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Mario (song)
"Mario" is a song by Congolese guitarist Franco and his group TPOK Jazz from his eponymous 1985 album. It is considered to be the musician's biggest hit. Written and composed by Franco, the theme of the song is the story of a gigolo who lives with an older woman. Although he is a graduate, he prefers to spend his partner's money. “Mario” was reportedly certified gold after selling over 200,000 copies in Zaire. The song has been recorded three times by TPOK Jazz (each with different interpretations of Mario's story): the original, "Mario 2" (also released in 1985) and "Mario 3" (released in 1987 on the album "L'Animation Non Stop"). The song was also covered by several artists including salsa group Africando and rapper Marshall Dixon. Background The Kinshasa society had a slippage at the time when Franco composed "Mario". Young girls publicly preferred mature men for financial reasons. The same goes for young boys, they preferred mature women. This inspires Luambo to compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Luambo
François Luambo Luanzo Makiadi (6 July 1938 – 12 October 1989) was a Congolese musician. He was a major figure in 20th-century Congolese music, and African music in general, principally as the leader for over 30 years of TPOK Jazz, the most popular and significant African band of its time. He is referred to as Franco Luambo or simply Franco. Known for his mastery of African Rumba, he was nicknamed by fans and critics "Sorcerer of the Guitar" and the "Grand Maître of Zairean Music", as well as Franco de Mi Amor by female fans. His most known hit, "Mario", sold more than 200,000 copies and was certified gold. Early life Born July 6, 1938 in his mother's hometown of in what was then the Belgian Congo, he grew up in the capital city, Léopoldville (now Kinshasa). When his father, a railroad worker, died in 1949, he ended his formal education at age 10 or 11 and helped his mother by playing a homemade guitar, harmonica and other instruments to attract customers to her market ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TPOK Jazz
OK Jazz, later renamed TPOK Jazz (short for ''Tout Puissant Orchestre Kinois de Jazz''), was a Congolese rumba band from the Democratic Republic of the Congo established in 1956 and fronted by Franco. The group disbanded in 1993, but reformed in 1996. Location The OK Jazz band was formed in 1956 in Léopoldville (now Kinshasa), in what was at the time the Belgian Congo (now the Democratic Republic of the Congo). At one time in the late 1970s and early 1980s the band grew to more than fifty members. During that period, it often split into two groups; one group stayed in Kinshasa, playing in nightclubs there, while the other group toured in Africa, Europe and North America. History 1950–1959 The musicians who started OK Jazz included Vicky Longomba, Jean Serge Essous, François Luambo Makiadi, De La Lune, Augustin Moniania Roitelet, La Monta LiBerlin, Saturnin Pandi, Nicolas Bosuma Bakili Dessoin and vocalist Philippe Lando Rossignol. They used to play at Loningisa Studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libreville
Libreville is the capital and largest city of Gabon. Occupying in the northwestern province of Estuaire, Libreville is a port on the Komo River, near the Gulf of Guinea. As of the 2013 census, its population was 703,904. The area has been inhabited by the Mpongwe people since before the French acquired the land in 1839. It was later an American Christian mission, and a slave resettlement site, before becoming the chief port of the colony of French Equatorial Africa. By the time of Gabonese independence in 1960, the city was a trading post and minor administrative centre with a population of 32,000. Since 1960, Libreville has grown rapidly and now is home to one-third of the national population. History Various native peoples lived in or used the area that is now Libreville before colonization, including the Mpongwé tribe. French Admiral Louis Edouard Bouët-Willaumez negotiated a trade and protection treaty with the local Mpongwé ruler, Antchoué Komé Rapontcombo (known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soukous
Soukous (from French '' secousse'', "shock, jolt, jerk") is a genre of dance music from Congo-Kinshasa and Congo-Brazzaville. It derived from Congolese rumba in the 1960s, becoming known for its fast dance rhythms and intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo and longer dance sequences. Notable performers of the genre include Franco Luambo and his band TPOK Jazz, Papa Wemba, Sam Mangwana, Tabu Ley Rochereau, and Pépé Kallé. History 1960s In the 1950s and 1960s, artists began altering the popular dance style of Congolese rumba to have faster rhythms and more prominent guitar improvisation, as well as more pronounced African elements. Guitarist and bandleader Franco Luambo is credited with pioneering the genre alongside his band TPOK Jazz. Tabu Ley Roch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaire
Zaire (, ), officially the Republic of Zaire (french: République du Zaïre, link=no, ), was a Congolese state from 1971 to 1997 in Central Africa that was previously and is now again known as the Democratic Republic of the Congo. Zaire was, by area, the third-largest country in Africa (after Sudan and Algeria), and the 11th-largest country in the world. With a population of over 23 million inhabitants, Zaire was the most-populous officially Francophone country in Africa, as well as one of the most populous in Africa. The country was a one-party totalitarian military dictatorship, run by Mobutu Sese Seko and his ruling Popular Movement of the Revolution party. Zaire was established following Mobutu's seizure of power in a military coup in 1965, following five years of political upheaval following independence from Belgium known as the Congo Crisis. Zaire had a strongly centralist constitution, and foreign assets were nationalized. The period is sometimes referred to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Africando
Africando is a musical project formed in 1992 to unite New York-based salsa musicians with Senegalese vocalists. Musicians from other African countries were later included under the name Africando All Stars. Salsa has been a hugely popular style in Central and West Africa since the 1940s-1950s, and the goal of Africando was to merge salsa rhythms from both sides of the Atlantic, mainly based on the African salsa tradition. Africando was initiated by producer Ibrahim Sylla from Côte d'Ivoire and Malian arranger Boncana Maiga of Fania All Stars. Some of the musicians initially involved were: Ronnie Baro (of Orquesta Broadway), Pape Seck (ex member of Star Band), Nicholas Menheim (associate of Youssou N'Dour), and Medoune Diallo (formerly with Orchestre Baobab). The first two albums were a big success in Africa and in the World Music scene. Singer Pape Seck died in 1995, and was replaced by Gnonnas Pedro from Benin (who died August 2005) and Ronnie Baró of Orquestra Broadway. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bogumil Jewsiewicki
Bogumil Jewsiewicki (born 1942 in Vilnius, also first name Bogumił and last names Koss, Koss Jewsiewicki, Jewsiewicki-Koss, and Jewsiewicki Koss) is a retired professor of history and an Africanist at Université Laval specialising in the history of Central Africa, notably the Democratic Republic of the Congo, and the social usage of visual memory. Jewsiewicki obtained a Master's degree in ethnography in 1964 and a PhD in 1968, both at the University of Łódź. From 1968 through 1974 Jewsiewicki taught at , Université Lovanium of Kinshasa and Université Nationale du Zaïre in the Democratic Republic of the Congo, later Zaire. He then emigrated to Canada to work at Université de Saint-Boniface in Winnipeg and in the Département d’histoire of Université Laval since 1977, becoming a full professor in Histoire comparée de la mémoire (comparative history of memory) in 1985. Jewsiewicki was a researcher at the Centre d'études africaines of the School for Advanced Studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Noel Nedule
Papa Noel Nedule is a soukous recording artist and guitarist in the Democratic Republic of the Congo (DRC). He was born as Antoine Nedule Monswet on December 25, 1940. Because of his Christmas birthdate, he became known as "Papa Noel," and he is often referred to under that name (without "Nedule"). He was once a member of the soukous band TPOK Jazz, led by François Luambo Makiadi, which dominated the Congolese music scene from the 1950s through the 1980s. He was an original member and leader of the band Kékélé when it was founded in 2000, although illness prevented him from joining the band in some of its later recording sessions and tours. Discography * ''Cafe Noir'' (2007) ;Contributing artist * ''The Rough Guide to Congo Gold'' (2008, World Music Network) See also * Josky Kiambukuta * Simaro Lutumba * Youlou Mabiala * Sam Mangwana * Wuta Mayi * Ndombe Opetum * Mose Se Sengo - "Fan Fan" * List of African musicians References External links Overview of Composition of T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C-flat Major
C-flat major (or the key of C-flat) is a major scale based on C♭ (musical note), C, consisting of the pitches C, D♭ (musical note), D, E♭ (musical note), E, F♭ (musical note), F, G♭ (musical note), G, A♭ (musical note), A, and B♭ (musical note), B. Its key signature has seven Flat (music), flats. Its Relative key, relative minor is A-flat minor (or enharmonically G-sharp minor), and its Parallel key, parallel minor is C-flat minor, usually replaced by B minor, since C-flat minor's three Double-flat, double-flats make it impractical to use. The direct enharmonic equivalent of C-flat major is B major, a key signature with five sharps. The C-flat major scale is: C-flat major is the only major or minor key, other than theoretical keys, which has "flat" or "sharp" in its name, but whose tonic note is the enharmonic equivalent of a Natural (music), natural note (a white key on a keyboard instrument). Use in harp music C-flat major is the home key of the harp, with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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