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Maso Finiguerra
Maso Tommasoii Finiguerra (1426–1464) was an Italian goldsmith, niellist, draftsman, and engraver working in Florence, who was incorrectly described by Giorgio Vasari as the inventor of engraving as a printmaking technique. This made him a crucial figure in the history of old master prints and remained widely believed until the early twentieth century. However, it was gradually realised that Vasari's view, like many of his assertions as to the origins of technical advances, could not be sustained. Typically, Vasari had overstated the importance of a fellow-Florentine, and a fellow-Italian, since it is now clear that engraving developed in Germany before Italy. Vasari only ever credited him with paper impressions of his nielli, rather than engravings made from special printing-plates, in the usual sense of the word; in fact there probably never were any such engravings by him. Although he clearly was an important artist of his time, few surviving works, and no surviving pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Warrior Subduing Another (recto); Warrior Seen In Bust-Length With Fantastic Helmet (verso) MET DP809494
A, or a, is the first Letter (alphabet), letter and the first vowel of the Latin alphabet, Latin alphabet, used in the English alphabet, modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is English alphabet#Letter names, ''a'' (pronounced ), plural English alphabet#Letter names, ''aes''. It is similar in shape to the Greek alphabet#History, Ancient Greek letter alpha, from which it derives. The Letter case, uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, "English articles, a", and its variant "English articles#Indefinite article, an", are Article (grammar)#Indefinite article, indefinite arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes mainta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vellum
Vellum is prepared animal skin or membrane, typically used as writing material. Parchment is another term for this material, from which vellum is sometimes distinguished, when it is made from calfskin, as opposed to that made from other animals, or otherwise being of higher quality. Vellum is prepared for writing or printing on, to produce single pages, scrolls, codices, or books. Modern scholars and custodians increasingly use only the less specific, potentially-confusing term "membrane".Stokes and Almagno 2001, 114Clemens and Graham 2007, pp. 9–10. Depending on factors such as the method of preparation it may be very hard to determine the animal species involved (let alone its age) without using a laboratory, and the term avoids the need to distinguish between vellum and parchment. Vellum is generally smooth and durable, although there are great variations depending on preparation and the quality of the skin. The manufacture involves the cleaning, bleaching, stretching ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cockerel
The chicken (''Gallus gallus domesticus'') is a domestication, domesticated junglefowl species, with attributes of wild species such as the grey junglefowl, grey and the Ceylon junglefowl that are originally from Southeastern Asia. Rooster or cock is a term for an adult male bird, and a younger male may be called a cockerel. A male that has been castrated is a capon. An adult female bird is called a hen and a sexually immature female is called a pullet. Humans now keep chickens primarily as a source of food (consuming both their Chicken as food, meat and egg as food, eggs) and as pets. Traditionally they were also bred for cockfighting, which is still practiced in some places. Chickens are one of the most common and widespread domestic animals, with a total population of 23.7 billion , up from more than 19 billion in 2011. There are more chickens in the world than any other bird. There are numerous cultural references to chickens – in myth, folklore and religion, and in la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Baldinucci
Filippo Baldinucci (3 June 1625 – 10 January 1696) was an Italian art historian and biographer. Life Baldinucci is considered among the most significant Florentine biographers/historians of the artists and the arts of the Baroque period. Patronised by the Medici, he aspired to become the new Vasari by renewing and expanding his biographies of artists, to which Baldinucci added lives of French and Flemish artists omitted by Vasari. His most important work was this biographical dictionary of artists, ''Notizie de' professori del disegno da Cimabue in qua'', of which the publication began in 1681 and continued after his death. His biography of Gian Lorenzo Bernini was published in 1682. Baldinucci came from a prominent and wealthy family of the Florentine merchant elite. As well as writing he drew portraits in chalk and modeled in clay; many of his deft and lively chalk portraits of friends are in the collection of the Uffizi. For Cardinal Leopoldo de' Medici, brother of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maso Finiguerra, Crocifissione, 1460-64 Ca (born 1966), J ...
Maso may refer to: * Maso (goddess) * ''Maso'' (spider), a genus of spiders in the family Linyphiidae * La Masó, municipality in Spain * Bartolomé Masó, Cuba, a municipality * An informal term to describe Macedonia People with the given name * Maso di Banco (died 1348), Italian painter * Maso da San Friano (1536–1571), Italian painter * Maso Finiguerra (1426–1464), Italian goldsmith, draftsman, and engraver People with the surname * Bartolomé Masó (1830–1907), Cuban patriot * Carole Maso, American author * Jo Maso (born 1944), French former rugby footballer * Pedro Masó (born 1927), Spanish director, producer, and scriptwriter * Rafael Masó (1880–1935), Catalan architect * Yamazaki Maso , better known by his stage name Masonna, is a Japanese noise musician. He was born on November 16, 1966, in Miyazu, Kyoto, Japan. was started in 1987 in Osaka as Maso Yamazaki's noise project. The name is a combination of the Japanese wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuliano Da Maiano
Giuliano da Maiano (1432–1490) was an Italian architect, intarsia-worker, and sculptor, the elder brother of Benedetto da Maiano, with whom he often collaborated. Biography He was born in the village of Maiano, near Fiesole, where his father was a stone-cutter who moved his family and business to Florence, where, according to Vasari, he operated a stonemason's yard, providing mouldings and carved stone detail for construction. Giuliano showed early promise, and his father hoped at first to make of him a notary, but his talent for sculpture and design won out. His first designs were for the intarsia inlay in the fittings for the New Sacristy of the Duomo, Florence, carried out in collaboration with Benedetto in 1463-1465, where Giuliano carved the wooden bas-reliefs of putti and garlands in the frieze, and for works in Palazzo Vecchio in collaboration with Benedetto, notably the ceiling in octagonal compartments and the white marble doorcase in Benedetto's ''Sala d'Audienza'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intarsia
Intarsia is a form of wood inlaying that is similar to marquetry. The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass. The word ''intarsia'' may derive from the Latin word '' interserere'' (to insert). Certosina is a variant also using pieces of ivory, bone or mother of pearl. Intarsia is mostly used of Italian, or at least European work. Similar techniques are found over much of Asia and the Middle East. History When Egypt came under Arab rule in the seventh century, indigenous arts of intarsia and wood inlay, which lent themselves to non-representational decors and tiling patterns, spread throughout the Maghreb. The technique of intarsia was already perfected in Islamic North Afric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Cathedral
Florence Cathedral, formally the (; in English Cathedral of Saint Mary of the Flower), is the cathedral of Florence, Italy ( it, Duomo di Firenze). It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris. The cathedral complex, in Piazza del Duomo, includes the Baptistery and Giotto's Campanile. These three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major tourist attraction of Tuscany. The basilica is one of Italy's largest churches, and until the development of new structural materials in the modern era, the dome was the largest in the world. It remains the largest brick dome ever constructed. The cathedral is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cino Di Filippo Rinuccini
Cino (''Scin'' in lombard) is a ''comune'' in the province of Sondrio in Italy, and it has a population of about 400 inhabitants, with an area of , the density is 67 inhabitants/km2 . Cino borders the following municipalities: Cercino, Mantello, Novate Mezzola, Dubino Dubino (''Dübìn'' in lombard) is a ''comune'' (municipality) in the Province of Sondrio in the Italian region Lombardy, located about northeast of Milan and about west of Sondrio. As of 31 December 2004, it had a population of 3,270 and an .... Cities and towns in Lombardy {{Sondrio-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Di Paolo Rucellai
Giovanni di Paolo Rucellai (1403–1481) was a member of a wealthy family of wool merchants in Renaissance Florence, in Tuscany, Italy. He held political posts under Cosimo and Lorenzo de' Medici, but is principally remembered for building Palazzo Rucellai and the Rucellai Sepulchre, for his patronage of the marble façade of the church of Santa Maria Novella, and as author of an important '' Zibaldone''. He was the father of Bernardo Rucellai (1448–1514) and grandfather of Giovanni di Bernardo Rucellai (1475–1525). Life Giovanni di Paolo Rucellai was born on 26 December 1403 to Paolo Rucellai and Caterina di Filippo Pandolfini, one of three children born in the 40 months of their marriage before the early death of Paolo Rucellai. As a young man, Giovanni di Paolo entered the banking house of Palla di Noferi Strozzi and at the age of about 25 married his daughter Iacopa di Palla Strozzi. The couple had two sons and five daughters. Rucellai remained loyal to Strozzi after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Rucellai
Palazzo Rucellai is a palatial fifteenth-century townhouse on the Via della Vigna Nuova in Florence, Italy. The Rucellai Palace is believed by most scholars to have been designed for Giovanni di Paolo Rucellai by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino. Its splendid facade was one of the first to proclaim the new ideas of Renaissance architecture based on the use of pilasters and entablatures in proportional relationship to each other. The Rucellai Palace demonstrates the impact of the antique revival but does so in a manner which is full of Renaissance originality. The grid-like facade, achieved through the application of a scheme of trabeated articulation, makes a statement of rational humanist clarity. The stone veneer of this facade is given a channeled rustication and serves as the background for the smooth-faced pilasters and entablatures which divide the facade into a series of three-story bays. The three s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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