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María Conesa
María Conesa, also known as ''La Gatita Blanca'' (The White Kitten) (December 12, 1892 – September 9, 1978), was a Spanish-born Mexican stage, television, film actress and '' vedette''. She was one of the principal stars of the Revue and Vaudeville in México and Latin America in the early 20th century. Biography She began her career in Spain in the stage company named ''Aurora Infantil'' with her sister Teresita. Both highlighted in many plays. This caused that the actress ''La Zarina'', jealous of the success of the girls ordered her murder. Teresita died stabbed on the spot, and María was saved by a miracle. Overcome the tragedy, María's father did everything possible to make her a big star. She arrived to Mexico in 1901 with a company of children actors who played zarzuelas at the Teatro Principal. Later she doing a small role in ''La verbena de la Paloma''. In, 1907 she was presented at the Teatro Albisu of Havana (Cuba), with ''La Gatita Blanca (The White Kitten)'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinaròs
Vinaròs () is a city located in eastern Spain and the capital of the Baix Maestrat in the province of Castelló. It is in the border between the Valencian Country and Catalonia. Vinaròs is a fishing harbour and tourist destination. History The first historical record of Vinaròs is in 1233, when the Moorish hamlet of ''Binarlaros-Ibn Arus'' in eastern al-Andaluz was captured by King James I of Aragon. It was under rule of the Knights templar order between 1294 and 1311, and of the order of Montesa during the 14th century. The town grew during the 16th and 17th centuries, when fortifications and navy yards were built, and attained great prosperity during the following two centuries, due to its involvement in ship building and Valencian wine trade. The town suffered a strong decline in the early 20th century as a consequence of the spread of phylloxera in the regions vineyards, which devastated wine production. Today, the prosperity of Vinaròs is bound to tourism and fishin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lupe Vélez
María Guadalupe Villalobos Vélez (July 18, 1908 – December 13, 1944), known professionally as Lupe Vélez, was a Mexican actress, singer and dancer during the Golden Age of Hollywood cinema. Vélez began her career as a performer in Mexican vaudeville in the early 1920s. After moving to the United States, she made her first film appearance in a short in 1927. By the end of the decade, she was acting in full-length silent films and had progressed to leading roles in ''The Gaucho'' (1927), ''Lady of the Pavements'' (1928) and ''Wolf Song'' (1929), among others. Vélez made the transition to sound films without difficulty. She was one of the first successful Latin-American actresses in Hollywood. During the 1930s, her explosive screen persona was exploited in successful comedic films like ''Hot Pepper'' (1933), '' Strictly Dynamite'' (1934) and '' Hollywood Party'' (1934). In the 1940s, Vélez's popularity peaked while appearing as Carmelita Fuentes in eight ''Mexican Spitfire'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telenovela
A telenovela is a type of a television serial drama or soap opera produced primarily in Latin America. The word combines ''tele'' (for "television") and ''novela'' (meaning "novel"). Similar drama genres around the world include '' teleserye'' (Philippines), '' téléroman'' (Canada, specifically Quebec), and ''sinetron'' (Indonesia). Commonly described using the American colloquialism Spanish soap opera, many telenovelas share some stylistic and thematic similarities to the soap opera familiar to the English-speaking world. The significant difference is their series run length; telenovelas tell one self-contained story, typically within the span of a year or less whereas soap operas tend to have intertwined storylines told during indefinite, continuing runs. This makes them shorter than most other television series, but still much longer than a miniseries. This planned run results in a faster-paced, more concise style of melodrama compared to a typical soap opera. Episodes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo De Córdova
Arturo García Rodríguez (8 May 1908 – 3 November 1973), known professionally as Arturo de Córdova, was a Mexican actor who appeared in over a hundred films. Biography Career Arturo García Rodríguez was born in Mérida, Yucatán on 8 May 1908. Most of Córdova's films were made in Mexico and he became a major motion picture actor in Latin America and Spain, winning three Silver Ariels and received four other nominations. Córdova starred in several American films during the 1940s including ''For Whom the Bell Tolls'' (1943), '' Frenchman's Creek'' (1944), '' Incendiary Blonde'' (1945), and ''New Orleans'' (1947). Personal life and death He was married to Enna de Arana and in a relationship with actress Marga López from 1964 until his death. Córdova died from a stroke in Mexico City Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantinflas
Mario Fortino Alfonso Moreno Reyes (12 August 1911 – 20 April 1993), known by the stage name Cantinflas (), was a Mexican comedian, actor, and filmmaker. He is considered to have been the most widely-accomplished Mexican comedian and is celebrated throughout Latin America and in Spain as a popular icon. His humor, loaded with Mexican linguistic features of intonation, vocabulary, and syntax, is beloved in all the Spanish-speaking countries of Latin America and in Spain and has given rise to a range of expressions including ''cantinflear'', ''cantinflada'', ''cantinflesco'', and ''cantinflero''. Though some of his films were translated into English and French, the wordplay was so particular to Mexican Spanish that it was difficult to translate. He often portrayed impoverished farmers or a peasant of ''pelado'' origin. The character allowed Cantinflas to establish a long, successful film career that included a foray into Hollywood. Charlie Chaplin once commented that he was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
María Félix
María de los Ángeles Félix Güereña (; 8 April 1914 – 8 April 2002) was a Mexican actress and singer. Along with Pedro Armendáriz and Dolores del Río, she was one of the most successful figures of Latin American cinema in the 1940s and 1950s. Considered one of the most beautiful actresses of the Golden Age of Mexican cinema, her taste for the finesse and strong personality garnered her the title of diva early in her career. She was known as ''La Doña'', a name derived from her character in '' Doña Bárbara'' (1943), and ''María Bonita'', thanks to the anthem composed exclusively for her as a wedding gift by Félix's second husband, Agustín Lara. Her acting career consists of 47 films made in Mexico, Spain, France, Italy and Argentina. Early life María de los Ángeles Félix Güereña was born in Álamos, Sonora, Mexico, on 8 April 1914. Her birth was registered on May 4, which was later misreported as her date of birth. She was the daughter of Bernardo Félix Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolores Del Río
María de los Dolores Asúnsolo y López Negrete (3 August 1904 – 11 April 1983), known professionally as Dolores del Río (), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood. Along with a notable career in American cinema during the 1920s and 1930s, she was also considered one of the most important female figures in the Golden Age of Mexican cinema, and one of the most beautiful actresses of her era. After being discovered in Mexico, she began her film career in Hollywood in 1925. She had roles on a string of successful films, including ''Resurrection'' (1927), ''Ramona'' (1928) and ''Evangeline'' (1929). Del Río came to be considered a sort of feminine version of Rudolph Valentino, a "female Latin Lover", in her years during the American " silent" era. With the advent of sound, she acted in a range of film genres, from contemporary crime melodramas to musical comedies and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multiple lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agustín Lara
Ángel Agustín María Carlos Fausto Mariano Alfonso del Sagrado Corazón de Jesús Lara y Aguirre del Pino (; October 30, 1897 – November 6, 1970), known as Agustín Lara, was a Mexican composer and performer of songs and boleros. He is recognized as one of the most popular songwriters of his era. His work was widely appreciated not only in Mexico but also in Central and South America, the Caribbean and Spain. After his death, he has also been recognized in the United States, Italy and Japan. Notable performers of his work include Pedro Vargas who was a friend, Juan Arvizu, Nestor Mesta Chayres, Pedro Infante, Javier Solís, Julio Iglesias, Manuel Mijares, Vicente Fernandez, Luis Miguel, Perez Prado, Chavela Vargas and Natalia Lafourcade among others. Outside the Spanish speaking world, his most famous songs are '' Granada'', '' Solamente Una Vez (You Belong to My Heart)'' and '' Piensa en mí'', which have both been recorded by numerous international singers, including En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plutarco Elías Calles
Plutarco Elías Calles (25 September 1877 – 19 October 1945) was a general in the Mexican Revolution and a Sonoran politician, serving as President of Mexico from 1924 to 1928. The 1924 Calles presidential campaign was the first populist presidential campaign in Mexico's history, as he called for land redistribution and promised equal justice, expanded education, further labor rights, and democratic governance. After Calles' populist phase (1924–1926) he was committed to separating church from state (1926–1928), passing several anticlerical laws that resulted in the Cristero War. Calles is most noted for his founding of the Institutional Revolutionary Party in 1929, which ensured political stability in the wake of the assassination of president-elect Alvaro Obregón in 1928. Including its two subsequent incarnations the party held power continuously from 1929 to 1997, and was not defeated in a presidential election until 2000. After the end of his term, Calles contin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
