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Medieval Composers
Medieval music generally refers the music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. The first and longest major era of Western classical music, medieval music includes composers of a variety of styles, often centered around a particular nationality or composition school. The lives of most medieval composers are generally little known, and some are so obscure that the only information available is what can be inferred from the contents and circumstances of their surviving music. Composers of the Early Middle Ages (500–1000) almost exclusively concerned themselves with sacred music, writing in forms such as antiphons, hymns, masses, offices, sequences and tropes. Most composers were anonymous and the few whose names are known were monks or clergy. Of the known composers, the most significant are those from the Abbey of Saint Gall school, particularly Notker the Stammerer (Notker Balbulus); the Saint Martial school and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1150), High (1000–1300), and Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, and secular music, non-religious music; solely vocal music, such as Gregorian chant and choral music (music for a group of singers), solely instrumental music, and music that uses both voices and instruments (typically with the instruments accompanying the voices). Gregorian chant was sung by monks during Catholic Mass. The Mass is a reenactment of Christ's Last Supper, intended to provide a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey Of Saint Gall
The Abbey of Saint Gall (german: Abtei St. Gallen) is a dissolved abbey (747–1805) in a Catholic religious complex in the city of St. Gallen in Switzerland. The Carolingian-era monastery existed from 719, founded by Saint Othmar on the spot where Gallus had erected his hermitage. It became an independent principality between 9th and 13th centuries, and was for many centuries one of the chief Benedictine abbeys in Europe. The library of the Abbey is one of the oldest monastic libraries in the world. The city of St. Gallen originated as an adjoining settlement of the abbey. The abbey was secularized around 1800, and in 1848 its former church became a Cathedral. Since 1983 the abbey precinct has been a UNESCO World Heritage Site. History Foundation Around 612 Gallus, according to tradition an Irish monk and disciple and companion of Saint Columbanus, established a hermitage on the site that would become the monastery. He lived in his cell until his death in 646, and wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnaut De Mareuil
Arnaut de Mareuil (''fl.'' late 12th century) was a troubadour, composing lyric poetry in the Occitan language. Twenty-five, perhaps twenty-nine, of his songs, all ''Canso (song), cansos'', survive, six with music. According to Hermann Oelsner's contribution to the Encyclopædia Britannica Eleventh Edition, 1911 ''Encyclopædia Britannica'', Arnaut de Mareuil surpassed his more famous contemporary Arnaut Daniel in "elegant simplicity of form and delicacy of sentiment". This runs against the consensus of both past and modern scholars: Dante, Petrarch, Ezra Pound, Pound and Eliot, who were familiar with both authors and consistently proclaim Daniel's supremacy His name indicates that he came from Mareuil-sur-Belle in Périgord. He is said to have been a "clerk" from a poor family who eventually became a jongleur; he settled at the courts of Toulouse and then Béziers. He apparently loved the countess Azalais of Toulouse, Azalais, daughter of Raymond V of Toulouse, married to Roger II ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnaut Daniel
Arnaut Daniel (; fl. 1180–1200) was an Occitan troubadour of the 12th century, praised by Dante as "the best smith" (''miglior fabbro'') and called a "grand master of love" (''gran maestro d'amore'') by Petrarch. In the 20th century he was lauded by Ezra Pound in '' The Spirit of Romance'' (1910) as the greatest poet to have ever lived. Life According to one biography, Daniel was born of a noble family at the castle of Ribérac in Périgord; however, the scant contemporary sources point to him being a jester with pernicious economic troubles: Raimon de Durfort calls him "a student, ruined by dice and shut-the-box". Work and style The dominant characteristic of Daniel's poetry is an extreme obscurity of thought and expression, a style called ''trobar clus'' ('hermetic verse'). He belonged to one school of troubadour poets that sought to make their meanings difficult to understand through the use of unfamiliar words and expressions, enigmatical allusions, complicated meters a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aimeric De Peguilhan
Aimeric or Aimery de Peguilhan, Peguillan, or Pégulhan (c. 1170 – c. 1230) was a troubadour ( fl. 1190–1221)Gaunt and Kay, 279. born in Peguilhan (near Saint-Gaudens), the son of a cloth merchant. Aimeric's first patron was Raimon V of Toulouse, followed by his son Raimon VI. However, he fled the region at the threat of the Albigensian Crusade and spent some time in Spain and ten years in Lombardy. It is said that he had secretly loved a neighbour while living in Toulouse, and that it was for her that he returned. Aimeric is known to have composed at least fifty works, the music for six of which survives: *' *' *' *' *' *' Most of his works were bland ''cansos'' with a few ''tensos'' (with Sordello and Albertet de Sestaro Albertet de Sestaro, sometimes called Albertet de Terascon (fl. 1194–1221), was a Provençal jongleur and troubadour from the Gapençais (''Gapensés'' in Occitan). Of his total oeuvre, twenty three poems survive. "Albertet" or "Albert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Troubadours And Trobairitz
This is a list of troubadours and trobairitz, men and women who are known to have written lyric verse in the Old Occitan language. They are listed alphabetically by first name. Those whose first name is uncertain or unknown are listed by nickname or title, ignoring any initial definite article (i.e., ''lo'', ''la''). All entries are given in Old Occitan (where known) and a standardized spelling (where possible). Thus, e.g., William IX of Aquitaine is listed under ''Guilhem'', the Occitan form of William. A *Ademar de Peiteus * Ademar de Rocaficha * Ademar Jordan * Ademar lo Negre *Aimeric de Belenoi *Aimeric de Peguilhan *Aimeric de Sarlat * Alaisina *Alamanda de Castelnau * Alberjat *Albert Malaspina * Albert de Saint Bonet *Albertet Cailla *Albertet de Sestaro * Albric *Aldric del Vilar *Alegret *Alexandre *Almucs de Castelnau *Amanieu de la Broqueira *Amanieu de Sescars *Amoros dau Luc * Anfos, reis d'Aragon *Arnaut Bernart de Tarascon *Arnaut de Brantalo *Arnaut Catalan * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secular Music
Non-religious secular music and sacred music were the two main genres of Western music during the Middle Ages and Renaissance era. The oldest written examples of secular music are songs with Latin lyrics.Grout, 1996, p. 60 However, many secular songs were sung in the vernacular language, unlike the sacred songs that followed the Latin language of the Church. These earliest types were known as the chanson de geste (song of deeds) and were popular amongst the traveling jongleurs and minstrels of the time.Grout, 1996, p. 61 The largest collection of secular music from this period comes from poems of celebration and chivalry of the troubadours from the south of France. These poems contain clever rhyme-schemes, varied use of refrain-lines or words, and different metric patterns. The minstrels of this time were not themselves poets or composers. Instead they adapted the compositions of others to sing, play, and dance to in their own unique versions. Other styles included love songs, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Of Saint Victor
Adam of Saint Victor (; died 1146) was a prolific poet and composer of Latin hymns and sequences. He has been called "...the most illustrious exponent of the revival of liturgical poetry which the twelfth century affords." Life Adam of Saint Victor was born in the early part of the twelfth century, probably at Paris, where he was educated. The first reference to him dates from 1098, in the archives of Notre Dame Cathedral, where he held office first as a subdeacon and later as a precentor. He left the cathedral for the Abbey of Saint Victor around 1133, probably because of his attempts at imposing the Rule of St Augustine at the cathedral. Adam likely had contact with a number of important theologians, poets, and musicians of his day, including Peter Abelard and Hugh of St Victor, and he may have taught Albertus Parisiensis. He lived in the abbey, which was somewhat of a theological center, then in the suburbs of Paris but included in it subsequently through the city's growth. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Middle Ages
The High Middle Ages, or High Medieval Period, was the periodization, period of European history that lasted from AD 1000 to 1300. The High Middle Ages were preceded by the Early Middle Ages and were followed by the Late Middle Ages, which ended around AD 1500 (by historiography, historiographical convention). Key historical trends of the High Middle Ages include the medieval demography, rapidly increasing population of Europe, which brought about great social and political change from the preceding era, and the Renaissance of the 12th century, including the first developments of rural exodus and urbanization. By 1250, the robust population increase had greatly benefited the European economy, which reached levels that would not be seen again in some areas until the 19th century. That trend faltered during the Late Middle Ages because of a Crisis of the Late Middle Ages, series of calamities, most notably the Black Death, but also numerous wars as well as economic stagnation. Fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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