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Mary Rodgers
Mary Rodgers (January 11, 1931 – June 26, 2014) was an American composer, screenwriter, and author who wrote the novel ''Freaky Friday'', which served as the basis of a 1976 film starring Jodie Foster, for which she wrote the screenplay, as well as three other versions. Her best-known musicals were ''Once Upon a Mattress'' and ''The Mad Show'', and she contributed songs to Marlo Thomas' successful children's album '' Free to Be... You and Me''. Early life Rodgers was born in New York City. She was a daughter of composer Richard Rodgers and his wife, Dorothy Belle (née Feiner). She had a sister, Mrs. Linda Emory. She attended the Brearley School in Manhattan, and majored in music at Wellesley College.Eby, Douglas"Mary Rodgers Guettel interview by Douglas Eby" TalentDevelop.com. Retrieved 2010-01-06. Quote: "At age 66, she is also a board member of ASCAP ..." mplies 1997 This is not an interview transcript, but three paragraphs presumably by Eby over about 30 paragra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internet Broadway Database
The Internet Broadway Database (IBDB) is an online database of Broadway theatre productions and their personnel. It was conceived and created by Karen Hauser in 1996 and is operated by the Research Department of The Broadway League, a trade association for the North American commercial theatre community. This comprehensive history of Broadway provides records of productions from the beginnings of New York theatre in the 18th century up to today. Details include cast and creative lists for opening night and current day, song lists, awards and other interesting facts about every Broadway production. Other features of IBDB include an extensive archive of photos from past and present Broadway productions, headshots, links to cast recordings on iTunes or Amazon, gross and attendance information. Its mission was to be an interactive, user-friendly, searchable database for League members, journalists, researchers, and Broadway fans. The League recently added Broadway Touring shows t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Spot (musical)
''Hot Spot'' is a musical with the book by Jack Weinstock and Willie Gilbert, lyrics by Martin Charnin, music by Mary Rodgers, and additional lyrics and music by Stephen Sondheim. It had a brief run on Broadway in 1963. The musical is a political satire. Background A Peace Corps volunteer in newly independent Nigeria, Marjorie Michelmore, caused a furor because she had written a postcard on October 13, 1961, describing the primitive living conditions there. Nigerians were indignant, and some accused the volunteers of being American spies. This led to a public relations crisis for the fledgling Peace Corps. Production ''Hot Spot'' began out-of-town try-outs on February 11, 1963, at the National Theater, Washington, D.C.,"Hot Spot listing sondheimguide.com, retrieved February 21, 2010 and on February 28 at the Shubert Theatre, |
From A To Z
''From A to Z'' is a musical revue with a book by Woody Allen, Herbert Farjeon, and Nina Warner Hook and songs by Jerry Herman, Fred Ebb, Mary Rodgers, Everett Sloane, Jay Thompson, Dickson Hughes, Jack Holmes, Paul Klein, Norman Martin, William Dyer, and Charles Zwar. Background Hermione Gingold was asked to appear in a revue on Broadway by millionaires (and producers) Carroll Masterson and Harris Masterson and she asked her friend, Christopher Hewett to direct. Hewitt in turn recruited some of the cast and crew from Tamiment (an entertainment camp run in the summer), including the young Jonathan Tunick, then a Juilliard student, as co-orchestrator with Jay Brower.Suskin, Steven." 'From A to Z' " ''The Sound of Broadway Music: A Book of Orchestrators and Orchestrations'' (2009)(books.google.com), Oxford University Press, , p.393 Production The revue had its out-of-town tryout at the Shubert Theatre, New Haven, Connecticut starting on March 26. ''From A to Z'' opened on Broadway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LIFE Magazine
''Life'' was an American magazine published weekly from 1883 to 1972, as an intermittent "special" until 1978, and as a monthly from 1978 until 2000. During its golden age from 1936 to 1972, ''Life'' was a wide-ranging weekly general-interest magazine known for the quality of its photography, and was one of the most popular magazines in the nation, regularly reaching one-quarter of the population. ''Life'' was independently published for its first 53 years until 1936 as a general-interest and light entertainment magazine, heavy on illustrations, jokes, and social commentary. It featured some of the most notable writers, editors, illustrators and cartoonists of its time: Charles Dana Gibson, Norman Rockwell and Jacob Hartman Jr. Gibson became the editor and owner of the magazine after John Ames Mitchell died in 1918. During its later years, the magazine offered brief capsule reviews (similar to those in ''The New Yorker'') of plays and movies currently running in New York City, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morosco Theatre
The Morosco Theatre was a Broadway theatre near Times Square in New York City from 1917 to 1982. It housed many notable productions and its demolition, along with four adjacent theaters, was controversial. History Located at 217 West 45th Street, the Morosco Theatre was designed by architect Herbert J. Krapp for the Shubert family, who constructed it for Oliver Morosco in gratitude for his helping them break the monopoly of the Theatrical Syndicate. It had approximately 955 seats. After an invitation-only preview performance on February 4, 1917, it opened to the public on February 5. The inaugural production was ''Canary Cottage'', a musical with a book by Morosco and a score by Earl Carroll. The Shuberts lost the building in the Great Depression, and City Playhouses, Inc. bought it at auction in 1943. It was sold in 1968 to Bankers Trust Company and, after a massive "Save the Theatres" protest movement led by Joe Papp and supported by various actors and other theatrical fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bil Baird
William Britton "Bil" Baird (August 15, 1904 – March 18, 1987) was an American puppeteer of the mid- and late 20th century. In a career that spanned over 60 years, he and his puppets performed for millions of adults and children. One of his better known creations was Charlemane the lion. He and his wife Cora Eisenberg Baird (1912–1967) produced and performed the famous puppetry sequence for "The Lonely Goatherd" in the film version of ''The Sound of Music''. His son Peter Baird was also a puppeteer, and he continued his family's legacy until his own death in July 2004. He wrote ''The Art of the Puppet'' (1965) and provided the puppets for ''Dark Shadows''. Baird also created the expandable nose Peter Noone wore as Pinocchio in the 1968 musical adaptation of the Carlo Collodi story that aired on NBC as a Hallmark Hall of Fame special. Early life Born in Grand Island, Nebraska, Baird grew up in Mason City, Iowa. He traced his love of puppets to the moment when his father m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davy Jones' Locker
Davy Jones's locker is a metaphor for the oceanic abyss, the final resting place of drowned sailors and travellers. It is a euphemism for drowning or shipwrecks in which the sailors' and ships' remains are consigned to the depths of the ocean (to be ''sent to Davy Jones' Locker''). The origins of the name of Davy Jones, the sailors' devil, are unclear, with a 19th-century dictionary tracing Davy Jones to a "ghost of Jonah". Other explanations of this nautical superstition have been put forth, including an incompetent sailor or a pub owner who kidnapped sailors. History The earliest known reference of the negative connotation of Davy Jones occurs in the ''Four Years Voyages of Capt. George Roberts'', by author Daniel Defoe, published in 1726 in London. An early description of Davy Jones occurs in Tobias Smollett's ''The Adventures of Peregrine Pickle'', published in 1751: In the story, Jones is described as having saucer eyes, three rows of teeth, horns, a tail, and blue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revues
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicals
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boy From
"The Boy From..." is a song with lyrics by Stephen Sondheim and music by Mary Rodgers, originally performed by Linda Lavin in the 1966 Off-Broadway revue ''The Mad Show''."'Mad Show'" Sondheim Guide, accessed July 3, 2011 The song is essentially a of "" and style in general. The and |
The Girl From Ipanema
"Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel. The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album ''Getz/Gilberto'' (recorded in March 1963, released in March 1964), which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the ''Billboard'' Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world. Numerous recordings have been used i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
