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Matin à Villeneuve
''Matin à Villeneuve'', also known as ''Villeneuve-l'Etang, le matin'' and ''From Waters Edge'', is a painting created circa 1905 in the Realist tradition with a strong Naturalist component by the French artist Henri Biva (1848–1929). This work was photographed and reproduced as a black and white postcard published for the occasion of the Salon Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (P ... of 1906 in Paris. Description ''Matin à Villeneuve'' is an oil painting on canvas in a vertical format with dimensions 153.7 x 127 cm (60.5 by 50 in), signed by ''Henri Biva'' (lower left). This highly detailed work depicts a morning scene at the Villeneuve-l'étang park, located just outside Paris in the western suburb of Marnes-la-Coquette (Seine-et-Oise), France. The artist h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Biva
Henri Biva (23 January 1848 – 2 February 1929) was a French artist, known for his landscape paintings and still lifes. He focused primarily on the western suburbs of Paris, painting outdoors in the plein-air tradition; his style ranging between Post-Impressionism and Realism with a strong Naturalist component. Biva's pictures are characterized by intricate strokes and a pure palette bathed with warm natural light (Biva devoted great attention to light effects). The artist was a member of the Société des Artistes Français and a Knight of the Legion of Honour (Chevalier de la Légion d'Honneur). Early life Henri Biva was born in Montmartre at 18 rue du Vieux Chemin de Paris (named rue Ravignan after 1867). His official date of birth is 22 January 1848. He grew up in an artistic environment, both within his own family and in the neighborhood in which he lived. His younger brother Paul Biva (1851–1900) also became a painter, as would Henri Biva's son Lucien Biva (1878†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naturalism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Biva, Matin à Villeneuve, Salon 1906, Vintage Postcard
Henri is an Estonian, Finnish, French, German and Luxembourgish form of the masculine given name Henry. People with this given name ; French noblemen :'' See the ' List of rulers named Henry' for Kings of France named Henri.'' * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway, French Huguenot soldier and diplomat, one of the principal commanders ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En Plein Air
''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled ''Reflections and Advice to a Student on Painting, Particularly on Landscape'' (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas ''in situ'' within the landscape. It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential. Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist Studio
A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. The term is also used for the workroom of dancers, often specified to dance studio. The word ''studio'' is derived from the , from , from ''studere'', meaning to study or zeal. The French term for studio, ''atelier'', in addition to designating an artist's studio is used to characterize the studio of a fashion designer. ''Studio'' is also a metonym for the group of people who work within a particular studio. :uz:Studiya Art studio The studio of any artist, especially from the 15th to the 19th centuries, characterized all the assistants, thus the designation of paintings as "from the workshop of..." or "studio of..." An art studio is sometimes called an at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, ''A Sunday Afternoon on the Island of La Grande Jatte'', marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillism, Pointillist and Divisionism, Divisionist techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-impressionist movement. Some argue that Neo-Impressionism became the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauvism
Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), representational or Realism (visual arts), realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions.John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Georges Rouault, Jean Metzinger, Kees van Dongen and Georges Braque (subsequently Picasso's partner in Cubism). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Bastien-Lepage
Jules Bastien-Lepage (1 November 1848 – 10 December 1884) was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement. His most famous work is his landscape-style portrait of Joan of Arc which currently resides at the Metropolitan Museum in New York City. Life and work Bastien-Lepage was born in the village of Damvillers, Meuse, and spent his childhood there. Bastien's father grew grapes in a vineyard to support the family. His grandfather also lived in the village; his garden had fruit trees of apple, pear, and peach up against the high walls. Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy. Education Jules Bastien-Lepage's first teacher was his father, himself an artist. His first formal training was at Verdun. Prompted by a love of art, he went to Paris in 1867, where he was admitted to the École des B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Bonheur
Rosa Bonheur (born Marie-Rosalie Bonheur; 16 March 1822 – 25 May 1899) was a French artist known best as a painter of animals ( animalière). She also made sculpture in a realist style. Her paintings include '' Ploughing in the Nivernais'', first exhibited at the Paris Salon of 1848, and now in the Musée d'Orsay in Paris, and '' The Horse Fair'' (in French: ''Le marché aux chevaux''), which was exhibited at the Salon of 1853 (finished in 1855) and is now in the Metropolitan Museum of Art in New York City. Bonheur was widely considered to be the most famous female painter of the nineteenth century. Bonheur was openly lesbian. She lived with her partner Nathalie Micas for over 40 years until Micas's death, after which she began a relationship with American painter Anna Elizabeth Klumpke. Early development and artistic training Bonheur was born on 16 March 1822 in Bordeaux, Gironde, the oldest child in a family of artists.Kuiper, Kathleen"Rosa Bonheur" ''Encyclopædia Britann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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