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Marius Et Fanny
is an opera (''opéra comique'') in two acts composed by Vladimir Cosma. The libretto by Michel Lengliney, Jean-Pierre Lang, Michel Rivegauche, Antoine Chalamel, Michel Arbatz and Vladimir Cosma is based on Marcel Pagnol's stage and film trilogy '' Marius'', ''Fanny'' and '' César'' (known as the ). The opera premiered on 4 September 2007 at the Opéra de Marseille with Roberto Alagna and Angela Gheorghiu in the title roles.Dalzon, Christian (2007)Vladimir Cosma: ''Marius et Fanny'' (création) ConcertoNet. Retrieved 3 September 2013 . Roles Synopsis ''Setting: The Old Port of Marseille in the 1930s'' Marius works in his father's bar at the port, but has dreams of becoming a sailor. His childhood sweetheart, Fanny, works in her mother's shellfish stall at the port. When Fanny becomes pregnant with Marius's child, their parents urge the young couple to marry. After their engagement, Fanny realizing his disappointment, encourages him to follow his dream of going to sea. Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Lafont
Jean-Philippe Lafont (born 11 February 1951) is a French baritone. He studied in his native city of Toulouse and later at the Opéra-Studio in Paris.O'Connor, Patrick He made his operatic debut as Papageno in ''The Magic Flute'' at the Salle Favart, Paris in 1974. He went on to appear regularly in Toulouse, where he first played the title role in Verdi's ''Falstaff'' in 1987. Lafont has performed at the Opéra-Comique in Paris, Carnegie Hall and the Metropolitan Opera in New York, La Scala in Milan and the Royal Opera House, London. Among the roles with which he is particularly associated are the four villains in ''The Tales of Hoffmann'', the Comte des Grieux in ''Manon'', Golaud in '' Pelléas et Mélisande'', Barak in ''Die Frau ohne Schatten'' and the title roles in ''Gianni Schicchi'', ''Rigoletto'', ''Boris Godunov'' and ''Macbeth''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny (musical)
''Fanny'' is a musical with a book by S. N. Behrman and Joshua Logan and music and lyrics by Harold Rome. A tale of love, secrets, and passion set in and around the old French port of Marseille, it is based on Marcel Pagnol's trilogy of works titled '' Marius'' (1929), '' Fanny'' (1931), and '' César'' (1936). The musical premiered on Broadway in 1954 and ran for 888 performances, and later was staged in the West End. Plot Fanny is a young woman whose childhood love, Marius, leaves her to go to sea as a sailor for five years. His father Cesar, a tavern owner, disowns him. After his departure, Fanny discovers she is pregnant. Under pressure from her mother, she marries Panisse, an older man whose delight at having an heir prompts him to keep the boy's illegitimacy a secret. Marius returns on his son's first birthday to claim both him and Fanny, but he is turned away by Cesar, who is Panisse's best friend. As the years pass the boy, now 13, longs to go to sea like his father, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Spies
Leo Spies (4 June 1899 – 1 May 1965) was a Russian-born German composer and conductor active in the musical and theatrical life of Germany, and especially in Berlin. Life and career Spies was born in Moscow to a German diplomat and his wife. He had an older brother Walter Spies, who became an artist and musicologist, and from 1923 lived in Indonesia (then Dutch who spent most of his career in Bali, and sister Daisy Spies, who became a ballet dancer. He and his siblings were educated in Moscow before the family returned to Germany, where they settled in Dresden. There Spies trained with Johannes Schreyer and Oskar von Riesemann. He studied at the under Engelbert Humperdinck and Robert Kahn from 1916 to 1917. In his early career Spies worked as a repetiteur in various German theatres and for Universum Film AG. During the late 1920s, he became involved with Hanns Eisler's circle and the workers' choral movement, for which he composed several choral works. He was the ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boleslaw Barlog
Boleslaw Stanislaus Barlog (28 March 1906 – 17 March 1999) was a German stage, film, and opera director primarily known for his work in reviving the theatrical life of Berlin after World War II. From 1951 until 1972 he served as the Intendant of the , the municipal theatre company of West Berlin that at its height employed over 80 actors and operated three theatrical venues—Schiller Theater, Schiller Theater Werkstatt, and Schlosspark Theater.Varney, Denise (ed.) (2008)''Theatre in the Berlin Republic: German Drama Since Reunification'' pp. 68-71. Peter Lang. ''Der Spiegel'' (22 March 1999)"Gestorben: Boleslaw Barlog Retrieved 9 September 2013 . Life and career Barlog was born in Breslau (then a city in the German Empire and now the Polish city of Wrocław). He was the son of a lawyer who later relocated the family to Berlin where Barlog received his secondary school education and initially worked as bookseller. He then began working as an assistant director to Karlheinz Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preston Sturges
Preston Sturges (; born Edmund Preston Biden; August 29, 1898 – August 6, 1959) was an American playwright, screenwriter, and film director. In 1941, he won the Academy Awards, Oscar for Academy Award for Best Original Screenplay, Best Original Screenplay for the film ''The Great McGinty'' (1940), his first of three nominations in the category. Sturges took the screwball comedy format of the 1930s to another level, writing dialogue that, heard today, is often surprisingly naturalistic, mature, and ahead of its time, despite the farcical situations. It is not uncommon for a Sturges character to deliver an exquisitely turned phrase and take an elaborate pratfall within the same scene. Prior to Sturges, other figures in Hollywood (such as Charlie Chaplin, D. W. Griffith, and Frank Capra) had directed films from their own scripts; however, Sturges is often regarded as the first Hollywood figure to establish success as a screenwriter and then move into directing his own scripts, at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Port Of Seven Seas
''Port of Seven Seas'' is a 1938 drama film starring Wallace Beery and featuring Frank Morgan and Maureen O'Sullivan. The movie was written by Preston Sturges based on the plays of Marcel Pagnol and the films based on them, and was directed by James Whale, the director of ''Frankenstein'' (1931) and ''The Invisible Man'' (1933). The cinematography is by Karl Freund, who filmed Fritz Lang's ''Metropolis'' (1927) and ''I Love Lucy'' (1951-1957). Plot TCM Synopsis: In the port of Marseilles, France, Honore Panisse, a well-to-do sailmaker in his fifties, is enamored of the lovely Madelon, the daughter of a widowed fishmonger. For many years Panisse has played cards with Bruneau, Captain Escartefigue and tavern-owner Cesar, the father of Marius, the boy with whom Madelon is in love. Though Cesar and Marius are great friends, they argue constantly, especially over Panisse's infatuation with Madelon, whom Cesar considers one of the family. One day, Marius sends Madelon a note saying that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera News
''Opera News'' is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. ''Opera News'' was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, ''Opera News'' offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S. The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to the mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Port Of Marseille
The Old Port of Marseille (French: ''Vieux-Port de Marseille'', ) is at the end of the Canebière, the major street of Marseille. It has been the natural harbour of the city since antiquity and is now the main popular place in Marseille. It became mainly pedestrian in 2013. History In 600 BC, Greek settlers from Phocaea landed in the Lacydon, a rocky Mediterranean cove, now the site of the Old Port of Marseille. They set up a trading post or ''emporion'' in the hills on the northern shore. Until the nineteenth century the Old Port remained the centre of maritime activity in Marseille. In the Middle Ages the land at the far end of the port was used to cultivate hemp for the local manufacture of rope for mariners, which is the origin of the name of the main thoroughfare of Marseille, the Canebière. The great St. Victor's Abbey was gradually built between the third and ninth centuries on the hills to the south of the Old Port, on the site of an Hellenic burial ground. Between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soubrette
A soubrette is a type of operatic soprano voice ''fach'', often cast as a female stock character in opera and theatre. The term arrived in English from Provençal via French, and means "conceited" or "coy". Theatre In theatre, a soubrette is a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy—often a chambermaid or confidante of the ingénue. She often displays a flirtatious or even sexually aggressive nature. The soubrette appeared in commedia dell'arte scenarios, often in the role of Columbina, where the actress would provide the details of her behavior and dialogue. From there, she moved to the works of Molière, which were influenced by the Commedia; the role of Dorine in ''Tartuffe'' (1664) fits the description. A famous example, though a hundred years later, is Suzanne in Beaumarchais' ''Le Mariage de Figaro'' (1784). Opera In classical music and opera, the term ''soubrette'' refers to both a soprano voice type and a type of opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éric Huchet
Éric Huchet (born 1 December 1962 in Saint-Germain-en-Laye) is a French contemporary lyric tenor. Musical studies * First prize of the in 1992. * University of Music and Performing Arts Vienna in Walter Berry's class Roles * Achille, Menelas in Offenbach's ''La Belle Hélène'', Théâtre du Châtelet, 2000, Marseille. * Le Prince Paul in Offenbach's ''La Grande-Duchesse de Gérolstein'', Théâtre du Châtelet, 2004. * Cochenille in Offenbach's ''The Tales of Hoffmann'', Grand Théâtre de Genève, 2008. * Falsacappa in Offenbach's ''Les Brigands'', Opéra-Comique of Paris, 2011. * Graf Elemer in Strauss's ''Arabella'', Paris Opera, July 2012. * Trufaldino in Sergei Prokofiev's ''The Love for Three Oranges'', Paris Opera 2012 * Franz in Offenbach's ''The Tales of Hoffmann'', Paris Opera, September 2012. * Monostatos in Mozart's ''The Magic Flute'', Angers-Nantes Opéra, May 2014. * Spoletta in Puccini ''Tosca''. Paris Opera, November 2014 * Cantarelli in Hérold's ''Le p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
