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Medea (Reimann)
''Medea'' is a German-language opera by Aribert Reimann after the play by Franz Grillparzer. It was premiered at the Vienna State Opera in February 2010. The German premiere was at the Oper Frankfurt in August 2010. History Aribert Reimann had already written seven literary operas, including ''Melusine'', ''Lear'' and ''Troades'', when he received a commission from the Vienna State Opera to write an opera for the conclusion of the era of Ioan Holender as General Director of the opera house. He chose the play ''Medea'' by Franz Grillparzer as a basis for the work, the last part of Grillparzer's trilogy ' (''The Golden Fleece'') which is focused on Greek mythology and based on the ''Argonautica'' by Apollonius of Rhodes and ''Medea'' by Euripides. The opera was successfully premiered at the Vienna State Opera in February 2010, staged by Marco Arturo Marelli, conducted by Michael Boder, with Marlis Petersen in the title role. The German premiere was at the Oper Frankfurt in Augu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aribert Reimann
Aribert Reimann (born 4 March 1936) is a German composer, pianist and accompanist, known especially for his literary operas. His version of Shakespeare's ''King Lear'', the opera ''Lear (opera), Lear'', was written at the suggestion of Dietrich Fischer-Dieskau, who sang the title role. His opera ''Medea (Reimann), Medea'' after Grillparzer's play premiered in 2010 at the Vienna State Opera. He was a professor of contemporary Lied in Hamburg and Berlin. In 2011, he was awarded the Ernst von Siemens Music Prize for his life's work. Life and career Reimann was born in Berlin. He studied musical composition, composition, counterpoint and piano at the Berlin University of the Arts, Musikhochschule Berlin with Boris Blacher and Ernst Pepping, among others. During his studies, he worked as a repetiteur at the Deutsche Oper Berlin, Städtische Oper. His first appearances as a pianist and accompanist were in 1957. In the early 1970s, he became a member of the Akademie der Künste in Berli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coloratura Soprano
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color").''Oxford American Dictionaries''. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbarian
A barbarian (or savage) is someone who is perceived to be either Civilization, uncivilized or primitive. The designation is usually applied as a generalization based on a popular stereotype; barbarians can be members of any nation judged by some to be less civilized or orderly (such as a tribal society) but may also be part of a certain "primitive" culture, cultural group (such as nomads) or social class (such as bandits) both within and outside one's own nation. Alternatively, they may instead be admired and romanticised as noble savages. In idiomatic or figurative usage, a "barbarian" may also be an individual reference to a brutal, cruel, warlike, and insensitive person. The term originates from the el, βάρβαρος (''barbaros'' pl. βάρβαροι ''barbaroi''). In Ancient Greece, the Greeks used the term not only towards those who did not speak Greek and follow classical Greek customs, but also towards Greek populations on the fringe of the Greek world with peculiar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicole Chevalier
Nicole Chevalier is an American operatic soprano, who debuted at the renowned Salzburg Festival in the summer of 2019. She was a member of the Komische Oper Berlin, and has been a freelance artist since 2017. Her repertoire includes bel canto as well as Mozart heroines such as Verdi's ''La Traviata'', Donizetti's ''Maria Stuarda'' and ''Lucia di Lammermoor'', Mozart's Konstanze in Die Entführung aus dem Serail, Elettra in Idomeneo, and stretches till Aribert Reimann's ''Medea''. In 2016, she was awarded the German National Theatre prize Der Faust for all four female characters in Offenbach's ''Les Contes d'Hoffmann''. Career Born in Chicago, Illinois, Chevalier studied at the Northwestern University and at the Indiana University Bloomington, music and voice with Virginia Zeani, and also acting and literature. During that time, she appeared in university productions, in roles such as Lauretta in Puccini's ''Gianni Schicchi'', the First Niece in Britten's ''Peter Grimes'', and R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedict Andrews
Benedict Andrews is an Australian theatre and film director, based in Reykjavík. Born in Adelaide in 1972, he was educated at Flinders University Drama Centre. His first feature film ''Una'' (an adaption of '' Blackbird'' by David Harrower) was released in 2016. Theatre Andrews has directed for theatres in both Australia and Europe. He is known for his versions of works by Shakespeare, Anton Chekhov, Jean Genet, and Tennessee Williams, as well as his stagings of contemporary writers such as David Harrower, Martin Crimp, Marius von Mayenburg, Caryl Churchill and Sarah Kane. His marathon Shakespeare cycle, ''The War of the Roses'' (Sydney Theatre Company, 2009) which was a part of the 2009 Sydney and Perth festivals, received six Helpmann Awards in 2012 including Best Play and Best Direction of a Play, as well as five Sydney Theatre Awards for Best Direction and Best Mainstage Production. The two-night eight-hour production of ''The War of the Roses'' incorporates all eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komische Oper Berlin
The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals. The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History of the building The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as ''"Theater Unter den Linden"'' with Adolf Ferron's operetta ''Daphne'' and Gaul and Haßreiter's ballet ''Die Welt in Bild und Tanz''. The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,70 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Emanuel Cenčić
Max Emanuel Cenčić (born 21 September 1976) is a Croatian countertenor, as of 1994 based in Austria. He was a member of the Wiener Sängerknaben. Early career as a boy soprano Born Max Emanuel Cenčić in Zagreb, he started singing at a very early age, earning fame in his native Croatia at the age of six after singing the Queen of the Night's coloratura aria "Der Hölle Rache" from Mozart's ''Die Zauberflöte'' on Zagreb television. From circa 1987 to 1992, Cenčić was a member of the Wiener Sängerknaben, touring and recording with them. Recorded performances, in which Cenčić was either treble soloist of the Sängerknaben or an independent male soprano, include Handel's ''Messiah'', Haydn's ''Die Schöpfung'', and Mozart's Requiem, alongside countertenor Derek Lee Ragin). Cenčić can also be heard as the leading treble soloist with the Wiener Sängerknaben in numerous recordings of liturgical and secular music on the Philips label. A particular highlight from his re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Eröd
Adrian Eröd ( hu, Erőd Adrián) (born 1970) is an Austrian operatic baritone. He is the son of composer Iván Erőd. Career After his studies with Walter Berry and Franz Lukasovsky at the University of Music and Performing Arts Vienna, Adrian successfully participated in several competitions. He won the George London scholarship, and 1998 he was awarded the Eberhard-Wächter-Medal for his interpretations of the title role in Benjamin Britten's ''Billy Budd'' and of Count Almaviva in Mozart's ''Le nozze di Figaro''. Since 2003, Adrian Eröd is employed at Wiener Staatsoper, where he debuted in 2001 as Mercutio in '' Roméo et Juliette''. His roles at the Wiener Staatsoper includes Papageno (''The Magic Flute''), Beckmesser (''Die Meistersinger von Nürnberg''), Marcello (''La Bohème''), Count Almaviva (''Le nozze di Figaro''), Figaro (''Il barbiere di Siviglia''), Lescaut (''Manon'' by Massenet and ''Manon Lescaut'' by Puccini), Paolo (''Simon Boccanegra''), Don Giulio Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
