Matsumoto Kōshirō VII
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Matsumoto Kōshirō VII
was a Japanese actor. He was one of the leading '' tachiyaku'' Kabuki actors of Japan's Meiji period (1868–1912) through the late 1940s. Names Like most Kabuki actors, Kōshirō took various stage names ('' gō'') over the course of his career. A member of the Kōraiya guild, he was often called by that name, particularly in the practice of ''yagō'', in which an actor's guild name is shouted out as a cheer or encouragement during a performance. Following in his birth father's footsteps as a master of traditional dance, he bore the stage name Fujima Kan'emon III in that context. In his first appearance on the Kabuki stage, he took the name Ichikawa Kintarō, and would later take the names Ichikawa Somegorō IV and Ichikawa Komazō VIII before coming to be known as the seventh Matsumoto Kōshirō. Early life The son of '' buyō'' (traditional dance) master Fujima Kan'emon II, he was adopted into the kabuki theatre by Ichikawa Danjūrō IX, who then became his master. Kōshir ...
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Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastate ...
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Kabuki Actors
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ...
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Nakamura Kanzaburo
Nakamura may refer to: Places * Nakamura, Kōchi, a former city in Kōchi Prefecture, Japan * Nakamura-ku, Nagoya, a ward in Nagoya city in Aichi Prefecture, Japan People * Nakamura (surname), a list of people with the surname Other uses * Nakamura stable, a stable of sumo wrestlers * Nakamura Station, a railway station in Shimanto, Kōchi Prefecture, Japan {{disambiguation, geo ...
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Nakamura Kichiemon I
was a Japanese actor and kabuki performer. In 1945, he became the senior living kabuki actor in Japan.Scott, Adolphe C. (1999). Biography Kichiemon construed his career in terms of "lifelong study" (''gei'') of that which cannot be seen in an actor's performance. Nakamura Kichiemon is a formal kabuki stage name. The actor first appeared using the name in 1897; and he continued to use this name until his death.Leiter, Samuel. (2006). He was the maternal grandfather of Nakamura Kichiemon II.母方の祖父 (maternal grandfather)
In the conservative Kabuki world, stage names are passed from father to son in formal system which converts the kabuki stage name into a mark of accomplishment. In choosing to be known by the same stage name as his grandfather, the living kabuki performer honors his family r ...
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Matsumoto Hakuo I
Matsumoto (松本 or 松元, "base of the pine tree") may refer to: Places * Matsumoto, Nagano (松本市), a city ** Matsumoto Airport, an airport southwest of Matsumoto, Nagano * Matsumoto, Kagoshima (松元町), a former town now part of the city of Kagoshima * Matsumoto Domain, a feudal domain in Shinano Province, modern-day Nagano Prefecture * Matsumoto Pond, a pond in Victoria Land, Antarctica Other uses * Matsumoto (surname), a surname and list of people with the name * Matsumoto Castle, a castle in Matsumoto, Nagano * Matsumoto Baseball Stadium, a baseball stadium in Matsumoto, Nagano * Matsumoto Bus Terminal, a bus terminal in Matsumoto, Nagano * Matsumoto Station, a railway station in Matsumoto, Nagano * Matsumoto University, a university in Matsumoto, Nagano * The Peninsula Hong Kong or Matsumoto Hotel See also * Matsumoto sarin attack, Sarin gas release in Matsumoto, Nagano * Matsumoto zeta function In mathematics, Matsumoto zeta functions are a type of zeta ...
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Shinbashi Enbujō
The is a theatre in the Ginza neighborhood of Tokyo, Japan. It is a major kabuki venue, though other types of performances take place there as well. History The theatre was originally built in 1925 to provide a venue for the ''Azuma Odori'' geisha dance performances, by Kawamura Tokutarō, manager of the Morikawa geisha house, who raised two million yen in capital and established the Shinbashi Enbujō Corporation.新橋演舞場について」 (''shinbashi enbujō ni tsuite'', "About the Shinbashi Enbujō"). ''Kabuki-bito.'' 2006-2008: Shochiku Co. Ltd. Accessed 29 October 2008. The site, by chance, was formerly that of the Matsudaira clan residence which serves as the setting for the kabuki play "'' Kagamiyama Kokyō no Nishikie''." Construction began in 1923, and was halted following the 1923 Great Kantō earthquake, but was completed in 1925. The theatre entered into a contract in 1940 with Shōchiku,''Kabuki techō: Kabuki Official Data Book 2008''. Nihon Haiyū Kyōka ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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Aragoto
, or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term is an abbreviation of the term , which literally means "wild-warrior style". The style was created and pioneered by Ichikawa Danjūrō I, a kabuki actor in the Edo period (1603-1867), and has come to be epitomized by his successors in the Ichikawa Danjūrō line of kabuki actors. Roles such as the leads in and are particularly representative of the style. is often contrasted with the ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama. It is also contrasted with or "female-like style". Notable Aragotoshi * The Ichikawa Danjūrō line ** Ichikawa Danjūrō I ** Ichikawa Danjūrō II ** Ichikawa Danjūrō III ** Ichikawa Danjūrō IV ** Ichikawa Danjūrō V ** Ichikawa Danjūrō VI ** ...
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Kamigata
Kamigata (上方) was the colloquial term for a region today called Kansai (''kan'', barrier; ''sai'', west) in Japan. This large area encompasses the cities of Kyoto, Osaka, and Kobe. The term is used particularly when discussing elements of Edo period urban culture such as ukiyo-e and kabuki, and when making a comparison to the urban culture of the Edo/Tokyo region. The term was no longer used as name for the Kansai provinces when Emperor Meiji moved to Edo in 1868. An account described Kamigata suji as one of the two regions that emerged from the division of Japan for the purpose of taxation with the other being Kwanto-suji. Kabuki, ukiyo-e, and many of the other related fields of popular and urban culture of the Edo period in fact originated in Kamigata before being transmitted to Edo. The vast majority of scholarship on the urban culture of the Edo period (1603–1867), even today, focuses on culture in Edo; Kamigata culture, though it is beginning to be studied more and mor ...
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Wagotoshi
, or ''soft style'', is a style of kabuki acting that emphasizes realistic speech and gestures. Wagoto actors typically do not employ the exaggerated makeup and costuming common to the more exaggerated '' aragoto'' (''rough'') style. Wagoto was pioneered by Sakata Tōjūrō I, an actor in the Kamigata ( Osaka- Kyoto) region. Plays that emphasize wagoto roles are typically tragic romances. Famous plays that emphasize wagoto roles include ''Sonezaki Shinjū'' (''The Love Suicides at Sonezaki'') and ''Kuruwa Bunshō'' (''Tales of the Licensed Quarter''). Wagotoshi refers to Kabuki actors who specialize in wagoto roles. Notable wagotoshi include Bandō Kakitsu I and Matsumoto Kōshirō VII was a Japanese actor. He was one of the leading '' tachiyaku'' Kabuki actors of Japan's Meiji period (1868–1912) through the late 1940s. Names Like most Kabuki actors, Kōshirō took various stage names ('' gō'') over the course of his care .... See also * Aragoto References * Kabu ...
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Onnagata
(also ) are male actors who play female roles in kabuki theatre. History The modern all-male kabuki was originally known as ("male kabuki") to distinguish it from earlier forms. In the early 17th century, shortly after the emergence of the genre, many kabuki theaters had an all-female cast (), with women playing men's roles as necessary. ("adolescent-boy kabuki"), with a cast composed entirely of attractive young men playing both male and female roles, and frequently dealing in erotic themes, originated circa 1612. Both and (or ), actors specializing in adolescent female roles (and usually adolescents themselves), were the subject of much appreciation by both male and female patrons, and were often prostitutes. All-male casts became the norm after 1629, when women were banned from appearing in kabuki due to the prevalent prostitution of actresses and violent quarrels among patrons for the actresses' favors. This ban failed to stop the problems, since the young male () acto ...
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