthy subjects without cause, and setting them free only after they had renounced their fortunes to the duke, or had paid exorbitant ransoms. Some of ...
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