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Masking (comics)
Masking (or the masking effect) is a Style (visual arts), visual style used in comics, first described by American cartoonist Scott McCloud in his book Understanding Comics, ''Understanding Comics: The Invisible Art''. McCloud argues that characters with simple but recognizable designs, which he terms "iconic" characters, allow readers to project themselves into the story by using the characters as a "mask". He further argues that the juxtaposition of iconic characters with detailed backgrounds, characters, or objects can create Meaning (non-linguistic), meaning and strengthen or weaken readers' emotional and psychological connection to certain elements of the Sequential art, graphic narrative. Masking can be found in various Media (communication), media outside of comics, such as animation, picture books and video games (especially visual novels). Masking is commonly used in manga and anime; McCloud states that masking "was, for a time, virtually a national style" in Japan. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anime
is Traditional animation, hand-drawn and computer animation, computer-generated animation originating from Japan. Outside of Japan and in English, ''anime'' refers specifically to animation produced in Japan. However, in Japan and in Japanese, (a term derived from a shortening of the English word ''animation'') describes all animated works, regardless of style or origin. Animation produced outside of Japan with similar style to Japanese animation is commonly referred to as anime-influenced animation. The earliest commercial Japanese animations date to 1917. A characteristic art style emerged in the 1960s with the works of cartoonist Osamu Tezuka and spread in following decades, developing a large domestic audience. Anime is distributed theatrically, through television broadcasts, Original video animation, directly to home media, and Original net animation, over the Internet. In addition to original works, anime are often adaptations of Japanese comics (manga), light novels, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Adventures Of Tintin
''The Adventures of Tintin'' (french: Les Aventures de Tintin ) is a series of 24 bande dessinée#Formats, ''bande dessinée'' albums created by Belgians, Belgian cartoonist Georges Remi, who wrote under the pen name Hergé. The series was one of the most popular European comics of the 20th century. By 2007, a century after Hergé's birth in 1907, ''Tintin'' had been published in more than 70 languages with sales of more than 200 million copies, and had been adapted for radio, television, theatre and film. The series first appeared in French on 10 January 1929, in (''The Little Twentieth''), a youth supplement to the Belgian newspaper (''The Twentieth Century''). The success of the series led to serial (literature), serialised strips published in Belgium's leading newspaper (''The Evening'') and spun into a successful ''Tintin (magazine), Tintin'' magazine. In 1950, Hergé created Studios Hergé, which produced the canonical versions of 11 ''Tintin'' albums. The series is se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hergé
Georges Prosper Remi (; 22 May 1907 – 3 March 1983), known by the pen name Hergé (; ), from the French pronunciation of his reversed initials ''RG'', was a Belgian cartoonist. He is best known for creating ''The Adventures of Tintin'', the series of Franco-Belgian comics#Formats, comic albums which are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, ''Quick & Flupke'' (1930–1940) and ''The Adventures of Jo, Zette and Jocko'' (1936–1957). His works were executed in his distinct ''ligne claire'' drawing style. Born to a lower-middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, ''The Adventures of Totor'', for ''Le Boy-Scout Belge'' in 1926. Working for the conservative Catholic newspaper ''Le Vingtième Siècle'', he created ''The Adventures of Tintin'' in 1929 on the advice of its edito ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prisoners Of The Sun Panels (The Adventures Of Tintin, Vol
A prisoner (also known as an inmate or detainee) is a person who is deprived of liberty against their will. This can be by confinement, captivity, or forcible restraint. The term applies particularly to serving a prison sentence in a prison. English law "Prisoner" is a legal term for a person who is imprisoned. In section 1 of the Prison Security Act 1992, the word "prisoner" means any person for the time being in a prison as a result of any requirement imposed by a court or otherwise that he be detained in legal custody. "Prisoner" was a legal term for a person prosecuted for felony. It was not applicable to a person prosecuted for misdemeanour. The abolition of the distinction between felony and misdemeanour by section 1 of the Criminal Law Act 1967 has rendered this distinction obsolete. Glanville Williams described as "invidious" the practice of using the term "prisoner" in reference to a person who had not been convicted. History The earliest evidence of the existen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Real Life
Real life is a phrase used originally in literature to distinguish between the real world and fictional, virtual or idealized worlds, and in acting to distinguish between actors and the characters they portray. It has become a popular term on the Internet to describe events, people, activities, and interactions occurring offline; or otherwise not primarily through the medium of the Internet. It is also used as a metaphor to distinguish life in a vocational setting as opposed to an academic one, or adulthood and the adult world as opposed to childhood or adolescence. As distinct from fiction When used to distinguish from fictional worlds or universes against the consensus reality of the reader, the term has a long history: In her 1788 work, '' Original Stories from Real Life; with Conversations Calculated to Regulate the Affections, and Form the Mind to Truth and Goodness'', author Mary Wollstonecraft employs the term in her title, representing the work's focus on a middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prop
A prop, formally known as (theatrical) property, is an object used on stage or screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes, and electrical equipment. Term The earliest known use of the term "properties" in English to refer to stage accessories is in the 1425 CE morality play, ''The Castle of Perseverance''. The ''Oxford English Dictionary'' finds the first usage of "props" in 1841, while the singular form of "prop" appeared in 1911. During the Renaissance in Europe, small acting troupes functioned as cooperatives, pooling resources and dividing any income. Many performers provided their own costumes, but other items such as stage weapons or furniture may have been acquired specially and considered "company property".Eric Partridge ''Origins: A Short Etymological Dictionary of Modern English: Second Edition''. Random House ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōjo Manga
is an editorial category of Japanese comics targeting an audience of adolescent females and young adult women. It is, along with manga (targeting adolescent boys), manga (targeting young adult and adult men), and manga (targeting adult women), one of the primary editorial categories of manga. manga is traditionally published in dedicated manga magazines, which often specialize in a particular readership age range or narrative genre. manga originated from Japanese girls' culture at the turn of the twentieth century, primarily (girls' prose novels) and ( lyrical paintings). The earliest manga was published in general magazines aimed at teenagers in the early 1900s, and entered a period of creative development beginning in the 1950s as it began to formalize as a distinct category of manga. While the category was initially dominated by male manga artists, the emergence and eventual dominance of female artists beginning in the 1960s and 1970s led to a period of signif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protagonist
A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a story contains a subplot, or is a narrative made up of several stories, then each subplot may have its own protagonist. The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. Etymology The term ''protagonist'' comes , combined of (, 'first') and (, 'actor, competitor'), which stems from (, 'contest') via (, 'I contend for a prize'). Ancient Greece The earliest known examples of a protagonist are found in Ancient Greece. At first, dramatic pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antagonist
An antagonist is a character in a story who is presented as the chief foe of the protagonist. Etymology The English word antagonist comes from the Greek ἀνταγωνιστής – ''antagonistēs'', "opponent, competitor, villain, enemy, rival," which is derived from ''anti-'' ("against") and ''agonizesthai'' ("to contend for a prize"). Types Heroes and villains The antagonist is commonly positioned against the protagonist and their world order. While most narratives will often portray the protagonist as a hero and the antagonist as a villain, like Harry Potter and Lord Voldemort in '' Harry Potter'', the antagonist does not always appear as the villain. In some narratives, like Light Yagami and L in '' Death Note'', the protagonist is a villain and the antagonist is an opposing hero. Antagonists are conventionally presented as making moral choices less savory than those of protagonists. This condition is often used by an author to create conflict within a story. This is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōnen Manga
is an editorial category of Japanese comics targeting an audience of adolescent boys. It is, along with manga (targeting adolescent girls and young women), manga (targeting young adult and adult men), and manga (targeting adult women), one of the primary editorial categories of manga. manga is traditionally published in dedicated manga magazines that exclusively target the demographic group. Of the four primary demographic categories of manga, is the most popular category in the Japanese market. While manga ostensibly targets an audience of young males, its actual readership extends significantly beyond this target group to include all ages and genders. The category originated from Japanese children's magazines at the turn of the 20th century and gained significant popularity by the 1920s. The editorial focus of manga is primarily on action, adventure, and the fighting of monsters or other forces of evil. Though action narratives dominate the category, there is de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Objectification
In social philosophy, objectification is the act of treating a person, as an object or a thing. It is part of dehumanization, the act of disavowing the humanity of others. Sexual objectification, the act of treating a person as a mere object of sexual desire, is a subset of objectification, as is self-objectification, the objectification of one's self. In Marxism, the objectification of social relationships is discussed as " reification". Definitions According to Martha Nussbaum, a person is objectified if one or more of the following properties are applied to them: # Instrumentality – treating the person as a tool for another's purposes # Denial of autonomy – treating the person as lacking in autonomy or self-determination # Inertness – treating the person as lacking in agency or activity # Fungibility – treating the person as interchangeable with (other) objects # Violability – treating the person as lacking in boundary integrity and violable, "as something that it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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