|
Martinengo Altarpiece
The ''Martinengo Altarpiece'' is a painting by the Italian High Renaissance painter Lorenzo Lotto, finished in 1516. It is housed in the church of Santi Bartolomeo e Stefano in Bergamo in northern Italy. History On 15 May 1516, Lotto was in Bergamo to sign a contract for a large altarpiece for the high altar of the church of San Bartolomeo, funded by Alessandro Martinengo Colleoni, who had chosen the church as the family's new burial place (the outstanding Colleoni Chapel is located nearby). It was finished three years later, as testified by the signature, and was paid 500 ducats. The painting, the largest ever painted by Lotto, was once accompanied by a series of minor panels, which were dispersed in the following centuries and have been only partially identified - one is '' The Entombment of Christ'' (now in Bergamo). Description The subject of the painting is a Holy Conversation, with the Virgin and the Child sitting on a throne surrounded by saints. The scene is set in a ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypnerotomachia Poliphili
''Hypnerotomachia Poliphili'' (; ), called in English ''Poliphilo's Strife of Love in a Dream'' or ''The Dream of Poliphilus'', is a book said to be by Francesco Colonna. It is a famous example of an incunable (a work of early printing). The work was first published in 1499 in Venice by Aldus Manutius. This first edition has an elegant page layout, with refined woodcut illustrations in an Early Renaissance style. ''Hypnerotomachia Poliphili'' presents a mysterious arcane allegory in which the main protagonist, Poliphilo, pursues his love, Polia, through a dreamlike landscape. In the end, he is reconciled with her by the "Fountain of Venus". History The ''Hypnerotomachia Poliphili'' was printed by Aldus Manutius in Venice in December 1499. The author of the book is anonymous. However, an acrostic formed by the first, elaborately decorated letter in each chapter in the original Italian reads "POLIAM FRATER FRANCISCVS COLVMNA PERAMAVIT", which means "Brother Francesco Colonna has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpieces
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a church (building), Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central Religious image, image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Madonna And Child By Lorenzo Lotto
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1516 Paintings
__NOTOC__ Year 1516 ( MDXVI) was a leap year starting on Tuesday (link will display the full calendar) of the Julian calendar. Events January–June * January – Juan Díaz de Solís discovers the Río de la Plata (in future Argentina). * January 23 – With the death of Ferdinand II of Aragon, his grandson, Charles of Ghent, becomes King of Spain; his mother Queen Joanna of Castile also succeeds as Queen of Aragon and co-monarch with Carlos, but remains confined at Tordesillas. * March 1 – Desiderius Erasmus publishes a new Greek edition of the New Testament, ''Novum Instrumentum omne'', in Basel. * March 29 – The Venetian Ghetto is instituted in the Republic of Venice. * April 23 – The Reinheitsgebot is instituted in Ingolstadt, Bavaria, regulating the purity of beer permissible for sale. July–December * July – Selim I of the Ottoman Empire declares war on the Mamluk Sultanate of Cairo and invades Syria. * August 13 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North Carolina Museum Of Art
The North Carolina Museum of Art (NCMA) is an art museum in Raleigh, North Carolina. It opened in 1956 as the first major museum collection in the country to be formed by state legislation and funding. Since the initial 1947 appropriation that established its collection, the Museum has continued to be a model of enlightened public policy with free admission to the permanent collection. Today, it encompasses a collection that spans more than 5,000 years of artistic work from antiquity to the present, an amphitheater for outdoor performances, and a variety of celebrated exhibitions and public programs. The Museum features over 40 galleries as well as more than a dozen major works of art in the nation's largest museum park with 164-acres (0.66 km2). One of the leading art museums in the American South, the NCMA recently completed a major expansion winning international acclaim for innovative approaches to energy-efficient design. History In 1924, the North Carolina State Art Societ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Carrara
The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collector or ' of the arts. The academy of fine arts was added to it in 1794. The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988. History The art gallery was established in the early 1780s by , a Bergamasco collector or ' of the arts; by 1785 it was open to some visitors. An academy of fine arts was added to it in 1793 or 1794, initially under the direction of the Milanese painter Carlo Dionigi Sadis. Carrara made his will in 1795, leaving his entire estate to the gallery and art school he had founded; these were to be managed by a five-member commission, of which the first five were chosen by him. He died the next year. In 1810, a new building in the neo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Fine Arts, Budapest
The Museum of Fine Arts ( hu, Szépművészeti Múzeum seːpmyveːsɛti ˈmuːzɛum is a museum in Heroes' Square, Budapest, Hungary, facing the Palace of Art. It was built by the plans of Albert Schickedanz and Fülöp Herzog in an eclectic- neoclassical style , between 1900 and 1906. The museum's collection is made up of international art (other than Hungarian), including all periods of European art, and comprises more than 100,000 pieces. The collection is made up of older additions such as those from Buda Castle, the Esterházy and Zichy estates, as well as donations from individual collectors. The Museum's collection is made up of six departments: Egyptian, Antique, Old sculpture gallery, Old master paintings gallery, Modern collection, Graphics collection. The institution celebrated its centenary in 2006. Collection and exhibits Ancient Egyptian art The gallery holds the second largest collection of Egyptian art in central Europe. It comprises a number of collections ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymatium
Cymatium, the uppermost molding at the top of the cornice in the classical order, is made of the s-shaped cyma molding (either ''cyma recta'' or ''cyma reversa''), combining a concave cavetto with a convex ovolo. It is characteristic of Ionic columns and can appear as part of the entablature, the epistyle or architrave, which is the lintel or beam that rests on the capitals of columns, and the capital itself. Often the cymatium is decorated with a palmette or egg-and-dart ornament on the surface of the molding. The heights of the parts of the capital are to be so regulated that three of the nine parts and a half, into which it was divided, lie below the level of the astragal on the top of the shaft. The remaining parts are for the cymatium, abacus, and channel. The projection of the cymatium beyond the abacus is not to be greater than the size of the diameter of the eye f the voluteIn the case of a concave-convex profile, a distinction is made between cyma recta and cyma reversa, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Republic Of Venice
The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, links=no), was a sovereign state and Maritime republics, maritime republic in parts of present-day Italy (mainly Northern Italy, northeastern Italy) that existed for 1100 years from AD 697 until AD 1797. Centered on the Venetian Lagoon, lagoon communities of the prosperous city of Venice, it incorporated numerous Stato da Màr, overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a Economic history of Venice, trading power during the Middle Ages and strengthened this position during the Renaissance. Citizens spoke the still-surviving Venetian language, although publishing in (Florentine) Italian became the norm during the Renaissance. In its early years, it prospered on the salt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera Degli Sposi
The Camera degli Sposi ("bridal chamber"), sometimes known as the Camera picta ("painted chamber"), is a room frescoed with illusionistic paintings by Andrea Mantegna in the Ducal Palace, Mantua, Italy.. During the fifteenth century when the Camera degli Sposi was painted, Mantua was ruled by the Gonzaga, who maintained Mantua's political autonomy from its much stronger neighbors Milan and Venice by bidding their support out as a mercenary state. By commissioning Mantegna to paint the chamber, Ludovico III Gonzaga, the Marquis of Mantua, sought to give the Gonzaga rule more cultural credibility at a time when other Northern Italian courts such as the Ferrara were commissioning their own “painted chambers”. The Camera is located on the first floor of a northeastern tower in the private section of the Ducal Palace, with windows on the northern and eastern walls, overlooking Lago di Mezzo. This room would have been used for several different private and semi-private functions s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
